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Grimace Collection (page 3)

"Grimace: A Multifaceted Expression of Emotion and Character" In the world of wrestling, Shirley Crabtree, famously known as Big Daddy

Background imageGrimace Collection: Chimney pot or louvre, formerly mounted on the ridge of a roof in the High Street, Oxford

Chimney pot or louvre, formerly mounted on the ridge of a roof in the High Street, Oxford
AMQ114282 Chimney pot or louvre, formerly mounted on the ridge of a roof in the High Street, Oxford, 14th century (pottery) by English School, (14th century); Ashmolean Museum, University of Oxford

Background imageGrimace Collection: A figure of a lion on rockwork (cloisonne enamel)

A figure of a lion on rockwork (cloisonne enamel)
PFR231373 A figure of a lion on rockwork (cloisonne enamel) by Chinese School, Qing Dynasty (1644-1912); Private Collection; ePaul Freeman; Chinese, out of copyright

Background imageGrimace Collection: Man Yawning (oil on panel)

Man Yawning (oil on panel)
NUL129799 Man Yawning (oil on panel) by Bruegel, Pieter the Elder (c.1525-69); 12.6x9.2 cm; Musees Royaux des Beaux-Arts de Belgique, Brussels, Belgium; Flemish, out of copyright

Background imageGrimace Collection: Laocoon (marble) (detail of 217181) (b / w photo)

Laocoon (marble) (detail of 217181) (b / w photo)
ALI237392 Laocoon (marble) (detail of 217181) (b/w photo) by Greek; Vatican Museums and Galleries, Vatican City; Alinari

Background imageGrimace Collection: A Paris Beau, published by Hannah Humphrey in 1794 (hand-coloured etching)

A Paris Beau, published by Hannah Humphrey in 1794 (hand-coloured etching)
NCO189733 A Paris Beau, published by Hannah Humphrey in 1794 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Background imageGrimace Collection: The Italian Grimacier or pantomime artist

The Italian Grimacier or pantomime artist
Italian street pantomime artist in grotesque wig, playing a bizarre one-string violin with balloon. This young Italian man with black eyes excels at terrible grimaces

Background imageGrimace Collection: The God Bes (stone)

The God Bes (stone)
XIR444221 The God Bes (stone) by Egyptian Ptolemaic Period (332-30 BC); Museo Archeologico Nazionale, Florence, Italy; (add.info.: Bes, Egyptian household god)

Background imageGrimace Collection: A Black Dog (engraving)

A Black Dog (engraving)
2781295 A Black Dog (engraving) by English School, (19th century); Private Collection; (add.info.: A Black Dog. Illustration for Chatterbox (1899).); © Look and Learn

Background imageGrimace Collection: Heads of the demon Humbaba (terracotta)

Heads of the demon Humbaba (terracotta)
LRI3512884 Heads of the demon Humbaba (terracotta) by Sumerian; Archaeological Museum, Baghdad, Iraq; (add.info.: In Mesopotamian mythology)

Background imageGrimace Collection: Antefix in the form of the head of Medusa (terracotta)

Antefix in the form of the head of Medusa (terracotta)
LRI3512883 Antefix in the form of the head of Medusa (terracotta) by Etruscan, (6th century BC); Museo Nazionale Etrusco, Villa Giulia, Rome, Lazio

Background imageGrimace Collection: From the series Famous Actors Past and Present, c

From the series Famous Actors Past and Present, c
CH401510 From the series Famous Actors Past and Present, c.1860-65 (colour woodblock print) by Kunisada, Utagawa (1786-1865) & Yoshitora, U

Background imageGrimace Collection: Man pulls a face (colour litho)

Man pulls a face (colour litho)
3642877 Man pulls a face (colour litho) by English School, (20th century); Private Collection; (add.info.: Man pulls a face. Postcard, early 20th century.); © Look and Learn

Background imageGrimace Collection: Antefix of a Gorgons head, from Tarento, c. 6th century BC (terracotta)

Antefix of a Gorgons head, from Tarento, c. 6th century BC (terracotta)
HSC270381 Antefix of a Gorgons head, from Tarento, c.6th century BC (terracotta) by Greek; length: 24.5 cm; Private Collection; Photo eHeini Schneebeli; Greek, out of copyright

Background imageGrimace Collection: Taking Physick, published by Hannah Humphrey in 1800 (hand-coloured etching)

Taking Physick, published by Hannah Humphrey in 1800 (hand-coloured etching)
NCO189726 Taking Physick, published by Hannah Humphrey in 1800 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; English

Background imageGrimace Collection: Human Face Mask, c. 1820 (painted wood)

Human Face Mask, c. 1820 (painted wood)
PEM216347 Human Face Mask, c.1820 (painted wood) by American School, (19th century); height: 26.2 cm; Peabody Essex Museum, Salem, Massachusetts

Background imageGrimace Collection: How solitary confinement does not always produce excellent results

How solitary confinement does not always produce excellent results
LSE4403417 How solitary confinement does not always produce excellent results, a series of cartoons about Professor and Moutards of Honore Daumier (1808-1879). " Charivari", 1846

Background imageGrimace Collection: A Middle Mochica mask of an aged dignitary, c. 100-200

A Middle Mochica mask of an aged dignitary, c. 100-200
1767136 A Middle Mochica mask of an aged dignitary, c.100-200 by Moche; Private Collection; (add.info.: A Middle Mochica mask of an aged dignitary, ca. A.D)

Background imageGrimace Collection: Une loge, le jour du spectacle gratuit Peinture de Louis Leopold Boilly (1761-1845

Une loge, le jour du spectacle gratuit Peinture de Louis Leopold Boilly (1761-1845
JLJ4664992 Une loge, le jour du spectacle gratuit Peinture de Louis Leopold Boilly (1761-1845) 1830 Sun. 0, 33x0, 41 m Versailles, musee Lambinet - Theatre box, the day of the free performance

Background imageGrimace Collection: Masks (wood)

Masks (wood)
HSC209818 Masks (wood) by Tibetan School; Horniman Museum, London, UK; Photo eHeini Schneebeli; Tibetan, out of copyright

Background imageGrimace Collection: Physiognomical studies, from Mecanisme de la Physionomie humaine ou analyse

Physiognomical studies, from Mecanisme de la Physionomie humaine ou analyse
CHT207797 Physiognomical studies, from Mecanisme de la Physionomie humaine ou analyse electrophysiologique des passions by Duchenne de Boulogne, published 1876

Background imageGrimace Collection: The Surgeon, 1649 (oil on panel)

The Surgeon, 1649 (oil on panel)
RAF81445 The Surgeon, 1649 (oil on panel) by Lundens, Gerrit (1622-86); 30x21.5 cm; Private Collection; Photo eRafael Valls Gallery, London, UK; Dutch, out of copyright

Background imageGrimace Collection: Ancient story: Menelas winner, caricature to illustrate an excerpt from the Iliad of

Ancient story: Menelas winner, caricature to illustrate an excerpt from the Iliad of
LSE4403500 Ancient story: Menelas winner, caricature to illustrate an excerpt from the Iliad of Homere: " On the smoky ramparts of the superb Troy, Menelas, son of the gods, like a rich prey

Background imageGrimace Collection: The ugly climber. Child pulling his tongue while looking at himself in the mirror

The ugly climber. Child pulling his tongue while looking at himself in the mirror
DUV4198619 The ugly climber. Child pulling his tongue while looking at himself in the mirror. Little boys alphabet. Abecedary has moral value containing reading exercises

Background imageGrimace Collection: Okimono mask carved as a character from the Kabuki or other theatre (ivory)

Okimono mask carved as a character from the Kabuki or other theatre (ivory)
451589 Okimono mask carved as a character from the Kabuki or other theatre (ivory) by Japanese School; Wolverhampton Art Gallery, West Midlands, UK; eWolverhampton Art Gallery; Japanese

Background imageGrimace Collection: Lycus (marble) (detail of 143022)

Lycus (marble) (detail of 143022)
471840 Lycus (marble) (detail of 143022) by Canova, Antonio (1757-1822); Galleria Nazionale d Arte Moderna e Contemporanea, Rome, Lazio, Italy; (add.info.: detail of Hercules and Lycus)

Background imageGrimace Collection: Pair of Taoist officials, Yuan or early Ming dynasty (parcel gilt bronze) (see 205152)

Pair of Taoist officials, Yuan or early Ming dynasty (parcel gilt bronze) (see 205152)
PFR206709 Pair of Taoist officials, Yuan or early Ming dynasty (parcel gilt bronze) (see 205152) by Chinese School (14th century); Private Collection; ePaul Freeman; Chinese, out of copyright

Background imageGrimace Collection: Capital illustrating the vice of despair, Abbey Church of La Madeleine, Vezelay

Capital illustrating the vice of despair, Abbey Church of La Madeleine, Vezelay
XIR242895 Capital illustrating the vice of despair, Abbey Church of La Madeleine, Vezelay, France (pencil on paper) by Viollet-le-Duc

Background imageGrimace Collection: Father and Son Shovelling Snow in Their Driveway, 1945 (screen print)

Father and Son Shovelling Snow in Their Driveway, 1945 (screen print)
3034726 Father and Son Shovelling Snow in Their Driveway, 1945 (screen print) by American School, (20th century); (add.info)

Background imageGrimace Collection: A Missed Opportunity, 1923 (oil on canvas)

A Missed Opportunity, 1923 (oil on canvas)
PNY134935 A Missed Opportunity, 1923 (oil on canvas) by Foster, William Harnden (c.1886-1941); 66.3x51.1 cm; Private Collection; Phillips, Fine Art Auctioneers, New York, USA; American

Background imageGrimace Collection: Pregnant womans craving: the butcher, 19th century (colour litho)

Pregnant womans craving: the butcher, 19th century (colour litho)
CHT157485 Pregnant womans craving: the butcher, 19th century (colour litho) by Daumier, Honore (1808-79); Ordre National des Pharmaciens, Paris, France; (add.info.: Une envie de femme enceinte)

Background imageGrimace Collection: Tibetan figures: Vajravarahi dancing on a human corpse; figure of Padmapari

Tibetan figures: Vajravarahi dancing on a human corpse; figure of Padmapari
BAL45062 Tibetan figures: Vajravarahi dancing on a human corpse; figure of Padmapari; figure of Beg-tse; figure of Dam-can Dor-je Legs-pa riding a horse, 18th century (gilt copper)

Background imageGrimace Collection: The Sense of Feeling (oil on wood)

The Sense of Feeling (oil on wood)
3743956 The Sense of Feeling (oil on wood) by Teniers, David the Younger (1610-90); 18.8x13.8 cm; Nottingham City Museums and Galleries (Nottingham Castle)

Background imageGrimace Collection: The bad doctor A man who climbs while drinking a medicine

The bad doctor A man who climbs while drinking a medicine
JLJ4580050 The bad doctor A man who climbs while drinking a medicine. Painting by Adrian Brouwer (1605-1638) (ec.flam.) 17th century Dijon, Musee des Beaux Arts by Brouwer

Background imageGrimace Collection: The Temptation of St Anthony (Temptation of St Anthony) Detail Painting by Henri Met de

The Temptation of St Anthony (Temptation of St Anthony) Detail Painting by Henri Met de
LRI4603947 The Temptation of St Anthony (Temptation of St Anthony) Detail Painting by Henri Met de Bles dit Civetta (1480-1550) Dim 78, 5x97, 2 cm Venice Museo Correr by Bles

Background imageGrimace Collection: No theater mask, 14th-15th century

No theater mask, 14th-15th century
LRI4630519 No theater mask, 14th-15th century by Japanese School, (14th century); Museo d Arte Orientale Edoardo Chiossone, Genoa, Italy; (add.info.: Japanese Art: No theater mask)

Background imageGrimace Collection: She makes a face by pulling her tongue (sculpture, 6th century BC)

She makes a face by pulling her tongue (sculpture, 6th century BC)
LRI4674894 She makes a face by pulling her tongue (sculpture, 6th century BC) by Greek School, (6th century BC); Acropolis Museum, Athens, Greece; (add.info.: She makes a face by pulling her tongue)

Background imageGrimace Collection: Caricature: series of ridiculous expressions '

Caricature: series of ridiculous expressions "
JLJ4680461 Caricature: series of ridiculous expressions " reunion of 35 heads of expression" Painting by Louis Leopold Boilly (1761-1845) circa 1825 Oil on wood Dim

Background imageGrimace Collection: Madame Hadamard, 1908 (oil on canvas)

Madame Hadamard, 1908 (oil on canvas)
899248 Madame Hadamard, 1908 (oil on canvas) by Davids, Andre (1870-c.1940/45); Musee d Orsay, Paris, France; (add.info.: Madame Hadamard)

Background imageGrimace Collection: The Operation, 1753-54 (oil on canvas)

The Operation, 1753-54 (oil on canvas)
LSE3614289 The Operation, 1753-54 (oil on canvas) by Traversi, Gaspare (1732-69); Staatsgalerie, Stuttgart, Germany; Photo eLeonard de Selva; Italian, out of copyright

Background imageGrimace Collection: Anthropomorphic effigy vessel, Bagace, Guanacaste, 500-800 (ceramic)

Anthropomorphic effigy vessel, Bagace, Guanacaste, 500-800 (ceramic)
DBP424180 Anthropomorphic effigy vessel, Bagace, Guanacaste, 500-800 (ceramic) by Mesoamerican; height: 19 cm; Private Collection; Photo eDirk Bakker; out of copyright

Background imageGrimace Collection: Human effigy urn, 600-900 (ceramic)

Human effigy urn, 600-900 (ceramic)
DBP422888 Human effigy urn, 600-900 (ceramic) by Weeden Island culture (c.200-1200); height: 36 cm; Private Collection; Photo eDirk Bakker; American, out of copyright

Background imageGrimace Collection: Towa, c. 1817 (w / c & bodycolour)

Towa, c. 1817 (w / c & bodycolour)
BAL43083 Towa, c.1817 (w/c & bodycolour) by Browne, Richard (1776-1824); Private Collection; Australian, out of copyright

Background imageGrimace Collection: Physiognomical studies, from Mecanisme de la Physionomie humaine ou analyse

Physiognomical studies, from Mecanisme de la Physionomie humaine ou analyse
CHT207806 Physiognomical studies, from Mecanisme de la Physionomie humaine ou analyse electrophysiologique des passions by Duchenne de Boulogne, published 1876

Background imageGrimace Collection: Physiognomical studies, from 22 to 28, from Mecanisme de la Physionomie humaine ou

Physiognomical studies, from 22 to 28, from Mecanisme de la Physionomie humaine ou
CHT207798 Physiognomical studies, from 22 to 28, from Mecanisme de la Physionomie humaine ou analyse electrophysiologique des passions by Duchenne de Boulogne, published 1876

Background imageGrimace Collection: Le grimacier: street musician in the 18th century - in 'Le bon genre'

Le grimacier: street musician in the 18th century - in "Le bon genre"
LSE4079886 Le grimacier: street musician in the 18th century - in " Le bon genre" nAa95 by Unknown Artist, (19th century); Private Collection; (add.info.: Le grimacier)

Background imageGrimace Collection: The American envoy getting an audience from the Emperor of China

The American envoy getting an audience from the Emperor of China
LSE4403583 The American envoy getting an audience from the Emperor of China. In serie En Chine, illustration by Honore Daumier (1808-1879), published in " Charivari", dated October 21

Background imageGrimace Collection: Singing religious men (Les chantres). Caricature by L. Boilly dating from 1826

Singing religious men (Les chantres). Caricature by L. Boilly dating from 1826
LSE4087940 Singing religious men (Les chantres). Caricature by L. Boilly dating from 1826. by Boilly, Louis Leopold (1761-1845); Private Collection; (add.info.: Singing religious men (Les chantres)

Background imageGrimace Collection: Self-portrait of the artist under the traits of a mocker Painting by Joseph Ducreux

Self-portrait of the artist under the traits of a mocker Painting by Joseph Ducreux
JLJ4569702 Self-portrait of the artist under the traits of a mocker Painting by Joseph Ducreux (1735-1802) 1802 Sun. 0, 91x0, 72 m - Self-Portrait of the artist with a mocking face



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"Grimace: A Multifaceted Expression of Emotion and Character" In the world of wrestling, Shirley Crabtree, famously known as Big Daddy, showcased his larger-than-life persona alongside fellow British wrestler Martin Ruane. Their intense grimaces conveyed both power and determination in the ring. Meanwhile, a brown capuchin monkey displayed submissive behavior through its own unique grimace while held captive in Peru. This expression revealed vulnerability and deference to its surroundings. The art world also captured the essence through various mediums. An 1864 etching titled "Bobalicon (Silly Idiot)" depicted an individual's foolishness with a comical facial contortion. Actress Anne Heywood embraced her role in the film "Floods of Fear" by learning to swim, her face often reflecting a mixture of fear and determination as she conquered new challenges underwater. An actor's portrayal can be enhanced by their ability to convey emotions through facial expressions. In a color woodblock print titled "Actor - Design for a Fan, " we witness how even subtle variations in they can add depth to their performance. Moving into the realm of music, American singer Sammy Davis Jr. , seen backstage with actor Rod Steiger after his performance, wore a mischievous grin that hinted at shared secrets or inside jokes between them. Rock legend Ozzy Osbourne from Black Sabbath was often seen holding a bottle of whiskey while wearing an enigmatic grimace. His expression could either signify rebellion or perhaps hide deeper emotions beneath his rockstar façade. Patsy Kensit, known for her talents as both singer and actress, shared an intimate moment with Paul Rutherford where their smiles seemed to reflect genuine joy and camaraderie during July 1986. Britt Ekland indulged in cigars alongside Poulet Tu and June Ritchie back in 1966; their smoky grins exuded sophistication mixed with a hint of rebellion, challenging societal norms.