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Grief Collection (page 7)

"Grief: A Universal Language of Loss and Sorrow" In the depths of sorrow, we bid farewell to the old man, a soldier and his loyal horse

Background imageGrief Collection: Interior with a figure (oil on canvas)

Interior with a figure (oil on canvas)
ALI142426 Interior with a figure (oil on canvas) by Cecioni, Adriano (1838-86); Galleria Nazionale d Arte Moderna e Contemporanea, Rome, Lazio, Italy; Alinari

Background imageGrief Collection: The Death Of Domenico Morelli, Italys Greatest Contemporary Artist, On 13 Corr

The Death Of Domenico Morelli, Italys Greatest Contemporary Artist, On 13 Corr, In Naples (colour litho)
2798464 The Death Of Domenico Morelli, Italys Greatest Contemporary Artist, On 13 Corr, In Naples (colour litho) by Beltrame

Background imageGrief Collection: Death of the Strong Wicked Man, illustration from The Grave by Robert Blair

Death of the Strong Wicked Man, illustration from The Grave by Robert Blair
1785950 Death of the Strong Wicked Man, illustration from The Grave by Robert Blair, engraved by Louis Schiavonetti (hand-coloured etching) (see also 1785949-52) by Blake

Background imageGrief Collection: The Death of Hyacinth, 1920 (oil on canvas)

The Death of Hyacinth, 1920 (oil on canvas)
1769782 The Death of Hyacinth, 1920 (oil on canvas) by Morley, Harry (1881-1943); 95.4x109.3 cm; Private Collection; (add.info.: The Death of Hyacinth. Harry Morley (1881-1943). Oil on canvas

Background imageGrief Collection: Rizpah watching the dead bodies of her sons (engraving)

Rizpah watching the dead bodies of her sons (engraving)
976541 Rizpah watching the dead bodies of her sons (engraving) by English School, (19th century); Private Collection; (add.info.: Rizpah watching the dead bodies of her sons)

Background imageGrief Collection: Studies for a Deposition (pen and brown ink on buff paper)

Studies for a Deposition (pen and brown ink on buff paper)
1216711 Studies for a Deposition (pen and brown ink on buff paper) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); 21.8x30.7 cm; Ashmolean Museum, University of Oxford

Background imageGrief Collection: The Descent from the Cross (tempera on gold panel)

The Descent from the Cross (tempera on gold panel)
897658 The Descent from the Cross (tempera on gold panel) by Martini, Simone (1284-1344); 24.5x15.5 cm; Musees Royaux des Beaux-Arts de Belgique, Brussels

Background imageGrief Collection: Deathbed, 1886 (oil on canvas)

Deathbed, 1886 (oil on canvas)
XKH223061 Deathbed, 1886 (oil on canvas) by Jessen, Carl Ludwig (1833-1917); 43.3x62.5 cm; Hamburger Kunsthalle, Hamburg, Germany

Background imageGrief Collection: Pieta (painted stone)

Pieta (painted stone)
NUL374186 Pieta (painted stone) by French School, (15th century); Church of Notre-Dame, La Souterraine, Creuse, France

Background imageGrief Collection: The horrors and sorrows of war, Montenegrin women who go to find their loved ones in the field

The horrors and sorrows of war, Montenegrin women who go to find their loved ones in the field... (colour litho)
2808529 The horrors and sorrows of war, Montenegrin women who go to find their loved ones in the field... (colour litho) by Beltrame

Background imageGrief Collection: Giuseppe Verdi (engraving)

Giuseppe Verdi (engraving)
2798397 Giuseppe Verdi (engraving) by Beltrame, Achille (1871-1945); Private Collection; (add.info.: Giuseppe Verdi. Illustration for Courier Sunday, 3 February 1901.); © Look and Learn

Background imageGrief Collection: The Death Of Leo XIII, The Public Exposition Of The Body In The Chapel Of The Sacrament In St

The Death Of Leo XIII, The Public Exposition Of The Body In The Chapel Of The Sacrament In St. Peters (Colour Litho)
2798687 The Death Of Leo XIII, The Public Exposition Of The Body In The Chapel Of The Sacrament In St. Peters (Colour Litho) by Beltrame

Background imageGrief Collection: The death of Gabriele d Annunzio (colour litho)

The death of Gabriele d Annunzio (colour litho)
2783777 The death of Gabriele d Annunzio (colour litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info.: The death of Gabriele d Annunzio)

Background imageGrief Collection: 120 miners killed by the fire in a Westphalian mine, the Emperor witnesses the attempts

120 miners killed by the fire in a Westphalian mine, the Emperor witnesses the attempts... (colour litho)
2808506 120 miners killed by the fire in a Westphalian mine, the Emperor witnesses the attempts... (colour litho) by Beltrame

Background imageGrief Collection: Queen Victoria of England On Her Deathbed, Surrounded by Her Sons and Nephews (Colour Litho)

Queen Victoria of England On Her Deathbed, Surrounded by Her Sons and Nephews (Colour Litho)
2798394 Queen Victoria of England On Her Deathbed, Surrounded by Her Sons and Nephews (Colour Litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info)

Background imageGrief Collection: St Macarius of Ghent Giving Aid to the Plague Victims (engraving)

St Macarius of Ghent Giving Aid to the Plague Victims (engraving)
972539 St Macarius of Ghent Giving Aid to the Plague Victims (engraving) by Oost, Jacob van (1601-71); Private Collection; (add.info.: St Macarius of Ghent Giving Aid to the Plague Victims)

Background imageGrief Collection: Condens d his Emanations... plate 9 from Jerusalem, 1804-20

Condens d his Emanations... plate 9 from Jerusalem, 1804-20 (relief etching printed in orange with pen & w / c)
XYC285570 Condens d his Emanations... plate 9 from Jerusalem, 1804-20 (relief etching printed in orange with pen & w/c) by Blake, William (1757-1827); 34.3x26.4 cm; Yale Center for British Art

Background imageGrief Collection: Head study of a woman, c. 1835 (red chalk on paper)

Head study of a woman, c. 1835 (red chalk on paper)
PNH468003 Head study of a woman, c.1835 (red chalk on paper) by Richmond, George (1809-96); 22.5x17.8 cm; Private Collection; Photo © Peter Nahum at The Leicester Galleries, London

Background imageGrief Collection: Window depicting Pieta and the Pentecost (stained glass)

Window depicting Pieta and the Pentecost (stained glass)
PC344937 Window depicting Pieta and the Pentecost (stained glass) by English School, (15th century); Church of St. Peter & St. Paul, East Harling, Norfolk, UK; (add.info.: Norwich School; )

Background imageGrief Collection: Lamentation, c. 1540-45 (oil on oak panel)

Lamentation, c. 1540-45 (oil on oak panel)
BAL53554 Lamentation, c.1540-45 (oil on oak panel) by Heemskerck, Maerten van (1498-1574); 78.5x67.5 cm; Museum of Fine Arts (Szepmuveszeti) Budapest

Background imageGrief Collection: Lamentation over the Dead Christ, 1436-41 (tempera on panel) (detail)

Lamentation over the Dead Christ, 1436-41 (tempera on panel) (detail)
900553 Lamentation over the Dead Christ, 1436-41 (tempera on panel) (detail) by Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455); Museo di San Marco, Florence

Background imageGrief Collection: Dead Christ (oil on canvas)

Dead Christ (oil on canvas)
899031 Dead Christ (oil on canvas) by Italian School, (17th century); Musee des Beaux-Arts, Nantes, France; (add.info.: Ecole napolitaine. PE6714)

Background imageGrief Collection: Death of the Strong Wicked Man, pl. 6, illustration from The Grave

Death of the Strong Wicked Man, pl. 6, illustration from The Grave, A Poem by William Blake (1757-1827)
XYC290776 Death of the Strong Wicked Man, pl.6, illustration from The Grave, A Poem by William Blake (1757-1827), engraved by Luigi Schiavonetti (1765-1810), 1808 (etching) by Blake

Background imageGrief Collection: Window depicting Pieta (stained glass)

Window depicting Pieta (stained glass)
PC344936 Window depicting Pieta (stained glass) by English School, (15th century); Church of St. Peter & St. Paul, East Harling, Norfolk, UK; (add.info.: Norwich School; )

Background imageGrief Collection: Entombment, from a facsimile of the Breviary of King Philip II of Spain, 1569 (parchment)

Entombment, from a facsimile of the Breviary of King Philip II of Spain, 1569 (parchment)
REV326684 Entombment, from a facsimile of the Breviary of King Philip II of Spain, 1569 (parchment) by Fuente del Saz, Julian (d.1601) & Leon

Background imageGrief Collection: The Entombment (oil on canvas)

The Entombment (oil on canvas)
XIR426205 The Entombment (oil on canvas) by Orsi da Novellara, Lelio (1511-87); Musee des Beaux-Arts, Nimes, France; (add.info.: Tomb setting; )

Background imageGrief Collection: St. Jerome appearing to St. Cyril of Jerusalem, 1444 (oil on panel)

St. Jerome appearing to St. Cyril of Jerusalem, 1444 (oil on panel)
PWI94955 St. Jerome appearing to St. Cyril of Jerusalem, 1444 (oil on panel) by Pietro, Sano di, also Ansano di Pietro di Mencio (1406-81); 23.5x37.5 cm; Louvre, Paris, France; © Peter Willi

Background imageGrief Collection: Pieta, c. 1750 (oil on canvas)

Pieta, c. 1750 (oil on canvas)
ALM403393 Pieta, c.1750 (oil on canvas) by Italian School, (18th century); 154.9x99.7 cm; Allen Memorial Art Museum, Oberlin College, Ohio, USA; © Allen Memorial Art Museum; Mrs. F.F

Background imageGrief Collection: Achilles sacrificing his hair for Patroclus, 1800-5 (pen and ink wash on paper)

Achilles sacrificing his hair for Patroclus, 1800-5 (pen and ink wash on paper)
903194 Achilles sacrificing his hair for Patroclus, 1800-5 (pen and ink wash on paper) by Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825); Kunsthaus, Zurich

Background imageGrief Collection: A Morning Ride in Athens (engraving)

A Morning Ride in Athens (engraving)
1047097 A Morning Ride in Athens (engraving) by Marie, Adrien Emmanuel (1848-91) (after); Private Collection; (add.info.: A Morning Ride in Athens)

Background imageGrief Collection: The Pieta, (oil on canvas)

The Pieta, (oil on canvas)
990355 The Pieta, (oil on canvas) by Carracci, Ludovico (1555-1619); 95.2x172.8 cm; Private Collection; (add.info.: The Pieta. Lodovico Carracci (1555-1619). Oil on canvas

Background imageGrief Collection: The Lamentation (pen and brown ink on white paper)

The Lamentation (pen and brown ink on white paper)
1216710 The Lamentation (pen and brown ink on white paper) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); 17.9x20.6 cm; Ashmolean Museum, University of Oxford

Background imageGrief Collection: Death of Meleager (black pencil on paper)

Death of Meleager (black pencil on paper)
XIR414622 Death of Meleager (black pencil on paper) by David, Jacques Louis (1748-1825); 15.2x21.1 cm; Louvre (Cabinet de dessins), Paris

Background imageGrief Collection: The Lamentation Over the Dead Christ (oil on slate)

The Lamentation Over the Dead Christ (oil on slate)
CH438371 The Lamentation Over the Dead Christ (oil on slate) by Farinati, Paolo (1524-1606); 32.4x27.9 cm; Private Collection; Photo © Christies Images

Background imageGrief Collection: Death of Meleager (pen & brown ink & grey wash & pierre noire on paper)

Death of Meleager (pen & brown ink & grey wash & pierre noire on paper)
XIR414620 Death of Meleager (pen & brown ink & grey wash & pierre noire on paper) by David, Jacques Louis (1748-1825); 13.9x21.3 cm; Louvre (Cabinet de dessins), Paris

Background imageGrief Collection: The Entombment of Christ (oil on canvas)

The Entombment of Christ (oil on canvas)
XEH426233 The Entombment of Christ (oil on canvas) by Vouet, Simon (1590-1649); 151x153 cm; Musee des Beaux-Arts Andre Malraux, Le Havre, France; (add.info.: Christ carries to the tomb; )

Background imageGrief Collection: The Death of Meleager (pen & ink with gouache on paper)

The Death of Meleager (pen & ink with gouache on paper)
AMO418075 The Death of Meleager (pen & ink with gouache on paper) by Lippi, Filippino (c.1457-1504); 22.6x23 cm; Ashmolean Museum, University of Oxford

Background imageGrief Collection: Souvenir from the 2nd of December: The Child Was Shot Twice in the Head

Souvenir from the 2nd of December: The Child Was Shot Twice in the Head, illustration for the poem Souvenir de la nuit
CHT293600 Souvenir from the 2nd of December: The Child Was Shot Twice in the Head, illustration for the poem Souvenir de la nuit du 4 Decembre from Les Chatiments by Victor Hugo, Paris

Background imageGrief Collection: King Lear and Cordelia, 1776 (etching and aquatint with India ink)

King Lear and Cordelia, 1776 (etching and aquatint with India ink)
XYC290770 King Lear and Cordelia, 1776 (etching and aquatint with India ink) by Barry, James (1741-1806); 55.6x54.9 cm; Yale Center for British Art, Paul Mellon Collection

Background imageGrief Collection: Romeo and Juliet, Act V Scene 3, illustration from Tales from Shakespeare by Charles

Romeo and Juliet, Act V Scene 3, illustration from Tales from Shakespeare by Charles and Mary Lamb, 1905 (colour litho)
STC308588 Romeo and Juliet, Act V Scene 3, illustration from Tales from Shakespeare by Charles and Mary Lamb, 1905 (colour litho) by Price

Background imageGrief Collection: The lamentation of Christ, c. 1500 (tempera on wood)

The lamentation of Christ, c. 1500 (tempera on wood)
BFM286570 The lamentation of Christ, c.1500 (tempera on wood) by Cozzarelli, Guidoccio di Giovanno (1450-1517); 21.5x40 cm; Lindenau Museum, Altenburg, Germany; Bildarchiv Foto Marburg

Background imageGrief Collection: The Triumph of Death (fresco) (detail of 34572)

The Triumph of Death (fresco) (detail of 34572)
BAL63050 The Triumph of Death (fresco) (detail of 34572) by Master of the Triumph of Death, (fl.1360-80) (attributed to); Camposanto, Pisa, Italy



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"Grief: A Universal Language of Loss and Sorrow" In the depths of sorrow, we bid farewell to the old man, a soldier and his loyal horse, forever etched in the annals of WWI. Their sacrifice echoes through time, just as the Irish Brigade memorial stands tall on Little Round Top at Gettysburg battlefield. Across oceans and continents, grief knows no boundaries. In Metairie Cemetery, New Orleans, USA, an angel weeps for those lost souls at the Chapman-Hyams memorial. The weight of sadness transcends cultures and languages. From Hiawatha's heartbreak to Minnehaha's demise, love mourns its own demise. Tilda Swinton's haunting portrayal in Derek Jarman's Caravaggio (1986) captures the essence of melancholy that engulfs us all at times. Depression casts its shadow upon a woman slouched in her chair; her head rests heavily on her arm as she battles with inner demons. The double bass propped against a wall in Cienfuegos speaks volumes about unspoken sorrows lingering within Cuba's vibrant streets. Art has long been a vessel for expressing grief - Saint Mary Magdalene penitent silently confesses her pain through brushstrokes on canvas from 1625-27. While Henry Traut's wailing women unleash their anguish onto paper in 1922. Michelangelo Caravaggio immortalizes "The Laying in the Tomb" with masterful strokes from 1602-1604 - capturing both despair and hope intertwined within our mortal coil. Even ancient Greece recognized grief as an intrinsic part of human existence - bronze masks depicting tragedy remind us that sorrow is woven into our collective narrative since time immemorial. Grief unites us all; it is an emotion that traverses borders and eras alike. Whether bidding adieu to fallen soldiers or mourning lost loved ones, we find solace in the shared experience of sorrow.