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Grazie Collection

"Grazie: The Eternal Beauty of the Three Graces" In the realm of art, few subjects captivate and inspire as profoundly as the three Graces

Background imageGrazie Collection: Works by Antonio Canova: Fine Amorous Statues, 1841 (litho on mounted wove paper)

Works by Antonio Canova: Fine Amorous Statues, 1841 (litho on mounted wove paper)
6343060 Works by Antonio Canova: Fine Amorous Statues, 1841 (litho on mounted wove paper) by Fanoli, Michele (1807-76); Biblioteca Nazionale Braidense, Milan, Lombardy

Background imageGrazie Collection: The three Graces, detail of legs and feet, 1812-17 (marble)

The three Graces, detail of legs and feet, 1812-17 (marble)
6342981 The three Graces, detail of legs and feet, 1812-17 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St

Background imageGrazie Collection: The Graces and Cupid, detail of Cupid among the Graces legs, 1820-22 (Carrara marble)

The Graces and Cupid, detail of Cupid among the Graces legs, 1820-22 (Carrara marble)
6342993 The Graces and Cupid, detail of Cupid among the Graces legs, 1820-22 (Carrara marble) by Thorvaldsen, Bertel (1770-1844); Thorvaldsens Museum, Copenhagen

Background imageGrazie Collection: The Graces and Cupid, detail of the embrace and a hand, 1820-22 (Carrara marble)

The Graces and Cupid, detail of the embrace and a hand, 1820-22 (Carrara marble)
6342991 The Graces and Cupid, detail of the embrace and a hand, 1820-22 (Carrara marble) by Thorvaldsen, Bertel (1770-1844); Thorvaldsens Museum, Copenhagen

Background imageGrazie Collection: The Graces and Cupid, 1820-22 (Carrara marble)

The Graces and Cupid, 1820-22 (Carrara marble)
6342988 The Graces and Cupid, 1820-22 (Carrara marble) by Thorvaldsen, Bertel (1770-1844); Thorvaldsens Museum, Copenhagen, Denmark; (add.info.: Le Grazie con Cupido, 1820-2)

Background imageGrazie Collection: The three Graces, detail of the embrace, 1812-17 (marble)

The three Graces, detail of the embrace, 1812-17 (marble)
6342976 The three Graces, detail of the embrace, 1812-17 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St

Background imageGrazie Collection: The three Graces, 1812-17, detail of the back and hand (marble)

The three Graces, 1812-17, detail of the back and hand (marble)
6342975 The three Graces, 1812-17, detail of the back and hand (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St

Background imageGrazie Collection: The three Graces, detail of the faces and the embrace, 1812-17 (marble)

The three Graces, detail of the faces and the embrace, 1812-17 (marble)
6342973 The three Graces, detail of the faces and the embrace, 1812-17 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St

Background imageGrazie Collection: The Graces and Cupid, detail of the embrace, and faces and gazes, 1820-22 (Carrara marble)

The Graces and Cupid, detail of the embrace, and faces and gazes, 1820-22 (Carrara marble)
6342990 The Graces and Cupid, detail of the embrace, and faces and gazes, 1820-22 (Carrara marble) by Thorvaldsen, Bertel (1770-1844); Thorvaldsens Museum, Copenhagen

Background imageGrazie Collection: The three Graces, detail of the faces and the embrace, 1812-17 (marble)

The three Graces, detail of the faces and the embrace, 1812-17 (marble)
6342984 The three Graces, detail of the faces and the embrace, 1812-17 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St

Background imageGrazie Collection: The three Graces, detail of the rear part, 1812-17 (marble)

The three Graces, detail of the rear part, 1812-17 (marble)
6342980 The three Graces, detail of the rear part, 1812-17 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St

Background imageGrazie Collection: 'The Graces and Cupid', detail, 1820-22 (Carrara marble)

"The Graces and Cupid", detail, 1820-22 (Carrara marble)
6342994 " The Graces and Cupid", detail, 1820-22 (Carrara marble) by Thorvaldsen, Bertel (1770-1844); Thorvaldsens Museum, Copenhagen, Denmark; (add.info.: Le Grazie con Cupido, 1820-2)

Background imageGrazie Collection: The three Graces, 1812-17 (marble)

The three Graces, 1812-17 (marble)
6342986 The three Graces, 1812-17 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St. Petersburg, Russia; (add.info.: Le tre Grazie, 1812-17, di Antonio Canova (1757 - 1822)

Background imageGrazie Collection: The three Graces, detail of the feet, 1812-17 (marble)

The three Graces, detail of the feet, 1812-17 (marble)
6342982 The three Graces, detail of the feet, 1812-17 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St

Background imageGrazie Collection: The Graces and Cupid, detail of the embrace, and faces and gazes, 1820-22 (Carrara marble)

The Graces and Cupid, detail of the embrace, and faces and gazes, 1820-22 (Carrara marble)
6342989 The Graces and Cupid, detail of the embrace, and faces and gazes, 1820-22 (Carrara marble) by Thorvaldsen, Bertel (1770-1844); Thorvaldsens Museum, Copenhagen

Background imageGrazie Collection: The Graces and Cupid, rear part, 1820-22 (Carrara marble)

The Graces and Cupid, rear part, 1820-22 (Carrara marble)
6342987 The Graces and Cupid, rear part, 1820-22 (Carrara marble) by Thorvaldsen, Bertel (1770-1844); Thorvaldsens Museum, Copenhagen, Denmark; (add.info.: Le Grazie con Cupido, 1820-2)

Background imageGrazie Collection: The three Graces, detail of the rear part, 1812-17 (marble)

The three Graces, detail of the rear part, 1812-17 (marble)
6342979 The three Graces, detail of the rear part, 1812-17 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St

Background imageGrazie Collection: The three Graces, 1812-17, detail of the rear part (marble)

The three Graces, 1812-17, detail of the rear part (marble)
6342978 The three Graces, 1812-17, detail of the rear part (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St

Background imageGrazie Collection: Cupid and the Graces, 1517-18 (fresco)

Cupid and the Graces, 1517-18 (fresco)
2646197 Cupid and the Graces, 1517-18 (fresco) by Romano, Giulio (1492-1546); Villa Farnesina, Rome, Italy; (add.info.: Rome, Villa Farnesina)

Background imageGrazie Collection: Madonna delle Grazie; figure ancienne et reveree dans toute l Italie, attribuee a Giotto

Madonna delle Grazie; figure ancienne et reveree dans toute l Italie, attribuee a Giotto, Eglise de Santa Chiara
6022469 Madonna delle Grazie; figure ancienne et reveree dans toute l Italie, attribuee a Giotto, Eglise de Santa Chiara, a Naples (engraving) by French School

Background imageGrazie Collection: Ponte alle Grazie and view of San Miniato, Florence, Italy

Ponte alle Grazie and view of San Miniato, Florence, Italy. Date: circa 1900s

Background imageGrazie Collection: Antique wall paintings and skirting boards, Pompeii

Antique wall paintings and skirting boards, Pompeii
Antique Trompe l oeil wall painting from the Casa delle Grazie, excavated 1819, and skirting boards from the Forum, Pompeii

Background imageGrazie Collection: Milan (engraving)

Milan (engraving)
3655695 Milan (engraving) by English School, (19th century); Private Collection; (add.info.: Milan. Illustration for The Imperial Gazetteer, A General Dictionary of Geography (Blackie)

Background imageGrazie Collection: Santa Maria delle Grazie (engraving)

Santa Maria delle Grazie (engraving)
969412 Santa Maria delle Grazie (engraving) by English School, (19th century); Private Collection; (add.info.: Santa Maria delle Grazie)

Background imageGrazie Collection: Copying 'The Last Supper', by Leonardo da Vinci, in the Old Monastery at Milan (litho)

Copying "The Last Supper", by Leonardo da Vinci, in the Old Monastery at Milan (litho)
1063682 Copying " The Last Supper", by Leonardo da Vinci, in the Old Monastery at Milan (litho) by English School

Background imageGrazie Collection: Florence (engraving)

Florence (engraving)
3653996 Florence (engraving) by English School, (19th century); Private Collection; (add.info.: Florence. Illustration for The Imperial Gazetteer, A General Dictionary of Geography (Blackie)

Background imageGrazie Collection: Florence, Tuscany, Italy - Ponte delle Grazie

Florence, Tuscany, Italy - Ponte delle Grazie Date: 1898

Background imageGrazie Collection: gentildonna uolendo suo marito sospetto di rotta

gentildonna uolendo suo marito sospetto di rotta
Vna gentildonna, uolendo suo marito per sospetto di rotta fede che ella morisse; si raccomanda alla Nvnziata, e il bambino da lei partorito nero, diuien bianco

Background imageGrazie Collection: Italy. Milan. Church of Saint Mary of Grace

Italy. Milan. Church of Saint Mary of Grace. Started in Gothic style by Guiniforte Solari in 1492 was completed by Bramante. Tympanum. Detail

Background imageGrazie Collection: Saint John and Saint Paul. Medaillons. Holy Mary of Graze. M

Saint John and Saint Paul. Medaillons. Holy Mary of Graze. M
Italy. Milan. Church of Holy Mary of Grace. 15th century. Medaillons by Saint John and Saint Paul. Exterior

Background imageGrazie Collection: Church of Santa Maria delle Grazie -near Stia, Italy

Church of Santa Maria delle Grazie -near Stia, Italy. Date: 1905

Background imageGrazie Collection: Llooking east from the Ponte Vecchio at Sunset, Florence

Llooking east from the Ponte Vecchio at Sunset, Florence
View looking east from the Ponte Vecchio at Sunset, with the Hill of San Miniato and the Ponte Alle Grazie. Date: 1905


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"Grazie: The Eternal Beauty of the Three Graces" In the realm of art, few subjects captivate and inspire as profoundly as the three Graces. These enchanting figures, known for their elegance and gracefulness, have been immortalized in various masterpieces throughout history. One such masterpiece is Antonio Canova's "The Three Graces, " a stunning sculpture that showcases the intricate details of their legs and feet. Crafted between 1812-17 from exquisite Carrara marble, this artwork transports us to a world where beauty knows no bounds. As we gaze upon these delicate limbs, we are reminded of the harmonious unity that exists within nature itself. Canova's genius extends beyond his sculptures; he also created lithographs on mounted wove paper titled "Fine Amorous Statues" in 1841. This collection further celebrates the allure of the three Graces while showcasing their timeless appeal through a different medium. Another captivating rendition is found in "The Graces and Cupid, " sculpted by Canova between 1820-22 using Carrara marble once again. Here, Cupid playfully intertwines himself among their legs, adding an element of whimsy to this classical scene. The embrace depicted with meticulous detail reveals both tenderness and affection shared amongst these ethereal beings. As our eyes wander across each curve and contour meticulously carved into stone, we cannot help but be entranced by Canova's ability to breathe life into his creations. Their faces radiate serenity and joy as they revel in each other's company – an eternal bond frozen in time. "The Three Graces" continues to mesmerize viewers with its intricacy even when focusing on specific elements like hands or backs. In one particular detail from 1812-17, we witness a tender hand reaching out for connection amidst their loving embrace - a testament to human longing for companionship throughout centuries.