Goya Y Lucientes Collection (page 7)

193-0082150 The Chinchillas, plate 50 of Los caprichos, 1799 (etching)
IND81669 193-0082150 The Chinchillas, plate 50 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 20.7x15.1 cm; Private Collection; Index Fototeca

193-0082125 Yes, he broke the pot, plate 25 of Los caprichos, pub. 1799 (etching)
IND81644 193-0082125 Yes, he broke the pot, plate 25 of Los caprichos, pub. 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 20.9x15.2 cm; Private Collection; Index Fototeca

193-0082151 They spruce themselves up, plate 51 of Los caprichos, 1799 (etching)
IND81670 193-0082151 They spruce themselves up, plate 51 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.4x14.9 cm; Private Collection; Index Fototeca

Matrimonial nightmare, plate 7 of Proverbs, 1819-23, pub. 1864 (etching)
IND82107 Matrimonial nightmare, plate 7 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.7x35.9 cm; Private Collection; Index Fototeca

Dreadful events in the front rows of the ring at Madrid and the death of the mayor of Torrejon in 1801
IND81921 Dreadful events in the front rows of the ring at Madrid and the death of the mayor of Torrejon in 1801, plate 21 of The Art of Bullfighting, pub

Here comes the bogeyman, plate 3 of Los caprichos, pub. 1799 (etching)
IND81622 Here comes the bogeyman, plate 3 of Los caprichos, pub. 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.9x15.4 cm; Private Collection; Index Fototeca

Another madness of his (Martincho, probably Antonio Ebassum) in the same ring, plate 19 of The Art of Bullfighting
IND81919 Another madness of his (Martincho, probably Antonio Ebassum) in the same ring, plate 19 of The Art of Bullfighting, 1815, pub

To rise and to fall, plate 56 of Los caprichos, 1799 (etching)
IND81675 To rise and to fall, plate 56 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.7x15.2 cm; Private Collection; Index Fototeca

193-0082138 Bravo!, a caricature of musical evenings organized by the Spanish Prime Minister
IND81657 193-0082138 Bravo!, a caricature of musical evenings organized by the Spanish Prime Minister, Manuel de Godoy (1767-1851) for King Charles IV of Spain (1748-1819), plate 38 of Los caprichos

193-0082123 Those specks of dust: Perico the cripple, who was caught giving love potions to lovers
IND81642 193-0082123 Those specks of dust: Perico the cripple, who was caught giving love potions to lovers, plate 23 of Los caprichos, pub

Swallow it, dog, plate 58 of Los caprichos, 1799 (etching)
IND81677 Swallow it, dog, plate 58 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.8x15.2 cm; Private Collection; (add.info)

193-0082149 Hobgoblins, plate 49 of Los caprichos, 1799 (etching)
IND81668 193-0082149 Hobgoblins, plate 49 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.7x15.2 cm; Private Collection; Index Fototeca

193-0082128 Hush, plate 28 of Los caprichos, pub. 1799 (etching)
IND81647 193-0082128 Hush, plate 28 of Los caprichos, pub. 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.9x15.9 cm; Private Collection; Index Fototeca

The agility and audacity of Juanito Apinani in the ring at Madrid, plate 20 of The Art of Bullfighting, pub
IND81920 The agility and audacity of Juanito Apinani in the ring at Madrid, plate 20 of The Art of Bullfighting, pub. 1816 (etching) by Goya y Lucientes

Riddle of fear, plate 2 of Proverbs, 1819-23, pub. 1864 (etching)
IND82102 Riddle of fear, plate 2 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.5x35.7 cm; Private Collection; Index Fototeca

193-0082142 You who cannot, plate 42 of Los caprichos, 1799 (etching)
IND81661 193-0082142 You who cannot, plate 42 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.8x15.2 cm; Private Collection; Index Fototeca

193-0082140 Of what ill will he die? plate 40 of Los caprichos, 1799 (etching)
IND81659 193-0082140 Of what ill will he die? plate 40 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.6x15.2 cm; Private Collection; Index Fototeca

193-0082172 You will not escape, plate 72 of Los caprichos, 1799 (etching)
IND81691 193-0082172 You will not escape, plate 72 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.7x15.2 cm; Private Collection; Index Fototeca

193-0082155 Until death, plate 55 of Los caprichos, 1799 (etching)
IND81674 193-0082155 Until death, plate 55 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 22x15.4 cm; Private Collection; Index Fototeca

193-0082137 Might not the pupil know more?, plate 37 of Los caprichos, 1799 (etching)
IND81656 193-0082137 Might not the pupil know more?, plate 37 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.8x15.3 cm; Private Collection; (add.info)

A way of flying, plate 13 of Proverbs, 1819-23, pub. 1864 (etching)
IND82113 A way of flying, plate 13 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.7x35.9 cm; Private Collection; Index Fototeca

The sleep of reason produces monsters, plate 43 of Los caprichos, 1799 (etching and aquatint)
IND81662 The sleep of reason produces monsters, plate 43 of Los caprichos, 1799 (etching and aquatint) by Goya y Lucientes

The Second of May, 1808 or The Charge of the Mamelukes, 1814 (oil on canvas) (post-restoration)
2920870 The Second of May, 1808 or The Charge of the Mamelukes, 1814 (oil on canvas) (post-restoration) by Goya y Lucientes, Francisco Jose de (1746-1828); 266x345 cm; Prado, Madrid

The 2nd May 1808, Madrid or The Battle of the Mamelukes (detail of the man attacking the horse), 1814 (oil on canvas)
897495 The 2nd May 1808, Madrid or The Battle of the Mamelukes (detail of the man attacking the horse), 1814 (oil on canvas) by Goya y Lucientes, Francisco Jose de (1746-1828); Prado, Madrid

The 2nd May 1808, Madrid or The Battle of the Mamelukes (detail of the lower right), 1814 (oil on canvas)
900649 The 2nd May 1808, Madrid or The Battle of the Mamelukes (detail of the lower right), 1814 (oil on canvas) by Goya y Lucientes, Francisco Jose de (1746-1828); Prado, Madrid

The Second of May, 1808. The Riot against the Mameluke Mercenaries, detail of a man with a dagger, 1814 (oil on canvas)
XIR194741 The Second of May, 1808. The Riot against the Mameluke Mercenaries, detail of a man with a dagger, 1814 (oil on canvas) by Goya y Lucientes, Francisco Jose de (1746-1828); Prado, Madrid

Bullfighting, 1815-16 (red chalk on paper)
XKH179017 Bullfighting, 1815-16 (red chalk on paper) by Goya y Lucientes, Francisco Jose de (1746-1828); 19.3x29.5 cm; Hamburger Kunsthalle, Hamburg, Germany

Out hunting for teeth, plate 12 of Los caprichos, late 18th century (coloured etching) (see also 81631)
CHT175021 Out hunting for teeth, plate 12 of Los caprichos, late 18th century (coloured etching) (see also 81631) by Goya y Lucientes, Francisco Jose de (1746-1828); Bibliotheque Nationale, Paris

The Bullfight, c. 1825 (oil on canvas)
SCP36793 The Bullfight, c.1825 (oil on canvas) by Goya y Lucientes, Francisco Jose de (1746-1828); 38x46 cm; Prado, Madrid, Spain

Bajan Rinendo (They Go Down Quarreling) (brush & grey wash on paper)
CH438388 Bajan Rinendo (They Go Down Quarreling) (brush & grey wash on paper) by Goya y Lucientes, Francisco Jose de (1746-1828); 23.4x14.3 cm; Private Collection; (add.info)

La Bouillie : Beggars Eating Mash, (black lead, brush and gray wash)
990038 La Bouillie : Beggars Eating Mash, (black lead, brush and gray wash) by Goya y Lucientes, Francisco Jose de (1746-1828); 22.6x14.6 cm; Private Collection; (add.info.: La Bouillie)

Do those who escape work end up like this?, (black lead, brush and black and grey wash)
989993 Do those who escape work end up like this?, (black lead, brush and black and grey wash) by Goya y Lucientes, Francisco Jose de (1746-1828); 22.6x14.6 cm; Private Collection; (add.info)

Those specks of dust, Plate 23 from "Los Caprichos", 1799 (etching with hand colouring on laid paper)
996092 Those specks of dust, Plate 23 from " Los Caprichos", 1799 (etching with hand colouring on laid paper) by Goya y Lucientes

Merry folly (Disparate alegre), Plate 12 from "Los Proverbios", c
996082 Merry folly (Disparate alegre), Plate 12 from " Los Proverbios", c.1819-24 (etching, aquatint, lavis, burnisher, drypoint & burin on paper) by Goya y Lucientes

The Duke of Wellington, c. 1812. Creator: Workshop of Francisco de Goya
The Duke of Wellington, c. 1812

Senora Sabasa Garcia, c. 1806 / 1811. Creator: Francisco Goya
Senora Sabasa Garcia, c. 1806/1811

Charles IV of Spain as Huntsman, c. 1799 / 1800. Creator: Workshop of Francisco de Goya
Charles IV of Spain as Huntsman, c. 1799/1800

BartolomeSureda y Miserol, c. 1803 / 1804. Creator: Francisco Goya
Bartolome Sureda y Miserol, c. 1803/1804

Young Lady Wearing a Mantilla and Basquina, c. 1800 / 1805. Creator: Francisco Goya
Young Lady Wearing a Mantilla and Basquina, c. 1800/1805

Maria Teresa de Borbon y Vallabriga, later Condesa de Chinchon, 1783

Victor Guye, 1810. Creator: Francisco Goya
Victor Guye, 1810

Therese Louise de Sureda, c. 1803 / 1804. Creator: Francisco Goya
Therese Louise de Sureda, c. 1803/1804

Don Antonio Noriega, 1801. Creator: Francisco Goya
Don Antonio Noriega, 1801

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"Goya y Lucientes: A Journey Through the Mind of an Artistic Genius" Step into the world of Francisco Goya, a Spanish painter and printmaker who left an indelible mark on the art world with his captivating works. From his iconic Plate 80 from Los Caprichos titled "It is time (Ya es hora. )" to his mesmerizing portrayal of "Boys Playing at Soldiers, " Goya's talent shines through. In Plate 60 from Los Caprichos, aptly named "Trials (Ensayos. ), " Goya delves into the complexities of human nature and society. His ability to capture raw emotions and social commentary is further exemplified in Plate 25 from Los Caprichos, where he explores the consequences of one's actions in "If he broke the pot (Si quebro el Cantaro. ). " Goya's artistic prowess extends beyond just paintings; his etchings showcase his versatility as an artist. In "Disparate de tontos (Fool's folly), " created in 1877, Goya combines etching, aquatint, and drypoint techniques to create a whimsical yet thought-provoking piece. One cannot discuss Goya without mentioning his self-portrait titled "Francisco Goya Y Lucientes, Pintor. " Created in 1799 using etching, aquatint, drypoint & burin techniques, this self-portrait allows us a glimpse into the mind behind these extraordinary creations. Moving forward in time to later works such as "Lo Mismo (The Same)" and "No Hay Quien Los Socorra (There is no one to help them), " both created in 1863 using various printmaking techniques like etching and burnishing. These pieces continue to demonstrate Goya's ability to depict societal issues with profound depth. "The Dream of Reason Produces Monsters, " created by Goya himself in 1799, showcases his mastery of etching and aquatint.