Gothic Revival Collection (page 8)

Benedictine Palace. (Illustration, circa 1930)
5975927 Benedictine Palace. (Illustration, circa 1930) by French School, (20th century); Private Collection; (add.info.: Power supply)

Ms. New Coll 380, f40r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile
833749 Ms. New Coll 380, f40r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile, 1795 (pen & ink and w/c on paper) by Carlile

Ms. New Coll 380, f41r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile
833750 Ms. New Coll 380, f41r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile, 1795 (pen & ink and w/c on paper) by Carlile

Dido stabbing herself, opening of Book IV of Virgils Aeneid (w / c on vellum)
621801 Dido stabbing herself, opening of Book IV of Virgils Aeneid (w/c on vellum) by Morris, William (1834-96); 14x13.5 cm; Private Collection; Photo © Christies Images

Wooden church, St. Marys, Georgia, 1936. Creator: Walker Evans
Wooden church, St. Marys, Georgia

Tapestries, hangings and altar cloths, from The Glossary of Ecclesiastical Ornament and Costume, lithograph by H. C
STC156401 Tapestries, hangings and altar cloths, from The Glossary of Ecclesiastical Ornament and Costume, lithograph by H.C

Winter in Union Square, 1889-90 (oil on canvas)
3493104 Winter in Union Square, 1889-90 (oil on canvas) by Hassam, Childe Frederick (1859-1935); 46.4x45.7 cm; Metropolitan Museum of Art, New York

St John The Baptist, detail from the east window, 1861 (stained glass)
3474631 St John The Baptist, detail from the east window, 1861 (stained glass) by Barraud, Francis Philip (1824-1901); St John The Baptist, Bromsgrove

Design for large bosses of the library ceiling for King Edward VI Grammar School, Birmingham, 1835-36 (pen & grey)
1765212 Design for large bosses of the library ceiling for King Edward VI Grammar School, Birmingham, 1835-36 (pen & grey, red and black washes on paper) by Pugin

Mitchel Tower, 250 feet high (b / w photo)
7191245 Mitchel Tower, 250 feet high (b/w photo) by Porter, James (1874-1937); Private Collection; (add.info.: Mitchel Tower, 250 feet high)

Gothic style State Bed, 1823
6339944 Gothic style State Bed, 1823 by British School, (18th-19th century); (add.info.: Gothic style State Bed, 1823. Gothic revival four-poster bed with a canopy from a throne)

Curtains for a Gothic room
6338592 Curtains for a Gothic room by British School, (19th century); (add.info.: Curtains for a Gothic room. Ornate pelmet of gold-frnged fabric)

Design for a Gothic Bed Room, 1813
6339938 Design for a Gothic Bed Room, 1813 by British School, (18th-19th century); (add.info.: Design for a Gothic Bed Room, 1813. Bed with groined arches, tent-like canopy over bedstead with steps)

Gothic staircase and vestibule
6339902 Gothic staircase and vestibule by British School, (18th-19th century); (add.info.: Gothic staircase and vestibule)

Gothic conservatory, Regency era
6339907 Gothic conservatory, Regency era by British School, (18th-19th century); (add.info.: Gothic conservatory, Regency era)

Gothic sofa, table, chair and footstool for a library, 1810
6339904 Gothic sofa, table, chair and footstool for a library, 1810 by British School, (18th-19th century); (add.info.: Gothic sofa, table, chair and footstool for a library, 1810)

Enmore Castle, Somerset, the seat of the 3rd Earl of Egmont, 1825 (engraving)
5912988 Enmore Castle, Somerset, the seat of the 3rd Earl of Egmont, 1825 (engraving) by British School, (19th century); (add.info.: Belvoir Castle, Leicestershire, seat of John Manners)

Exterior view (photo)
JOE120911 Exterior view (photo) by Scott, George Gilbert (1811-1878); The Midland Grand Hotel, St. Pancras, London, UK; © Joe Fairs Photography

Birmingham, Ward End, St Margaret, Morris & Co. Edward Burne-Jones, John Henry Dearle (1859-1932), The Good Shepherd
3474918 Birmingham, Ward End, St Margaret, Morris & Co. Edward Burne-Jones, John Henry Dearle (1859-1932), The Good Shepherd, 1902 by Morris & Company; Ward End, Birmingham

Birmingham, Acocks Green, St Mary The Virgin, Morris & Co. Edward Burne-Jones, John Henry Dearle (1859-1932)
3474906 Birmingham, Acocks Green, St Mary The Virgin, Morris & Co. Edward Burne-Jones, John Henry Dearle (1859-1932), Overall View of Chancel with alabaster reredos by Bridgman of Lichfield (1903)

Reform Club, Manchester (engraving)
7179904 Reform Club, Manchester (engraving) by English School, (19th century); Private Collection; (add.info.: Reform Club, Manchester)

St Pauls Within the Walls, Rome (engraving)
7185817 St Pauls Within the Walls, Rome (engraving) by Holland Tringham, Joseph (1861-1908); Private Collection; (add.info.: St Pauls Within the Walls, American Episcopal Church in Rome)

The Last Judgement, detail, St Michael, 1863 (stained glass)
3474786 The Last Judgement, detail, St Michael, 1863 (stained glass) by Bayne, Robert Turnill (1837-1915) & Hassam, Alfred (1843-1868); St Mary, Brome, UK; (add.info.: Heaton)

Shrewsbury School Chapel (b / w photo)
7180516 Shrewsbury School Chapel (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: Shrewsbury School Chapel)

Reliquary, Paris, c. 1851. Creators: Eugene Emmanuel Viollet-le-Duc, Louis Bachelet
Reliquary, Paris, c. 1851

Model Chalice, England, c. 1849. Creator: AWN Pugin
Model Chalice, England, c. 1849

Sideboard and Wine Cabinet, London, 1859. Creators: William Burges
Sideboard and Wine Cabinet, London, 1859

Drawing Room Cabinet, Lancaster, 1871 / 72. Creator: Bruce J. Talbert
Drawing Room Cabinet, Lancaster, 1871/72

Pair of Altar Candlesticks, Paris, 1862. Creators: Eugene Emmanuel Viollet-le-Duc
Pair of Altar Candlesticks, Paris, 1862

Pickle jar, 1850 / 70. Creator: Crowleytown Glass Works
Pickle jar, 1850/70. Decoration inspired by the Gothic cathedrals of Northern Europe. Possibly made by Bulltown Glass Works or Crowleytown Glass Works

Candelabra (One of a Pair), England, c. 1860. Creator: William White
Candelabra (One of a Pair), England, c. 1860

New Masonic Temple, Boston, 1860s. Creator: Joseph Ward
New Masonic Temple, Boston, 1860s. [Freemasons temple at the corner of Tremont and Boylston Streets, Boston, Massachusetts, USA]. Albumen print (carte-de-visite)

Library, Yale University, 19th century. Creator: Peck Brothers
Library, Yale University, 19th century. [Yale University Library, New Haven, Connecticut, USA. The Victorian Gothic building was designed by Henry Austin and was constructed between 1842 and 1846]

Side Chair, London, c. 1848. Creator: AWN Pugin
Side Chair, London, c. 1848

Hall Stand, Coalbrookdale, c. 1870. Creator: Christopher Dresser
Hall Stand, Coalbrookdale, c. 1870

Chalice, London, 1827 / 28. Creator: AWN Pugin
Chalice, London, 1827/28

Grotesque Vase, Swadlincote, c. 1893. Creator: Christopher Dresser
Grotesque Vase, Swadlincote, c. 1893

Houses of Parliament, 1850-1900. Creator: Unknown
Houses of Parliament, 1850-1900. [Steamships on the River Thames at Westminster]. Albumen print, from the album " Views of London"

16th century; 16 century; XVI century; XVIth century; sixteenth century; c16th
7135123 by Unknown Artist, (19th century); Bayeux, Normandy, France; ePascal Lemaitre; out of copyright

19th century; 19 century; XIX century; XIXth century; Nineteenth Century; c19th
7135122 by Unknown Artist, (19th century); Bayeux, Normandy, France; ePascal Lemaitre; out of copyright

Castle Murray, Near Auburn, Virginia, November 1863. Creator: Alexander Gardner
Castle Murray, Near Auburn, Virginia, November 1863. Union army occupying the home of Dr. James H. Murray and his brother Edward Murray during the American Civil War. Albumen print, pl

View of Grays Inn Hall, London, 1885 (b / w photo)
1812988 View of Grays Inn Hall, London, 1885 (b/w photo) by English Photographer, (19th century); London Metropolitan Archives

View of Staple Inn, London, 1885 (b / w photo)
1812985 View of Staple Inn, London, 1885 (b/w photo) by English Photographer, (19th century); London Metropolitan Archives, City of London; (add.info.: View of Staple Inn with gardens)

Calligraphic manuscript, Augsburg, c. 1720-30 (pen & ink on paper)
2921860 Calligraphic manuscript, Augsburg, c.1720-30 (pen & ink on paper) by German School, (18th century); 23x30 cm; Private Collection; (add.info)

Design for reredos at Holy Trinity Church, Florence, in Gothic revival frame by Bernini
993696 Design for reredos at Holy Trinity Church, Florence, in Gothic revival frame by Bernini of Florence (pencil, pen & ink and w/c on paper and gilt mahogany) by Stanhope

Gothic Church, New Haven (oil on canvas)
3082245 Gothic Church, New Haven (oil on canvas) by Bartlett, William Henry (1809-54) (after); 54.6x73.7 cm; Private Collection; Photo eChristies Images; English, out of copyright

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Gothic Revival: A Journey Through Time and Architecture Step into the enchanting world of Gothic Revival, where ancient traditions blend seamlessly with modern aesthetics. From the bustling Christmas Market in Marienplatz to the majestic New Town Hall in Munich, Bavaria, Germany, Europe, this architectural movement takes us on a captivating journey. Venture further west to Tongwynlais, Cardiff, Wales, United Kingdom and you'll discover Castell Coch (The Red Castle), a fairytale-like fortress that stands as a testament to Gothic Revival's influence. Its striking turrets and vibrant hues transport visitors back in time. In Mumbai (Bombay), India, an unexpected sight awaits - a double-decker bus parked outside the Mumbai Municipal corporation building. This juxtaposition of old and new showcases how Gothic Revival transcends borders and cultures. Travel south to Albury Park in Surrey, England where The Chancel of Catholic Apostolic Church stands proudly since 1904. Its intricate details and soaring arches exemplify the craftsmanship that defined this era. Machynlleth's town clock is another hidden gem within this architectural movement. Standing tall amidst its quaint surroundings in Wales' picturesque countryside; it serves as a reminder of Gothic Revival's enduring legacy. Architectural drawings by AWN Pugin offer insight into the creative process behind these magnificent structures. His meticulous designs for inner gate houses showcase his dedication to preserving historical authenticity while infusing innovation. Stained glass windows have long been synonymous with Gothic architecture. In Lyndhurst Church's design featuring an Angel Harpist playing heavenly melodies through colorful panes; we witness artistry at its finest. Eastnor Castle in Hertfordshire beckons us with its opulent Drawing Room decoration from around 1850. Intricate patterns adorn every surface while maintaining harmony with surrounding elements—a true masterpiece born out of passion for detail.