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Gospel Collection (page 27)

"Gospel: A Journey Through Time and Art" The concept of the gospel, derived from the Greek word "euangelion, " meaning good news or glad tidings

Background imageGospel Collection: GOSPEL OF MATTHEW. Beginning of the Book of Matthew, from an English Gospel, late

GOSPEL OF MATTHEW. Beginning of the Book of Matthew, from an English Gospel, late 10th century

Background imageGospel Collection: SAINT MATTHEW In an illumination from a Russian Greek Lectionary, 1596

SAINT MATTHEW In an illumination from a Russian Greek Lectionary, 1596

Background imageGospel Collection: SAINT LUKE. Illumination from an English Gospel, mid-11th century

SAINT LUKE. Illumination from an English Gospel, mid-11th century

Background imageGospel Collection: ILLUMINATION: SAINT MARK. Illumination from an English Gospel, mid-11th century

ILLUMINATION: SAINT MARK. Illumination from an English Gospel, mid-11th century

Background imageGospel Collection: SAINT MATTHEW. Illumination from an English Gospel, mid-11th century

SAINT MATTHEW. Illumination from an English Gospel, mid-11th century

Background imageGospel Collection: EVANGELISTS, 18th CENTURY. Four Evangelists writing Gospels. Oil on panel, c1700-1725

EVANGELISTS, 18th CENTURY. Four Evangelists writing Gospels. Oil on panel, c1700-1725, by an unknown American artist

Background imageGospel Collection: PORTRAIT OF ST. JOHN. Book of Lindisfarne Gospels. Written and illuminated about 700 A

PORTRAIT OF ST. JOHN. Book of Lindisfarne Gospels. Written and illuminated about 700 A.D. probably in the monastry on Lindisfarne or Holy Island off the Northumberland coast. Portrait of Saint John

Background imageGospel Collection: BOOK OF DURROW. Beginning of Gospel of St. Mark. Hiberno-Saxon manuscript, c680 A. D

BOOK OF DURROW. Beginning of Gospel of St. Mark. Hiberno-Saxon manuscript, c680 A. D
BOOK OF DURROW. Beginning of Gospel of St. Mark. Hiberno-Saxon manuscript, c680 A.D

Background imageGospel Collection: ILLUMINATION: ST. LUKE. Manuscript illumination from Gospels of Otto III, late

ILLUMINATION: ST. LUKE. Manuscript illumination from Gospels of Otto III, late 10th century

Background imageGospel Collection: TYNDALEs BIBLE, 1525. A page from William Tyndales New Testament, 1525, the

TYNDALEs BIBLE, 1525. A page from William Tyndales New Testament, 1525, the first New Testament printed in English, opening at Luke, chapter 10, verse 34

Background imageGospel Collection: GENEVA BIBLE, 1560. A page from the Geneva Bible of 1560 showing Luke, chapter 11

GENEVA BIBLE, 1560. A page from the Geneva Bible of 1560 showing Luke, chapter 11, verses 3-38

Background imageGospel Collection: GOSPEL OF MATTHEW, 1525. The first page of William Tyndales Gospel of St

GOSPEL OF MATTHEW, 1525. The first page of William Tyndales Gospel of St. Matthew from the New Testament printed in Cologne, Germany, 1525

Background imageGospel Collection: CODEX ARGENTEUS, c500 A. D. A page of the Gospel according to Mark (VII: 3-7)

CODEX ARGENTEUS, c500 A. D. A page of the Gospel according to Mark (VII: 3-7)
CODEX ARGENTEUS, c500 A.D. A page of the Gospel according to Mark (VII: 3-7) from the parchment ms. Codex Argenteus, based on the Gothic translation of the Bible from the Greek by Ulfilas

Background imageGospel Collection: EARLY CHRISTIAN SYMBOL. An allusion to the miracle of the feeding of the five thousand

EARLY CHRISTIAN SYMBOL. An allusion to the miracle of the feeding of the five thousand. After a 3rd-century painting in the Roman catacombs

Background imageGospel Collection: ADORATION OF MAGI. Illumination from an Italian Gospel Lectionary, 1436

ADORATION OF MAGI. Illumination from an Italian Gospel Lectionary, 1436

Background imageGospel Collection: ADORATION OF THE MAGI. Illumination from a Gospel, early 11th century, Salzburg

ADORATION OF THE MAGI. Illumination from a Gospel, early 11th century, Salzburg

Background imageGospel Collection: VIRGIN AND CHILD. The Virgin Mary and Jesus. Illumination from a Gospel book copied in Mosul

VIRGIN AND CHILD. The Virgin Mary and Jesus. Illumination from a Gospel book copied in Mosul, Iraq, c1218

Background imageGospel Collection: PENTECOST. Illumination from a Belgian Gospel and epistle Lectionary, c1150

PENTECOST. Illumination from a Belgian Gospel and epistle Lectionary, c1150

Background imageGospel Collection: PENTECOST. Illumination from an Austrian Gospel Lectionary, c1050-1100

PENTECOST. Illumination from an Austrian Gospel Lectionary, c1050-1100

Background imageGospel Collection: BOOK OF LINDISFARNE. Carpet page with scattered panels, before 698 AD?

BOOK OF LINDISFARNE. Carpet page with scattered panels, before 698 AD?

Background imageGospel Collection: VINEGROWING, 10th CENTURY. Woodcut after an illumination from a 10th century German

VINEGROWING, 10th CENTURY. Woodcut after an illumination from a 10th century German gospel book

Background imageGospel Collection: SHEET MUSIC: SPIRITUAL. Sheet music cover for the African American spiritual Swing Low

SHEET MUSIC: SPIRITUAL. Sheet music cover for the African American spiritual Swing Low, Sweet Chariot, arranged by James H. Rogers, published in Boston, 1917

Background imageGospel Collection: CHRISTIAN NEWSPAPER, 1808. Masthead of the first issue of the Herald of Gospel Liberty

CHRISTIAN NEWSPAPER, 1808. Masthead of the first issue of the Herald of Gospel Liberty, 1 September 1808, published by Elias Smith

Background imageGospel Collection: Antique illustration of Annunciation by Correggio

Antique illustration of Annunciation by Correggio
Antique illustration of Annunciation (drawing by a fresco by the 16th century Italian painter Correggio). The painting depicts the Virgin Mary reading a book on a bookstand illuminated by the light

Background imageGospel Collection: Antique illustration of The Adoration of the Magi

Antique illustration of The Adoration of the Magi (early 16th century wood engraving). The Virgin Mary and Child are depicted in the foreground with two of the Magi (the Three Wise Men or Three Kings)

Background imageGospel Collection: Two Female Missionaries in China

Two Female Missionaries in China and local converts, both young and old(er). Possibly from the S.P.G. (Society for the Propagation of the Gospel in Foreign Parts). Date: 1913

Background imageGospel Collection: China - Christian Clergyman Rev. John Kao (Shantung Diocese)

China - Christian Clergyman Rev. John Kao (Shantung Diocese)
China - A superb portrait of Clergyman Rev. John Kao (Shantung Diocese). The S.P.G. (Society for the Propagation of the Gospel in Foreign Parts) sent its first missionary to China in 1863 Date

Background imageGospel Collection: S. P. G. Christian Graduates at Kobe, Japan

S. P. G. Christian Graduates at Kobe, Japan
S.P.G. (Society for the Propagation of the Gospel in Foreign Parts) Christian Graduates at Kobe, Japan Date: 1910s

Background imageGospel Collection: South Korea - Ganghwa Island - The S. P. G. Mission House

South Korea - Ganghwa Island - The S. P. G. Mission House
South Korea - The S.P.G. (Society for the Propagation of the Gospel in Foreign Parts) Mission House at Ganghwa (Kang Hoa) Island, Korea. Date: circa 1910s

Background imageGospel Collection: Chilonda, Bie, Angola - Women off to hear Gospel Meetings

Chilonda, Bie, Angola - Women off to hear Gospel Meetings
Chilonda, Bie, Angola - Women heading off to the villages to Gospel Meetings - everyone is travelling in the back of a van! Date: circa 1930s

Background imageGospel Collection: Missiones, Brazil. Derelict ruins of Sao Miguel Jesuit colonial church by Giovanni Battista Primoli

Missiones, Brazil. Derelict ruins of Sao Miguel Jesuit colonial church by Giovanni Battista Primoli. Rio Grande do Sul State

Background imageGospel Collection: Matthew the Apostle

Matthew the Apostle was, according to the Bible, one of the twelve apostles of Jesus and, according to Christian tradition, one of the four Evangelists. Pictured with an angel. circa 18th century

Background imageGospel Collection: Mark the Evangelist, writing his gospel

Mark the Evangelist, writing his gospel 18th century

Background imageGospel Collection: Mark the Evangelist and the lion

Mark the Evangelist and the lion
Mark the Evangelist, writing his Gospel pictured with a winged lion, which was to become not only his symbol, but the symbol of the City of Venice. circa 18th century

Background imageGospel Collection: Father I have sinned against Heaven and in thy sight

Father I have sinned against Heaven and in thy sight
Luke - Chapter 15 - The Parable of the Lost Son: " And the son said unto him, Father, I have sinned against heaven, and in thy sight

Background imageGospel Collection: St Matthew

St Matthew
Saint Matthew the Evangelist circa 18th century

Background imageGospel Collection: Baptism of Jesus by John the Baptist. Armenian mansucript of Gospel (1268)

Baptism of Jesus by John the Baptist. Armenian mansucript of Gospel (1268)

Background imageGospel Collection: Coronation of Henry the Lion (1129-1195) Duke of Saxony from 1146, and his wife Matilda

Coronation of Henry the Lion (1129-1195) Duke of Saxony from 1146, and his wife Matilda daughter of Henry II of England, married 1168. In top half of picture Christ, Angels and Saints look down

Background imageGospel Collection: St John the Evangelist from the Lindisfarne (Durham) Gospel Book. Produced at Lindisfarne

St John the Evangelist from the Lindisfarne (Durham) Gospel Book. Produced at Lindisfarne, England c720, it is St Jeromes Latin version of the four Gospels made in the 4th century

Background imageGospel Collection: Page from Wycliffes translation of the Bible into English c1400. The bygynynge

Page from Wycliffes translation of the Bible into English c1400. The bygynynge of ye gospel of Jesus Christ ye sone of God St Marks gospel. John Wycliffe (c1329-84) English religious reformer

Background imageGospel Collection: St Luke the Evangelist writing his gospel. Bible Luke 1. 3. Patron saint of artists and physicians

St Luke the Evangelist writing his gospel. Bible Luke 1. 3. Patron saint of artists and physicians
St Luke the Evangelist writing his gospel. Bible Luke 1.3. Patron saint of artists and physicians. An Ox, Lukes symbol, right foreground. Copperplate engraving c1808

Background imageGospel Collection: First page of St Matthews Gospel from William Tyndales (c1494-1536) English

First page of St Matthews Gospel from William Tyndales (c1494-1536) English New Testament printed Cologne 1525

Background imageGospel Collection: Lothair I or Lothar I (795-855) Emperor of the East from 843. Lothair sitting

Lothair I or Lothar I (795-855) Emperor of the East from 843. Lothair sitting on throne flanked by two guards. From Evangeleaire de Lothaire (Gospel of Lothair). 9th century manuscript

Background imageGospel Collection: St Crispin and St Crispian, Roman brothers. Went to Soissons, France, 303 to spread gospel

St Crispin and St Crispian, Roman brothers. Went to Soissons, France, 303 to spread gospel and supported themselves by shoemaking. Patron saints of shoemakers

Background imageGospel Collection: The Last Supper, 15th century mural painting in Milan created by Leonardo da Vinci

The Last Supper, 15th century mural painting in Milan created by Leonardo da Vinci for his patron Duke Ludovico Sforza and his duchess Beatrice d Este

Background imageGospel Collection: Angelus Temple of the four Square Gospel, Los Angeles, California

Angelus Temple of the four Square Gospel, Los Angeles, California
Vintage linen postcard showing the exterior of the Angelus Temple of the Four Square Gospel. Two large radio towers are also visible

Background imageGospel Collection: Four Gospels in Armenian 1434

Four Gospels in Armenian 1434. British Museum

Background imageGospel Collection: HOLY THURSDAY WEEK, GOSPEL OAK AT AVINGTON. UK, britain, british, europe, united kingdom

HOLY THURSDAY WEEK, GOSPEL OAK AT AVINGTON. UK, britain, british, europe, united kingdom, great britain, european



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"Gospel: A Journey Through Time and Art" The concept of the gospel, derived from the Greek word "euangelion, " meaning good news or glad tidings, has been a source of inspiration for centuries. Illustrated in various forms throughout history, it continues to captivate hearts and minds. One such captivating illustration is found in the Book of Kells, an illuminated manuscript dating back to around 800 AD. The intricate depiction of St. Matthew showcases the meticulous craftsmanship that went into creating this masterpiece. Similarly, the Lindisfarne Gospels offer a glimpse into early medieval artistry with its beautifully adorned pages. One page stands out as it features The Lord's Prayer written in gold lettering, showcasing devotion and reverence. The Ms - Lindisfarne Gospel further emphasizes the significance of these ancient texts by preserving their delicate beauty. Its careful preservation allows us to appreciate not only their religious importance but also their artistic value. Moving forward through time, we encounter Christ Pantocrator encaustic on panel—a powerful representation of Jesus as ruler and judge—reminding us of his divine authority over all creation. In contrast to these grand depictions are intimate moments captured within illuminated texts like that from St Luke's Gospel circa 700 AD. This page transports us back in time, allowing us to witness scenes from Jesus' life with awe-inspiring detail. Beyond illustrations lie real-life embodiments music's power—the Jubilee Singers at Fisk University in the USA—a group photo capturing their harmonious voices spreading hope during challenging times. Returning once again to sacred texts, we find solace in witnessing Jesus praying fervently amidst anguish in the Garden—an emotional reminder that even he sought strength through prayer during trying moments. Finally, another remarkable example comes from the Book of Kells where St John’s symbol is depicted on folio 27v—a testament to Hiberno-Saxon creativity merging Christian symbolism with intricate designs.