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Glove Collection (page 20)

"Gloves: A Timeless Symbol of Protection, Skill, and Style" From ancient civilizations to modern-day sports arenas

Background imageGlove Collection: French fashions (1814-15) (engraving)

French fashions (1814-15) (engraving)
957997 French fashions (1814-15) (engraving) by Jacquemin, Raphael (1821-81); Private Collection; (add.info.: French fashions (1814-15). Drawing after engravings of the time

Background imageGlove Collection: Programme for the Ba-ta-clan Cafe Concert, c. 1905 (colour litho)

Programme for the Ba-ta-clan Cafe Concert, c. 1905 (colour litho)
698709 Programme for the Ba-ta-clan Cafe Concert, c.1905 (colour litho) by French School, (20th century); Bibliotheque Historique de la Ville de Paris, Paris, France; (add.info.: 50)

Background imageGlove Collection: Portrait of a Venetian nobleman (oil on canvas)

Portrait of a Venetian nobleman (oil on canvas)
621492 Portrait of a Venetian nobleman (oil on canvas) by Cariani, Giovanni de Busi (c.1485-p.1547); 82.8x69.3 cm; eThe Devonshire Collections

Background imageGlove Collection: Portrait of a Nobleman (oil on canvas)

Portrait of a Nobleman (oil on canvas)
RAF145726 Portrait of a Nobleman (oil on canvas) by Nason, Pieter (c.1612-90); Private Collection; Photo eRafael Valls Gallery, London, UK; Dutch, out of copyright

Background imageGlove Collection: Gloves, plate from A History of the Development and Customs of Chivalry, by Dr

Gloves, plate from A History of the Development and Customs of Chivalry, by Dr
STC147620 Gloves, plate from A History of the Development and Customs of Chivalry, by Dr. Franz Kottenkamp, published by Carl Hoffmann, 1842 (colour litho) by Reibisch

Background imageGlove Collection: Puss in Boots, from Sleeping Beauty, 1921 (colour litho)

Puss in Boots, from Sleeping Beauty, 1921 (colour litho)
STC133687 Puss in Boots, from Sleeping Beauty, 1921 (colour litho) by Bakst, Leon (1866-1924); Private Collection; The Stapleton Collection; Russian, out of copyright

Background imageGlove Collection: Effects of Good Government in the Countryside, detail of a falconer, 1388-40 (fresco)

Effects of Good Government in the Countryside, detail of a falconer, 1388-40 (fresco)
ALI175990 Effects of Good Government in the Countryside, detail of a falconer, 1388-40 (fresco) by Lorenzetti, Ambrogio (1285-c.1348); Palazzo Pubblico, Siena

Background imageGlove Collection: Portrait of Mrs Marie Clerc, 1874 (oil on canvas)

Portrait of Mrs Marie Clerc, 1874 (oil on canvas)
BRM191050 Portrait of Mrs Marie Clerc, 1874 (oil on canvas) by Carolus-Duran, Charles Emile Auguste (1837-1917); 140x53 cm; Private Collection; French, out of copyright

Background imageGlove Collection: Afternoon tea in a Victorian drawing room, 19th century

Afternoon tea in a Victorian drawing room, 19th century
6337315 Afternoon tea in a Victorian drawing room, 19th century by Leech, John (1817-64) (after); (add.info.: Afternoon tea in a Victorian drawing room, 19th century)

Background imageGlove Collection: Portrait of Sir Thomas Monson, half-length, in a slashed white doublet

Portrait of Sir Thomas Monson, half-length, in a slashed white doublet
5959872 Portrait of Sir Thomas Monson, half-length, in a slashed white doublet, girdled with a sword, holding a falcon and his wand of office (oil on panel) by English School

Background imageGlove Collection: Repose, 1881 (etching & aquatint)

Repose, 1881 (etching & aquatint)
5864234 Repose, 1881 (etching & aquatint) by Klinger, Max (1857-1920); 31.8x48.6 cm; Minneapolis Institute of Arts, MN, USA; (add.info.: from the series Ein Handschuh (A Glove) 4 3/8 x 9 1/4 in

Background imageGlove Collection: Rescue, 1881 (etching)

Rescue, 1881 (etching)
5864231 Rescue, 1881 (etching) by Klinger, Max (1857-1920); 48.6x31.8 cm; Minneapolis Institute of Arts, MN, USA; (add.info.: from the series Ein Handschuh (A Glove) 5 11/16 x 4 1/16 in

Background imageGlove Collection: Portrait of Mary Carolina of Austria (Mary Carolina, Maria Carolina, 1752-1814)

Portrait of Mary Carolina of Austria (Mary Carolina, Maria Carolina, 1752-1814)
AIS5352552 Portrait of Mary Carolina of Austria (Mary Carolina, Maria Carolina, 1752-1814), Queen of Naples (detail), c.1770 (oil on canvas) by Mengs, Anton Raphael (1728-79); Prado, Madrid

Background imageGlove Collection: Portrait of a Woman, 1525-7 (oil on wood)

Portrait of a Woman, 1525-7 (oil on wood)
FIA5379007 Portrait of a Woman, 1525-7 (oil on wood) by Cranach, Lucas, the Elder (1472-1553); 35.9 x 25.1 cm; National Gallery, London, UK; German, out of copyright

Background imageGlove Collection: 'La Parisienne', portrait of Madame Henriette Henriot

"La Parisienne", portrait of Madame Henriette Henriot
AIS5339981 " La Parisienne", portrait of Madame Henriette Henriot, French actress and preferred model of the painter, 1874 (oil on canvas) by Renoir

Background imageGlove Collection: 'Portrait de jeune homme'(Portrait of a Young Man

"Portrait de jeune homme"(Portrait of a Young Man
FIA5398163 " Portrait de jeune homme" (Portrait of a Young Man) Peinture de Jan Mostaert (1472/73-1555/56) vers 1520 Dim 53x37 cm Museo del Prado, Madrid by Mostaert

Background imageGlove Collection: Queen Victoria in the Royal Box at the Drury Lane Theatre in November 1837 - Lienard

Queen Victoria in the Royal Box at the Drury Lane Theatre in November 1837 - Lienard
FIA5399603 Queen Victoria in the Royal Box at the Drury Lane Theatre in November 1837 - Lienard, Sophie (active 1840-1845) - c

Background imageGlove Collection: Jeanne d Autriche (Jeanne de Habsbourg) - Portrait of Joanna of Austria (1547-1578

Jeanne d Autriche (Jeanne de Habsbourg) - Portrait of Joanna of Austria (1547-1578
FIA5405877 Jeanne d Autriche (Jeanne de Habsbourg) - Portrait of Joanna of Austria (1547-1578) par Anguissola, Sofonisba (ca. 1532-1625)

Background imageGlove Collection: Lucy Russel, comtesse Bedford (nee Harington) - Portrait of Lucy Russell

Lucy Russel, comtesse Bedford (nee Harington) - Portrait of Lucy Russell
FIA5408385 Lucy Russel, comtesse Bedford (nee Harington) - Portrait of Lucy Russell, Countess of Bedford (1580-1627), nee Harington, by Larkin, William (1580s-1619). Oil on canvas, 1600s

Background imageGlove Collection: Belle epoque : 'Portrait de la comtesse de Leusse nee Suzanne Berthier

Belle epoque : "Portrait de la comtesse de Leusse nee Suzanne Berthier
FIA5404078 Belle epoque : " Portrait de la comtesse de Leusse nee Suzanne Berthier (1868-1936) (Portrait of Countess De Leusse, nee Berthier) Peinture de Giovanni Boldini (1842-1931)

Background imageGlove Collection: Portrait of Emperor Napoleon I Bonaparte (1769-1821), by Drolling

Portrait of Emperor Napoleon I Bonaparte (1769-1821), by Drolling
FIA5409953 Portrait of Emperor Napoleon I Bonaparte (1769-1821), by Drolling, Michel Martin (1789-1851). by Drolling, Michel-Martin (1786-1851); Private Collection; (add.info)

Background imageGlove Collection: Portrait of Isabella II of Spain

Portrait of Isabella II of Spain
FIA5405914 Portrait of Isabella II of Spain by Madrazo y Kuntz, Federico de (1815-94); 148x108 cm; Museo del Romanticismo, Madrid

Background imageGlove Collection: Femme dans une caleche, Paris - Lady in a landau carriage, Paris, by Pauli

Femme dans une caleche, Paris - Lady in a landau carriage, Paris, by Pauli
FIA5408328 Femme dans une caleche, Paris - Lady in a landau carriage, Paris, by Pauli, Georg (1855-1935). Oil on wood, 1882-1883. Dimension : 31x39, 5 cm

Background imageGlove Collection: Eric XIV de Suede - Portrait of King Eric XIV of Sweden (1533-1577), by Verwilt

Eric XIV de Suede - Portrait of King Eric XIV of Sweden (1533-1577), by Verwilt
FIA5407973 Eric XIV de Suede - Portrait of King Eric XIV of Sweden (1533-1577), by Verwilt, Domenicus (active 1544-1566). Oil on wood. Dimension : 103x69 cm

Background imageGlove Collection: Portrait of Eritia Aukje Hoppers, nee De Blocq, 1622 (oil on panel) (pair to 1631864)

Portrait of Eritia Aukje Hoppers, nee De Blocq, 1622 (oil on panel) (pair to 1631864)
1631865 Portrait of Eritia Aukje Hoppers, nee De Blocq, 1622 (oil on panel) (pair to 1631864) by Salle, Jan De (c.1599-1626) (attr)

Background imageGlove Collection: History of the glove: the gauntlet, piece of armor, among the Scandinavian peoples

History of the glove: the gauntlet, piece of armor, among the Scandinavian peoples
LSE4088371 History of the glove: the gauntlet, piece of armor, among the Scandinavian peoples - Liebig chromolithography, 19th century by Unknown Artist

Background imageGlove Collection: History of the glove: the fingers of the ancient Greeks - Liebig chromolithography

History of the glove: the fingers of the ancient Greeks - Liebig chromolithography
LSE4088356 History of the glove: the fingers of the ancient Greeks - Liebig chromolithography, 19th century by Unknown Artist

Background imageGlove Collection: Glazier in the 19th century

Glazier in the 19th century
LSE4087894 Glazier in the 19th century. by Unknown Artist, (19th century); Private Collection; (add.info.: Glazier in the 19th century.); Photo eLeonard de Selva; out of copyright

Background imageGlove Collection: John Parker and his sister Theresa A brother and sister children standing affectionately

John Parker and his sister Theresa A brother and sister children standing affectionately
JLJ4563457 John Parker and his sister Theresa A brother and sister children standing affectionately. Painting by Joshua Reynolds (1723-1792), 18th century Private Collection by Reynolds

Background imageGlove Collection: Portrait of a young woman in her window Painting by Jan Victors (1620-1676) (ec. flam

Portrait of a young woman in her window Painting by Jan Victors (1620-1676) (ec. flam
JLJ4570461 Portrait of a young woman in her window Painting by Jan Victors (1620-1676) (ec.flam.) 1640 Sun. 0, 93x0, 78 m by Victors, Jan (c.1619-1676); Louvre, Paris

Background imageGlove Collection: Honorine Platzer Oil painting on cardboard by Henri de Toulouse Lautrec (1864-1901

Honorine Platzer Oil painting on cardboard by Henri de Toulouse Lautrec (1864-1901
JLJ4570262 Honorine Platzer Oil painting on cardboard by Henri de Toulouse Lautrec (1864-1901) 1891 Sun. 0, 54x0, 4 m Paris, Musee d Orsay by Toulouse-Lautrec, Henri de (1864-1901); Musee d Orsay

Background imageGlove Collection: Portrait of Madame Barbier Walbonne (1763-1837) wife of the painter Jacques Luc Barbier

Portrait of Madame Barbier Walbonne (1763-1837) wife of the painter Jacques Luc Barbier
JLJ4572041 Portrait of Madame Barbier Walbonne (1763-1837) wife of the painter Jacques Luc Barbier Painting by Francois Gerard (1770-1837) 1796 Sun

Background imageGlove Collection: Portrait of Margaret Theresa of Spain, 17th century (paintinig)

Portrait of Margaret Theresa of Spain, 17th century (paintinig)
LRI4623415 Portrait of Margaret Theresa of Spain, 17th century (paintinig) by Mazo, Juan Bautista Martinez del (1612-67); Prado, Madrid

Background imageGlove Collection: The song of the dog (Emma Valladon called Theresa (1837-1913) at the cafe concert

The song of the dog (Emma Valladon called Theresa (1837-1913) at the cafe concert
JLJ4591179 The song of the dog (Emma Valladon called Theresa (1837-1913) at the cafe concert) Painting by Edgar Degas (1834-1917), gouache and pastel, 57.5 cm x 45 cm, 1876

Background imageGlove Collection: Portrait of Charles IX (1550 - 1574) King of France. Painting attributed to Francois

Portrait of Charles IX (1550 - 1574) King of France. Painting attributed to Francois
JLJ4573887 Portrait of Charles IX (1550 - 1574) King of France. Painting attributed to Francois Clouet (1515-1572), 16th century. h s/b 0, 40 X 0, 50m

Background imageGlove Collection: Young French woman dressed in the fashion of the Wonderful of the 18th century

Young French woman dressed in the fashion of the Wonderful of the 18th century
FLO4616906 Young French woman dressed in the fashion of the Wonderful of the 18th century, after a painting by Carle Vernet (1758-1836)

Background imageGlove Collection: Door stendard of a company of arquebusiers, 17th century - Lithography based on an illustration by

Door stendard of a company of arquebusiers, 17th century - Lithography based on an illustration by Edmond
FLO4616802 Door stendard of a company of arquebusiers, 17th century - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from " Costumes historiques des 16th

Background imageGlove Collection: Portrait in foot of Charles III (1716-1788) as a hunter

Portrait in foot of Charles III (1716-1788) as a hunter
JLJ4577316 Portrait in foot of Charles III (1716-1788) as a hunter, son of Philip V Painting by Francisco de Goya (1746-1828) oil on canvas, 1786-1788. Madrid

Background imageGlove Collection: Portrait of Frederic II of the Palatinate (Frederic II the Sage, c. 1546 (painting)

Portrait of Frederic II of the Palatinate (Frederic II the Sage, c. 1546 (painting)
LRI4581758 Portrait of Frederic II of the Palatinate (Frederic II the Sage, c.1546 (painting) by Besser, Hans (fl.1537-58); Kunsthistorisches Museum, Vienna, Austria; (add.info.: Frederick II)

Background imageGlove Collection: Portrait of Galeazzo Maria Sforza, Duke of Milan, 15th century (painting)

Portrait of Galeazzo Maria Sforza, Duke of Milan, 15th century (painting)
LRI4582419 Portrait of Galeazzo Maria Sforza, Duke of Milan, 15th century (painting) by Pollaiolo, Piero del (1443-96); Galleria degli Uffizi, Florence, Tuscany

Background imageGlove Collection: Portrait of Mary Isabella of Spain, 19th century (painting)

Portrait of Mary Isabella of Spain, 19th century (painting)
LRI4582131 Portrait of Mary Isabella of Spain, 19th century (painting) by Falco, Carlo de (1798-1882); Palazzo Reale, Caserta

Background imageGlove Collection: Study of a woman after nature, also called a portrait of Madame Subtra

Study of a woman after nature, also called a portrait of Madame Subtra
JLJ4600365 Study of a woman after nature, also called a portrait of Madame Subtra. Painting by Marie Denise Villers (1772-1821), 1802. Oil on canvas. Dim: 1, 46 x 1, 14m

Background imageGlove Collection: Portrait of Man (oil on canvas, 1855)

Portrait of Man (oil on canvas, 1855)
LRI4604349 Portrait of Man (oil on canvas, 1855) by Courbet, Gustave (1819-77); Musee des Beaux-Arts Jenisch, Vevey, Switzerland; (add.info)



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"Gloves: A Timeless Symbol of Protection, Skill, and Style" From ancient civilizations to modern-day sports arenas, gloves have played a significant role in various aspects of human history. This diverse collection of images showcases the multifaceted nature of gloves throughout time. In one corner, we have an intriguing poster advertising Linherr Vermouth, where a pair of elegant gloves symbolize sophistication and refinement. These accessories not only protect our hands but also elevate our fashion choices. Moving on to the Crown and Glove Public House plan for sale at Stannington, we see how they can even be associated with property ownership. They serve as a reminder that every detail matters when it comes to real estate transactions. Shifting gears to the world of sports, Jackie Robinson's iconic image captures him playing first base for the Brooklyn Dodgers while wearing his trusty glove. As an American baseball player who broke racial barriers during the 1940s, Robinson's glove represents resilience and determination in pursuing equality on and off the field. Delving into history further back in time brings us face-to-face with plague doctors from the 18th century donning their distinctive bird-beak masks and protective gloves. Here, these unique gloves become symbols of both fear and hope as they shielded doctors from deadly diseases while offering solace to those seeking medical aid. Traveling even further back in time takes us to ancient Rome where athletes engaged in boxing matches wearing leather gloves. In this depiction captured through Minoan art from Greece's 16th century B. C. , young boxers showcase their skills while emphasizing how even then people recognized that proper hand protection was crucial for such intense physical activities. Fast-forwarding again brings us Gene Tunney's infamous bout against Dempsey at Soldier Field in Chicago during September 1927. The photograph immortalizes Tunney being knocked down but highlights how his gloved hands represent resilience amidst adversity - a testament to the indomitable spirit of athletes.