Glorious Revolution Collection

William of Orange at the Battle of the Boyne, 1668
William of Orange, later King William III of England, leading the Dutch army in Englands Glorious Revolution. Hand-colored engraving

The Landing of William of Orange at Torbay, 1688 (colour litho)
STC373303 The Landing of William of Orange at Torbay, 1688 (colour litho) by Turner, Joseph Mallord William (1775-1851) (after); Private Collection; (add.info.: William of Orange (1650-1702)

Ceiling of the Painted Hall, 1707-14
BTN208087 Ceiling of the Painted Hall, 1707-14 by Thornhill, James (1675-1734); Royal Naval College, Greenwich, London, UK; (add.info)

Frederick, Duke of Schomberg (1615-90) engraved by Jacobus Houbraken (1698-1780)
XJF170096 Frederick, Duke of Schomberg (1615-90) engraved by Jacobus Houbraken (1698-1780) (engraving) (b/w photo) by Kneller

Charles Talbot, 1st Duke of Shrewsbury
3586294 Charles Talbot, 1st Duke of Shrewsbury; (add.info.: Portrait of Charles Talbot, 1st Duke of Shrewsbury (1660-1718) an English politician and member of the 'Immortal Seven' group

MORENO BENITEZ, Juan (1822-1887). Spanish progressive politician. Engraving. SPAIN. MADRID (AUTONOMOUS COMMUNITY)
CUL4875459 MORENO BENITEZ, Juan (1822-1887). Spanish progressive politician. Engraving. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid

Spain. Revolution of 1868. Battle of Alcolea (20th September), which culminated in the Isabel II's dethronement
CUL4931061 Spain. Revolution of 1868. Battle of Alcolea (20th September), which culminated in the Isabel II's dethronement. Engraving by Unknown Artist; (add.info.: Spain. Revolution of 1868)

The arrest of Governor Andros during the 1689 Boston revolt. Sir Edmund Andros, 1637 - 1714
2956610 The arrest of Governor Andros during the 1689 Boston revolt. Sir Edmund Andros, 1637 - 1714. English colonial administrator in North America

King James II of England
5312090 King James II of England; (add.info.: Engraving depicting King James II of England (1633-1701) wearing the armour he who at the Battle of Boyne

Anno 1689. The coronation of Wilhelm III. and Mary Stuart. Creator: Rochussen, Charles (1814-1894)
Anno 1689. The coronation of Wilhelm III. and Mary Stuart. Found in the Collection of the Amsterdam Museum.

A Lost Cause: The Flight of James II
3782311 A Lost Cause: The Flight of James II'; (add.info.: A Lost Cause: The Flight of James II after the Battle of the Boyne, 1690')

William of Orange enterting Exeter, 1688
3782596 William of Orange enterting Exeter, 1688; (add.info.: William of Orange enterting Exeter, 1688. Went on to be King William III of England, b. 4 November 1650 - 8 March 1702)

The Highlanders at the Battle of Killiecrankie, July 27th 1689 (litho)
STC373374 The Highlanders at the Battle of Killiecrankie, July 27th 1689 (litho) by Stott, W.R.S. (1878-1939); Private Collection; (add.info.: The Battle of Killiecrankie)

The Lowlanders at the Battle of Killiecrankie, July 27th 1689 (litho)
STC373375 The Lowlanders at the Battle of Killiecrankie, July 27th 1689 (litho) by Stott, W.R.S. (1878-1939); Private Collection; (add.info.: The Battle of Killiecrankie)

Portrait of Charles Talbot, Duke of Shrewsbury, 1835 (litho)
4070961 Portrait of Charles Talbot, Duke of Shrewsbury, 1835 (litho) by English School, (19th century); Private Collection; (add.info.: Sir Charles Talbot)

Portrait of Mary Stuart, Wife of Prince William III, c. 1683 (oil on canvas)
3545940 Portrait of Mary Stuart, Wife of Prince William III, c. 1683 (oil on canvas) by Netscher, Caspar (1639-84); 80.5x63.5 cm; Rijksmuseum, Amsterdam

William of Orange, King of England and Stadtholder, c. 1692-97 (oil on canvas)
3545909 William of Orange, King of England and Stadtholder, c. 1692-97 (oil on canvas) by Schalken or Schalcken, Godfried (1643-1706); 76.5x65 cm; Rijksmuseum, Amsterdam

Arrival of William of Orange in England, November 1688 (litho)
3638300 Arrival of William of Orange in England, November 1688 (litho) by Hooghe, Romeyn de (1636-97) (after); Private Collection; (add.info.: Arrival of William of Orange in England, November 1688)

Britannia crowned by Victory and attended by Plenty and Commerce, holds in Chains, Envy, Fraud
3621192 Britannia crowned by Victory and attended by Plenty and Commerce, holds in Chains, Envy, Fraud, Tyranny and Ambition (engraving) by English School

The Great Seal of King William III and Queen Mary (engraving)
5233636 The Great Seal of King William III and Queen Mary (engraving) by English School, (19th century); Private Collection; (add.info)

The Revolution in Spain (engraving)
1103769 The Revolution in Spain (engraving) by English School, (19th century); Private Collection; (add.info.: The Revolution in Spain)

Battle of the Boyne, engraved by W. French (litho)
475398 Battle of the Boyne, engraved by W. French (litho) by West, Benjamin (1738-1820) (after); Private Collection; (add.info.: Battle of the Boyne, 1690)

The Revolution in Spain, a Post of Volunteers of Liberty in the Puerta del Sol, Madrid (engraving)
1611508 The Revolution in Spain, a Post of Volunteers of Liberty in the Puerta del Sol, Madrid (engraving) by English School, (19th century); Private Collection; (add.info.: The Revolution in Spain)

The Revolution in Spain, Entrance of General Prim into Madrid (engraving)
1611418 The Revolution in Spain, Entrance of General Prim into Madrid (engraving) by Robinson, Charles (1840-81); Private Collection; (add.info.: The Revolution in Spain)

Portrait of James VII of Scotland, II of England (1633-1701
STC94859 Portrait of James VII of Scotland, II of England (1633-1701) engraved by George Vertue (1684-1756) (engraving) by Kneller

Portrait of Thomas Osborne, 1st Duke of Leeds, 1835 (litho)
4070964 Portrait of Thomas Osborne, 1st Duke of Leeds, 1835 (litho) by English School, (19th century); Private Collection; (add.info.: Thomas Osborne, 1st Duke of Leeds, KG (1632 - 1712)

Ceiling of the Painted Hall, detail of King William III (1650-1702
BTN208089 Ceiling of the Painted Hall, detail of King William III (1650-1702) and Queen Mary II (1662-94) Enthroned, 1707-14 (see 208087) by Thornhill, James (1675-1734); Royal Naval College

The Bishops leaving after acquittal (litho)
STC373314 The Bishops leaving after acquittal (litho) by English School, (19th century) (after); Private Collection; The Stapleton Collection; English, out of copyright

King James II (1633-1701) Receiving the News of the Landing of William of Orange in 1688
THA15412 King James II (1633-1701) Receiving the News of the Landing of William of Orange in 1688, 1851 (oil on canvas) by Ward

Portrait of Lieutenant General Talmash, illustration from
745973 Portrait of Lieutenant General Talmash, illustration from Heads of Illustrious Persons of Great Britain, pub. by Knapton, London 1742 (engraving) by Houbraken

Entry of the Prince of Orange into Exeter after his landing at Torbay, 1688 (engraving)
STC418715 Entry of the Prince of Orange into Exeter after his landing at Torbay, 1688 (engraving) by Browne, Gordon Frederick (1858-1932) (after); Private Collection; (add.info)

Britannia enthralled by Popery and Power is relieved by King William (engraving)
3621190 Britannia enthralled by Popery and Power is relieved by King William (engraving) by English School, (18th century); Private Collection; (add.info)

Called to the Arena! or, Opening the Door to Revolution (colour litho)
3648228 Called to the Arena! or, Opening the Door to Revolution (colour litho) by Morgan, Matthew " Matt" Somerville (1839-90); Private Collection; (add.info.: Called to the Arena)

The Revolution in Spain, Meeting in the Cirque Price at Madrid (engraving)
1611479 The Revolution in Spain, Meeting in the Cirque Price at Madrid (engraving) by English School, (19th century); Private Collection; (add.info.: The Revolution in Spain)

The Revolution in Spain, People reading a Proclamation of the Provisional Government in the Puerta del Sol
1611498 The Revolution in Spain, People reading a Proclamation of the Provisional Government in the Puerta del Sol, Madrid (engraving) by English School

Epochs of the British Army - The Revolution (colour litho)
960848 Epochs of the British Army - The Revolution (colour litho) by Simkin, Richard (1840-1926); Private Collection; (add.info.: The Revolution)

The Revolution in Spain, Demonstration in Favour of a Monarchy, Ministers speaking from the Palace of the President
1611503 The Revolution in Spain, Demonstration in Favour of a Monarchy, Ministers speaking from the Palace of the President (engraving) by English School

The Revolution in Spain, General Prim reviewing the Troops at Madrid (engraving)
1611497 The Revolution in Spain, General Prim reviewing the Troops at Madrid (engraving) by Robinson, Charles (1840-81); Private Collection; (add.info.: The Revolution in Spain)

The Revolution in Spain, hanging out the Flag of the Revolution at the Public Offices in the Puerta del Sol
1611403 The Revolution in Spain, hanging out the Flag of the Revolution at the Public Offices in the Puerta del Sol, Madrid (engraving) by Robinson

Fireworks in Covent Garden, 1809 (etching and aquatint, hand colored)
3525761 Fireworks in Covent Garden, 1809 (etching and aquatint, hand colored) by Lens, Bernard II (1659-1725); Metropolitan Museum of Art, New York

Portrait of William III, Prince of Orange and Stadtholder, c. 1680-84 (oil on canvas)
3545939 Portrait of William III, Prince of Orange and Stadtholder, c.1680-84 (oil on canvas) by Netscher, Caspar (1639-84); 80.5x63 cm; Rijksmuseum, Amsterdam

James II of England spends the night of 15 / 16 November 1688 in a poor fishermans hut (engraving)
3646867 James II of England spends the night of 15/16 November 1688 in a poor fishermans hut (engraving) by German School

William III
3781925 William III by Kneller, Godfrey (1646-1723); (add.info.: William III, from a portrait by Sir Godfrey Kneller. William III, 1650 - 8 March 1702)

The flight of James II, 1688, illustration from Hutchinson
STC373529 The flight of James II, 1688, illustration from Hutchinsons Story of the British Nation, c.1923 (litho) by Gow, Andrew Carrick (1848-1920) (after); Private Collection; (add.info)

Battle of Aughrim, July 12th 1691 (litho)
STC373382 Battle of Aughrim, July 12th 1691 (litho) by Wollen, William Barnes (1857-1936); Private Collection; (add.info.: The Battle of Aughrim)

The assault of Dunkeld, August 21st 1689 (litho)
STC373376 The assault of Dunkeld, August 21st 1689 (litho) by Cameron, John (1872-c.1931); Private Collection; (add.info.: The Battle of Dunkeld)

The Landing of William 3rd at Torbay, engraved by A. H. Payne (litho)
475397 The Landing of William 3rd at Torbay, engraved by A.H. Payne (litho) by Stothard, Thomas (1755-1834) (after); Private Collection; (add.info.: William of Orange (1650-1702), later William III

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The Glorious Revolution, a pivotal moment in history, saw the rise of William of Orange as he landed at Torbay in 1688. With his victory at the Battle of the Boyne in 1690, William solidified his position as King of England and Stadtholder. The revolution brought about significant changes, symbolized by the grandeur depicted on the ceiling of the Painted Hall from 1707-14. As Frederick, Duke of Schomberg fought alongside William during this tumultuous time, an engraving by Jacobus Houbraken immortalizes their alliance. However, for James II, it was a lost cause as he fled to France amidst political upheaval. William's triumphs were not limited to battlefields alone; he also entered Exeter victoriously in 1688. The Highlanders' valiant efforts at the Battle of Killiecrankie on July 27th, 1689 are captured through lithographs that showcase their bravery and determination. Amidst all these events unfolded a love story - Mary Stuart stood proudly beside her husband Prince William III as depicted in an oil painting from around 1683. Another portrait captures William himself with regal splendor between c. 1692-97. Finally, we witness the arrival of William into England in November 1688 through a lithograph that encapsulates both hope and uncertainty for what lies ahead. The Glorious Revolution forever altered England's course - it marked a turning point towards constitutional monarchy and religious tolerance while leaving an indelible mark on history's canvas.