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Giulio Bonasone Collection (page 3)

Giulio Bonasone: A Master of Mythology and History Giulio Bonasone, an Italian engraver and printmaker, left a lasting legacy with his intricate and captivating artworks

Background imageGiulio Bonasone Collection: The Virgin washing the Christ Child accompanied by figures and an angel at right, ... ca

The Virgin washing the Christ Child accompanied by figures and an angel at right, ... ca
The Virgin washing the Christ Child accompanied by figures and an angel at right, ca. 1550-60

Background imageGiulio Bonasone Collection: Men and women bathing, some embracing, 1531-76. Creator: Giulio Bonasone

Men and women bathing, some embracing, 1531-76. Creator: Giulio Bonasone
Men and women bathing, some embracing, 1531-76

Background imageGiulio Bonasone Collection: Portrait of Cardinal Pietro Bembo facing left, 1572. Creator: Giulio Bonasone

Portrait of Cardinal Pietro Bembo facing left, 1572. Creator: Giulio Bonasone
Portrait of Cardinal Pietro Bembo facing left, 1572

Background imageGiulio Bonasone Collection: Bust of Hercules and Dejanira, ca. 1531-76. Creator: Giulio Bonasone

Bust of Hercules and Dejanira, ca. 1531-76. Creator: Giulio Bonasone
Bust of Hercules and Dejanira, ca. 1531-76

Background imageGiulio Bonasone Collection: Bust of Bellona, ca. 1531-76. Creator: Giulio Bonasone

Bust of Bellona, ca. 1531-76. Creator: Giulio Bonasone
Bust of Bellona, ca. 1531-76

Background imageGiulio Bonasone Collection: Judith passing the head of Holofernes to her maidservant, the decapitated Holofernes in

Judith passing the head of Holofernes to her maidservant, the decapitated Holofernes inside the tent at left, 1531-76

Background imageGiulio Bonasone Collection: Calypso trying to detain Ulysses as a child prepares his armour at right and Mercury fa

Calypso trying to detain Ulysses as a child prepares his armour at right and Mercury falls from the sky, 1531-76

Background imageGiulio Bonasone Collection: Diana holding fruit in her left hand standing within a niche, ca. 1531-76

Diana holding fruit in her left hand standing within a niche, ca. 1531-76

Background imageGiulio Bonasone Collection: Venus and Mars, from The Loves of the Gods, 1531-60. Creator: Giulio Bonasone

Venus and Mars, from The Loves of the Gods, 1531-60. Creator: Giulio Bonasone
Venus and Mars, from The Loves of the Gods, 1531-60

Background imageGiulio Bonasone Collection: Venus tumbling with putti in the clouds, from The Loves of the Gods, ca. 1531-76

Venus tumbling with putti in the clouds, from The Loves of the Gods, ca. 1531-76

Background imageGiulio Bonasone Collection: Apollo and Leucothea, from The Loves of the Gods, ca. 1531-76. Creator: Giulio Bonasone

Apollo and Leucothea, from The Loves of the Gods, ca. 1531-76. Creator: Giulio Bonasone
Apollo and Leucothea, from The Loves of the Gods, ca. 1531-76

Background imageGiulio Bonasone Collection: Apollo standing a beside a woman representing an allegory of painting, from The Loves

Apollo standing a beside a woman representing an allegory of painting, from The Loves of the Gods, 1531-60

Background imageGiulio Bonasone Collection: Leda and the Swan, from The Loves of the Gods, 1531-76. Creator: Giulio Bonasone

Leda and the Swan, from The Loves of the Gods, 1531-76. Creator: Giulio Bonasone
Leda and the Swan, from The Loves of the Gods, 1531-76

Background imageGiulio Bonasone Collection: Jupiter suckled by the goat Amalthea, 1531-76 Creator: Giulio Bonasone

Jupiter suckled by the goat Amalthea, 1531-76 Creator: Giulio Bonasone
Jupiter suckled by the goat Amalthea, 1531-76

Background imageGiulio Bonasone Collection: Title page to The Loves of the Gods, 1531-60. Creator: Giulio Bonasone

Title page to The Loves of the Gods, 1531-60. Creator: Giulio Bonasone
Title page to The Loves of the Gods, 1531-60

Background imageGiulio Bonasone Collection: Tantalus at left speaking to Diana at right, set within an elaborate frame, from the L

Tantalus at left speaking to Diana at right, set within an elaborate frame, from the Loves, Rages and Jealousies of Juno, 1531-76

Background imageGiulio Bonasone Collection: Juno, Mars and Cupid, set within an elaborate frame, from the Loves, Rages and Jealous

Juno, Mars and Cupid, set within an elaborate frame, from the Loves, Rages and Jealousies of Juno, 1531-76

Background imageGiulio Bonasone Collection: Mars and Rhea Silvia: in the centre Mars holds a shield and sword, Rhea Silvia sleep

Mars and Rhea Silvia: in the centre Mars holds a shield and sword, Rhea Silvia sleeping, Apollo in his chariot upper left, ca 1531-76

Background imageGiulio Bonasone Collection: Pan seated near a female figure holding a cornucopia (a nymph or Pomona), at right

Pan seated near a female figure holding a cornucopia (a nymph or Pomona), at right cupid plays cymbals in front of a herm, at left a pipe, cymbals, bow, and satchel of arrows hang from a tree, ca

Background imageGiulio Bonasone Collection: Two satyrs leading Silenus to King Midas, who stands at left with two male attendan

Two satyrs leading Silenus to King Midas, who stands at left with two male attendants, a mule trails behind the satyrs, ca. 1550-80

Background imageGiulio Bonasone Collection: Moses Telling the Israelites to Gather the Manna and Moses Striking the Rock

Moses Telling the Israelites to Gather the Manna and Moses Striking the Rock

Background imageGiulio Bonasone Collection: Bust portrait of Frans Floris, 1531-76. Creator: Giulio Bonasone

Bust portrait of Frans Floris, 1531-76. Creator: Giulio Bonasone
Bust portrait of Frans Floris, 1531-76

Background imageGiulio Bonasone Collection: The Judgment of Paris, 16th century. Creator: Giulio Bonasone

The Judgment of Paris, 16th century. Creator: Giulio Bonasone
The Judgment of Paris, 16th century

Background imageGiulio Bonasone Collection: Adoration, ca. 1550-65. Creator: Giulio Bonasone

Adoration, ca. 1550-65. Creator: Giulio Bonasone
Adoration, ca. 1550-65

Background imageGiulio Bonasone Collection: Historiae Venetae. Libri XII, 1551. Creator: Giulio Bonasone

Historiae Venetae. Libri XII, 1551. Creator: Giulio Bonasone
Historiae Venetae. Libri XII, 1551. [Portrait of Cardinal Pietro Bembo]

Background imageGiulio Bonasone Collection: Silenus and King Midas, mid 16th century. Creator: Giulio Bonasone (Italian, c. 1510-aft 1576)

Silenus and King Midas, mid 16th century. Creator: Giulio Bonasone (Italian, c. 1510-aft 1576)
Silenus and King Midas, mid 16th century. In Greek mythology Silenus was an old, drunken satyr (half-man, half-goat), who visited King Midas and was graciously received

Background imageGiulio Bonasone Collection: Portrait of Cardinal Pietro Bembo, 1547. Creator: Giulio Bonasone (Italian, c. 1510-aft 1576)

Portrait of Cardinal Pietro Bembo, 1547. Creator: Giulio Bonasone (Italian, c. 1510-aft 1576)
Portrait of Cardinal Pietro Bembo, 1547

Background imageGiulio Bonasone Collection: The Virgin Fainting in the Arms of Three Holy Women. Creator: Giulio Bonasone (Italian, c

The Virgin Fainting in the Arms of Three Holy Women. Creator: Giulio Bonasone (Italian, c
The Virgin Fainting in the Arms of Three Holy Women

Background imageGiulio Bonasone Collection: Love in the Elysian Fields, 1563. Creator: Giulio Bonasone (Italian, c. 1510-aft 1576)

Love in the Elysian Fields, 1563. Creator: Giulio Bonasone (Italian, c. 1510-aft 1576)
Love in the Elysian Fields, 1563. Cupid is being punished by those he tormented, a popular subject of Hellenistic art and literature revived in the Renaissance

Background imageGiulio Bonasone Collection: Portrait Cardinal Pietro Bembo 1547 Giulio Bonasone

Portrait Cardinal Pietro Bembo 1547 Giulio Bonasone
Portrait of Cardinal Pietro Bembo, 1547. Giulio Bonasone (Italian, c. 1510-aft 1576). Etching

Background imageGiulio Bonasone Collection: Virgin Fainting Arms Three Holy Women Giulio Bonasone

Virgin Fainting Arms Three Holy Women Giulio Bonasone
The Virgin Fainting in the Arms of Three Holy Women. Giulio Bonasone (Italian, c. 1510-aft 1576), after Raphael (Italian, 1483-1520). Engraving

Background imageGiulio Bonasone Collection: Love Elysian Fields 1563 Giulio Bonasone Italian

Love Elysian Fields 1563 Giulio Bonasone Italian
Love in the Elysian Fields, 1563. Giulio Bonasone (Italian, c. 1510-aft 1576). Engraving

Background imageGiulio Bonasone Collection: Silenus King Midas mid 16th century Giulio Bonasone

Silenus King Midas mid 16th century Giulio Bonasone
Silenus and King Midas, mid 16th century. Giulio Bonasone (Italian, c. 1510-aft 1576), after Perino del Vaga (Italian, 1500/01-1547)

Background imageGiulio Bonasone Collection: Jupiter, from Planets, plate 2, 1530-70. Creator: Giulio Bonasone

Jupiter, from Planets, plate 2, 1530-70. Creator: Giulio Bonasone
Jupiter, from Planets, plate 2, 1530-70

Background imageGiulio Bonasone Collection: Mercury Presenting a Panpipe to Minerva. Creator: Giulio Bonasone

Mercury Presenting a Panpipe to Minerva. Creator: Giulio Bonasone
Mercury Presenting a Panpipe to Minerva

Background imageGiulio Bonasone Collection: Mercurius, from Planets, plate 6, 1530-70. Creator: Giulio Bonasone

Mercurius, from Planets, plate 6, 1530-70. Creator: Giulio Bonasone
Mercurius, from Planets, plate 6, 1530-70

Background imageGiulio Bonasone Collection: The Vision of St. Jerome. Creator: Giulio Bonasone

The Vision of St. Jerome. Creator: Giulio Bonasone
The Vision of St. Jerome

Background imageGiulio Bonasone Collection: The Mystic Marriage of St. Catherine. Creator: Giulio Bonasone

The Mystic Marriage of St. Catherine. Creator: Giulio Bonasone
The Mystic Marriage of St. Catherine

Background imageGiulio Bonasone Collection: Speculum Romanae Magnificentiae: Bacchus, Seated, Drinking from a Vase Presented b

Speculum Romanae Magnificentiae: Bacchus, Seated, Drinking from a Vase Presented by a Putto, 16th century

Background imageGiulio Bonasone Collection: Last Judgement Sistine Chapel 1546-50 Engraving

Last Judgement Sistine Chapel 1546-50 Engraving
Artokoloro

Background imageGiulio Bonasone Collection: Speculum Romanae Magnificentiae Bacchus Seated

Speculum Romanae Magnificentiae Bacchus Seated
Artokoloro

Background imageGiulio Bonasone Collection: Two satyrs leading Silenus King Midas stands

Two satyrs leading Silenus King Midas stands
Artokoloro

Background imageGiulio Bonasone Collection: Moses Telling Israelites Gather Manna Striking

Moses Telling Israelites Gather Manna Striking
Artokoloro

Background imageGiulio Bonasone Collection: Speculum Romanae Magnificentiae Putto Presenting Grain

Speculum Romanae Magnificentiae Putto Presenting Grain
Artokoloro

Background imageGiulio Bonasone Collection: Drawings Prints, Print, Cupid, Elysian, Fields, tied, tree, centre, surrounded many figures

Drawings Prints, Print, Cupid, Elysian, Fields, tied, tree, centre, surrounded many figures
Drawings and Prints, Print, Cupid in the Elysian Fields tied to a tree in the centre, surrounded by many figures, Publisher, Artist, Pietro Stefanoni, Giulio Bonasone, Italian, Valstagna ca

Background imageGiulio Bonasone Collection: Drawings Prints, Print, Constantine, defeating, tyrant, Maxentius, angels, carrying

Drawings Prints, Print, Constantine, defeating, tyrant, Maxentius, angels, carrying
Drawings and Prints, Print, Constantine defeating the tyrant Maxentius, angels carrying swords fly above, Artist, Artist, After, Giulio Bonasone, Giulio Romano, Raphael (Raffaello Sanzio or Santi)

Background imageGiulio Bonasone Collection: Trojans hauling Wooden Horse Troy 1545 Engraving

Trojans hauling Wooden Horse Troy 1545 Engraving
Artokoloro

Background imageGiulio Bonasone Collection: Trojans hauling wooden horse Troy 1545 published 1773

Trojans hauling wooden horse Troy 1545 published 1773
Artokoloro



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Giulio Bonasone: A Master of Mythology and History Giulio Bonasone, an Italian engraver and printmaker, left a lasting legacy with his intricate and captivating artworks. His works spanned various themes, from mythology to biblical scenes, showcasing his versatility as an artist. In "The Holy Family with Mary Magdalene and John the Baptist who embraces Christ" (1543), Bonasone beautifully captures the sacred bond between Jesus, Mary Magdalene, and John the Baptist. The tenderness in their expressions reflects the profound love they shared. Bonasone's fascination with mythology is evident in "Vulcan, Neptune, Athena and other Gods making Shackles to pull Jupiter from the Heavens. " This piece depicts a powerful scene where gods collaborate to challenge Jupiter's authority. It showcases Bonasone's ability to convey both strength and vulnerability through his art. Another mythological masterpiece by Bonasone is "Neptune in his Chariot being drawn by seahorses, " part of "The Division of the Universe" series. The artwork transports viewers into a realm where mythical creatures coexist harmoniously with gods—a testament to Bonasone's imaginative prowess. "The Judgment of Paris" (ca. 1550-60) exemplifies how Bonasone skillfully portrays narratives from Greek mythology. The intense gaze exchanged between Paris and three goddesses vying for his favor creates a sense of anticipation within the viewer. In "Neptune and Melanthe, " taken from "The Loves of the Gods" series (ca 1531-76), we witness Neptune's infatuation with Melanthe unfold before our eyes. Through delicate lines etched onto paper, Bonasone brings this tale of forbidden love alive. Bonasone also explored historical events like "The Trojans hauling the wooden horse into Troy" (1545).