Giovanni Antonio Collection (page 2)

Imaginary View of Padua, with a campanile and domed church at left, a column surmounted by a statue of a saint at center, and a cottage and water-mill at right in the foreground

View of Mestre, an inn at left and other various buildings lining the canal, from Views (Vedute altre prese da i luoghi altre ideate da Antonio Canal), 1735-46

Portraits of Canaletto and Visentini, 1735. 1735. Creator: Antonio Visentini
Portraits of Canaletto and Visentini, 1735

Le Trasformationi, 1558. 1558. Creator: Giovanni Antonio Rusconi
Le Trasformationi, 1558

Campo Santa Maria Zobenigo, Venice, 1730s. Creator: Canaletto
Campo Santa Maria Zobenigo, Venice, 1730s

Piazza San Marco, late 1720s. Creator: Canaletto
Piazza San Marco, late 1720s

A Lock, a Column, and a Church beside a Lagoon. Creator: Canaletto
A Lock, a Column, and a Church beside a Lagoon

Warwick Castle, 1748. Creator: Canaletto
Warwick Castle, 1748

Campo Sant Angelo, Venice, 1730s. Creator: Canaletto
Campo Sant Angelo, Venice, 1730s

Christ Presented to the People (Ecce Homo), ca. 1540-49. Creator: Sodoma
Christ Presented to the People (Ecce Homo), ca. 1540-49

Bacchus and Ariadne, 1720s. Creator: Giovanni Antonio Pellegrini
Bacchus and Ariadne, 1720s

Imaginary View with a Tomb by the Lagoon, early 1740s. Creator: Canaletto
Imaginary View with a Tomb by the Lagoon, early 1740s

Heads of the Virgin and Child, c1492-1494, (1943). Creator: Giovanni Antonio Boltraffio
Heads of the Virgin and Child, c1492-1494, (1943). Drawing in the Devonshire Collection, Chatsworth House, Derbyshire. From " Europaische Handzeichnungen"

Narcissus, c1500. Artist: Giovanni Antonio Boltraffio
Narcissus, c1500. Painting held in The National Gallery, London. From The Connoisseur Volume 101. [The Connoisseur Ltd. London, 1938]

The Virgin and Child, c1493-9. Artist: Giovanni Antonio Boltraffio
The Virgin and Child, c1493-9. Painting housed in The National Gallery, London. From The Studio Volume 122. [The Studio Ltd, London, 1941]

St Lorenzo Giustiniani and Other Saints, 1532 (1870). Lorenzo Giustiniani (1381-1456) was Bishop and First Patriarch of Venice. Found in the collection of the Gallerie dell Accademia, Venice

Stigmatization of Saint Catherine of Siena, 1870
Stigmatization of Saint Catherine of Siena, (1870). After the painting by Sodoma in an Domenico, Siena, Italy. A print from Les Chef D oeuvre de la Peinture Italienne by Paul Mantz, Paris, 1870

Il Pordenone, Italian painter of the Venetian School, (1825). Artist: John Corner
Il Pordenone, Italian painter of the Venetian School, (1825). Vasari, his main biographer, identifies Pordenone (c1483-1539) as Giovanni Antonio Licinio

The Crucifixion with the Virgin and John the Baptist, c1540. Artist: Sodoma
The Crucifixion with the Virgin and John the Baptist, c1540. Found in the collection of the State A Pushkin Museum of Fine Arts, Moscow

Portrait of a Youth as Saint Sebastian, c1500. Artist: Giovanni Antonio Boltraffio
Portrait of a Youth as Saint Sebastian, c1500. Found in the collection of the State A Pushkin Museum of Fine Arts, Moscow

Portrait Study, c1676-1727. Artist: Giovanni Antonio Pellegrini
Portrait Study, c1676-1727. From the collection of the Museum of Fine Arts, Budapest, Hungary

Wolfgang Amadeus Mozart, Austrian composer, c1784-1827. Artist: Giovanni Antonio Sasso
Wolfgang Amadeus Mozart, Austrian composer, c1784-1827. Mozart (1756-1791) seated at the keyboard

Rotonda I dieci libri d architettvra Rusconi
Rotonda, I dieci libri d architettvra, Rusconi, Giovanni Antonio, 16th cent. Woodcut, 1660

Erecting wall I dieci libri d architettvra Rusconi
Erecting a wall, I dieci libri d architettvra, Rusconi, Giovanni Antonio, 16th cent. Woodcut, 1660

Erecting wall I dieci libri d architettura Rusconi
Erecting a wall, I dieci libri d architettura, Rusconi, Giovanni Antonio, 16th cent. Woodcut, 1660

Facades I dieci libri d architettvra Rusconi
Facades, I dieci libri d architettvra, Rusconi, Giovanni Antonio, 16th cent. Woodcut, 1660

Festa della Porchetta Bologna Collection festival prints
Festa della Porchetta in Bologna, Collection of festival prints, Belmond, Giovanni Antonio, 1696-1775, Etching, engraving, ca

Castel Sant Angelo Vrbis Romae aedificiorvm illvstrivmqvae
Castel Sant Angelo, Vrbis Romae aedificiorvm illvstrivmqvae svpersvnt reliqviae, Dosio, Giovanni Antonio, 1533-ca. 1609, Etching, 1569 May 1

Title-page Breve descrizzione disegni delle carrozze
Title-page, Breve descrizzione e disegni delle carrozze dell eccellentissimo signore Antonio Floriano, del S.R.I. prencipe di Liechtenstein

Front first carraige depicting triumphal victory
Front of the first carraige, depicting the triumphal victory over the barbaric Ottomans, Breve descrizzione e disegni delle carrozze dell eccellentissimo signore Antonio Floriano, del S.R.I

View Arch Constantine Colosseum Canaletto Giovanni Antonio
View of the Arch of Constantine with the Colosseum; Canaletto (Giovanni Antonio Canal) (Italian, 1697 - 1768); 1742-1745; Oil on canvas; 83.2 × 122.9 cm (32 3, 4 × 48 3, 8 in.)

Female Saint Contemplating Crucifix Attributed
A Female Saint Contemplating a Crucifix; Attributed to Giovanni Antonio Guardi (Italian, 1699 - 1760); Italy; about 1745; Pen and brown ink with light brown wash, heightened with white bodycolor

Warwick Castle East Front Courtyard Canaletto
Warwick Castle: The East Front from the Courtyard; Canaletto (Giovanni Antonio Canal) (Italian, 1697 - 1768); about 1748; Pen and brown ink, gray wash, and black chalk; 31.8 × 56.9 cm (12 1)

Christ Carrying Cross recto Resurrection verso
Christ Carrying the Cross (recto); The Resurrection (verso); Sodoma (Giovanni Antonio Bazzi) (Italian, 1477 - 1549); Italy; about 1535; Pen and brown ink, brush with brown wash

Grand Canal Venice Palazzo Flangini Campo San
The Grand Canal in Venice from Palazzo Flangini to Campo San Marcuola; Canaletto (Giovanni Antonio Canal) (Italian, 1697 - 1768); Italy; about 1738; Oil on canvas; 47 × 77.8 cm (18 1, 2 × 30 5)

Half-Length Figure Magus verso Seated Ruler Half-Length
Half-Length Figure of a Magus; verso, A Seated Ruler Half-Length Carrying a Scepter; Giovanni Antonio Guardi (Italian, 1699 - 1760); 1750 - 1760; Red chalk

Campo San Basso North Side Church Recto Market Scene
The Campo San Basso: The North Side with the Church (Recto); A Market Scene (Verso); Canaletto (Giovanni Antonio Canal) (Italian, 1697 - 1768); 1740s; Pen and brown ink

Magnificent Pavilion Lagoon recto Grand Canal
Artokoloro

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"Giovanni Antonio: Capturing the Essence of Venice and Beyond" Step into the enchanting world of Giovanni Antonio, a masterful artist who beautifully depicted the timeless allure of Venice and other captivating landscapes. With his skilled brushstrokes, he transported viewers to iconic locations such as The Grand Canal, Venice, Looking Southeast, with the Campo della Carita to the Right in the 1730s. The intricate details in his work allowed one to immerse themselves in scenes like The Square of Saint Mark's, Venice in 1742/1744. Giovanni Antonio's talent shone through as he captured breathtaking views of The Grand Canal, Venice, Looking South toward the Rialto Bridge during the same period. His ability to convey light and perspective brought these scenes to life before our eyes. Beyond Venetian vistas, Giovanni Antonio explored various subjects with equal finesse. In Les Trois Graces (The Three Graces), created around 1785 but rediscovered in 1913 by Jean Francois Janinet, we witness elegance personified through graceful figures intertwined harmoniously. Delving into religious themes as well, Giovanni Antonio showcased his versatility with works like The Death of Saint Peter Martyr rendered delicately using red chalk. This piece reflects both his technical mastery and emotional depth. Returning once more to Venetian splendor is The Rialto Bridge from a unique vantage point - from the south with the Embarkation of Prince Saxony - capturing not only architectural grandeur but also moments filled with anticipation and movement. Giovanni Antonio's artistry extended beyond cityscapes; he skillfully portrayed serene spots such as The Piazzetta, Venice overlooking Bacino di S. Marco and Isola di S. , evoking a sense of tranquility that transports us far away from everyday worries.