Gihaut Freres Collection

Parisian customs: Are you pleased with yourself?, 1825. Creator: Edme Jean Pigal
Parisian customs: Are you pleased with yourself?, 1825. Moeurs parisiennes: T'es ben fier a present?'. Older man laughs at the costume of younger man

It's a Pole, 1832. Creator: Auguste Raffet
It's a Pole, 1832

The Camp, 1836–37. Creator: Auguste Raffet
The Camp, 1836-37

We Will Civilize those Fellows... with Time, 1836–37. Creator: Auguste Raffet
We Will Civilize those Fellows... with Time, 1836-37

Man of the People, 1836. Creator: Auguste Raffet
Man of the People, 1836

The Kennel, from the series Hunting Scenes, 1829. Creator: Alexandre Gabriel Decamps
The Kennel, from the series Hunting Scenes, 1829

The Climb, from the series Hunting Scenes, 1829. Creator: Alexandre Gabriel Decamps
The Climb, from the series Hunting Scenes, 1829

Wolf Hunt: Wounded Animal Attacked by Dogs, from the series Hunting Scenes, 1829

Interior of the Kennel, from the series Hunting Scenes, 1829

Children Frightened by Snarling Dog, from the series Hunting Scenes, 1829

Hunting in the Field, from the series Hunting Scenes, 1829

Turkish Barrack, 1823-60. Creator: Alexandre Gabriel Decamps
Turkish Barrack, 1823-60

Hunting a Ferret with Blanks, from the series Hunting Scenes, 1829

The Death of Ophelia, 1843. 1843. Creator: Eugene Delacroix
The Death of Ophelia, 1843. Ophelias death is described in act 4, scene 7 by Queen Gertrude

Hamlet and Horatio before The Gravediggers, 1843. 1843. Creator: Eugene Delacroix
Hamlet and Horatio before The Gravediggers, 1843. Act 5, scene 1, grave diggers preparing a burial site unearth the skull of Yorick

Polonius and Hamlet, 1834-43. 1834-43. Creator: Eugene Delacroix
Polonius and Hamlet, 1834-43. In act 2, scene 2, the prince mocks the courtier Polonious who asks what he is reading, by replying " Words, words, words."

Hamlet and Guildenstern, 1834-43. 1834-43. Creator: Eugene Delacroix
Hamlet and Guildenstern, 1834-43. In act 3, scene 2, the prince suspects Guildenstern has been summoned by the king to act as a spy

Hamlet Attempts to Kill the King, 1834-43. 1834-43. Creator: Eugene Delacroix
Hamlet Attempts to Kill the King, 1834-43. In act 3, scene 3, the prince does not revenge his uncle who is at prayer

The Queen Tries to Console Hamlet, 1834. 1834. Creator: Eugene Delacroix
The Queen Tries to Console Hamlet, 1834

The Death of Hamlet, 1843. 1843. Creator: Eugene Delacroix
The Death of Hamlet, 1843. In act 5, scene 2, Laertes and Hamlet kill each other in a duel and the queen dies from drinking poison intended for her son

Allocution (July 28, 1830), 1830. Creator: Nicolas Toussaint Charlet (French, 1792-1845)
Allocution (July 28, 1830), 1830

Album of 1831: Freedom or death!, 1831. Creator: Auguste Raffet (French, 1804-1860)
Album of 1831: Freedom or death!, 1831

Allocution July 28 1830 Nicolas Toussaint Charlet
Allocution (July 28, 1830), 1830. Nicolas Toussaint Charlet (French, 1792-1845), Gihaut Freres, Paris. Lithograph; sheet: 37 x 44.6 cm (14 9/16 x 17 9/16 in.); image: 25 x 33 cm (9 13/16 x 13 in.)

Album 1831 Freedom death! Auguste Raffet French
Album of 1831: Freedom or death!, 1831. Auguste Raffet (French, 1804-1860), Gihaut Freres, Paris. Lithograph; sheet: 27.7 x 38.1 cm (10 7/8 x 15 in.); image: 18 x 26 cm (7 1/16 x 10 1/4 in.)

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"Gihaut Freres: A Captivating Glimpse into the World of Hunting Scenes and Beyond" Step into the world of Alexandre Gabriel Decamps, a renowned artist whose series "Hunting Scenes" transports us to an era filled with excitement and adventure. In "The Kennel, " we witness the camaraderie between man and dog, as they prepare for their next hunting expedition. The bond between them is palpable, showcasing the deep connection forged through this shared pursuit. As we delve further into Decamps' collection, "The Climb" captures our attention. We are transported to a thrilling moment where hunters navigate treacherous terrain in search of their prey. The intensity is palpable as they conquer nature's obstacles in their quest for success. In "Wolf Hunt: Wounded Animal Attacked by Dogs, " Decamps masterfully portrays the raw power and primal instincts that drive both predator and prey. This scene evokes a sense of urgency as dogs relentlessly pursue their target, highlighting the untamed beauty of nature's circle. Moving from outdoor pursuits to indoor settings, "Interior of the Kennel" offers a glimpse into a sanctuary where these loyal companions find solace after an exhilarating day in the field. Here, amidst hay-strewn floors and cozy corners, dogs rest peacefully while awaiting their next call to action. Decamps also explores human emotions intertwined with his hunting scenes; one such instance can be seen in "Children Frightened by Snarling Dog. " This captivating piece juxtaposes innocence against fear as children encounter a snarling canine companion unexpectedly. It serves as a reminder that even within moments of vulnerability or uncertainty, there exists an opportunity for growth and understanding. Transitioning beyond Decamps' work lies Eugene Delacroix's creations – each equally mesmerizing in its own right.