Getting Up Collection

Worth Getting Up For!, 1929 (pen & ink on paper)
3247617 Worth Getting Up For!, 1929 (pen & ink on paper) by Whistler, Rex (1905-44); 12.7x15.2 cm; Private Collection; (add.info.: Commissioned by Shell Petroleum, April 1929); English

Plate 80 from Los Caprichos : It is time (Ya es hora. ), 1799. Creator: Francisco Goya
Plate 80 from Los Caprichos : It is time (Ya es hora.), 1799

Illustration to the poem Eight O´Clock from the book Childhood by Millicent and Githa Sowerby, published 1907
2638404 Illustration to the poem Eight O´Clock from the book Childhood by Millicent and Githa Sowerby, published 1907; Private Collection; Photo © Hilary Morgan.

Lady Pulling on her Stockings. Creator: Nicolas Lavreince
Lady Pulling on her Stockings, Unknown date

Lady Getting out of Bed, 1776. Creator: Nicolas Lavreince
Lady Getting out of Bed, 1776

Le lever, 1771. Creator: Jean Massard
Le lever, 1771

The Morning After, from "Thinking of Rising from Bed - A Set of Three (Toko banare...", c. 1750)
The Morning After, from "Thinking of Rising from Bed - A Set of Three (Toko banare omoi iri sanpukutsui)", c. 1750

Falstaff Rising Slowly (Shakespeare, First Part of King Henry IV, Act 5, Scene 4), June 4, 1794. Creator: James Neagle
Falstaff Rising Slowly (Shakespeare, First Part of King Henry IV, Act 5, Scene 4), June 4, 1794

Getting Up, 1911 (w / c)
6199969 Getting Up, 1911 (w/c) by Foggie, David (1878-1948); 68.3x53_x000D_ 20 cm; The McManus, Dundee, UK; Dundee Art Galleries and Museums

Gioco Delle Donne, E Sue Facende (Game of Wives, And Their Chores), 1654-1718
Gioco Delle Donne, E Sue Facende (Game of Wives [or Women], And Their Chores), 1654-1718. Board game: a woman spends all day doing housework, only to be beaten with a stick by her husband

Plate 714. Dog; Aroused by a Torpedo; Mastiff-Smith, 1885 (collotype on paper)
3950667 Plate 714. Dog; Aroused by a Torpedo; Mastiff-Smith, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 12.5x45.4 cm; Addison Gallery of American Art, Phillips Academy, Andover

Plate 479. Child, Getting Up from the Ground, 1885 (collotype on paper)
3950427 Plate 479. Child, Getting Up from the Ground, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 13x45.7 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Plate 268. Arising from the Ground, 1885 (collotype on paper)
3950512 Plate 268. Arising from the Ground, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 21.8x34.9 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

The Levee, 1892
GG87486 The Levee, 1892 by Caraud, Joseph (1821-1905); 81x60 cm; Private Collection; Photo eGavin Graham Gallery, London, UK; French, out of copyright

Gabrielle Arising, c. 1909 (oil on canvas)
BRN159838 Gabrielle Arising, c.1909 (oil on canvas) by Renoir, Pierre Auguste (1841-1919); The Barnes Foundation, Philadelphia, Pennsylvania, USA; eBarnes Foundation; French, out of copyright

Manchester, Getting Up the Steam (engraving)
5213248 Manchester, Getting Up the Steam (engraving) by English School, (19th century); Private Collection; (add.info.: Manchester, Getting Up the Steam)

A horse rising and a cow rising (chromolitho)
981078 A horse rising and a cow rising (chromolitho) by English School, (20th century); Private Collection; (add.info.: A horse rising and a cow rising)

Getting Up (Le lever), 1913. Creator: Paul Albert Besnard
Getting Up (Le lever), 1913

Illustration of a bible scene, Luke 8, Jesus raises a dead girl
assistance, bed, biblical event, christianity, cure, cut out, daughter, dead person, death, elementary age, family with one child, father, getting up, girls, gospel of luke, helping, history

Le Reveil, 1885-95. Creator: Jean-Francois Raffaelli
Le Reveil, 1885-95. English translation: Awakening

Morning (Le Matin), ca. 1700. Creator: Claude Saint-Paul
Morning (Le Matin), ca. 1700

Unexpected Return, 1884, (1965). Creator: Il ya Repin
Unexpected Return, 1884, (1965). The home-coming of a Russian political prisoner - the room portrayed is the artists living room and the models included members of his family

Study of a Young Man, Seated, 1895, (1896). Artist: John Singer Sargent
Study of a Young Man, Seated, 1895, (1896). From The Studio Volume 6. [London Offices of the Studio, London, 1896]

Unexpected Return, c1884-c1888. Artist: Il ya Repin
Unexpected Return, c1884-c1888. Found in the collection of the State Tretyakov Gallery, Moscow

Depiction of saints rising from their tombs at the time of the Crucifixion, 13th century
Depiction of saints rising from their tombs at the time of the Cruxificion (St. Matthew XXVII v. 52-53), in Champleve enaamel on copper gilt, from Limoges, France

Getting Up series Elles 1896 Crayon brush spatter lithograph
Artokoloro

Getting Up 1896 Lithograph printed four colors
Artokoloro

The Levee of King Louis XV (1710-74) (engraving) (b / w photo)
XIR207767 The Levee of King Louis XV (1710-74) (engraving) (b/w photo) by French School, (18th century); Musee de la Ville de Paris, Musee Carnavalet, Paris

The Levee, engraved by Louis Michel Halbou (1730-c. 1809) 1781 (engraving) (b / w photo)
XIR167543 The Levee, engraved by Louis Michel Halbou (1730-c.1809) 1781 (engraving) (b/w photo) by Moreau, Jean Michel the Younger (1741-1814) (after); Musee de la Ville de Paris, Musee Carnavalet

The Levee of Voltaire at Ferney, after 1759 (oil on canvas)
XIR157736 The Levee of Voltaire at Ferney, after 1759 (oil on canvas) by Huber, Jean (1721-86); Musee de la Ville de Paris, Musee Carnavalet, Paris, France; French, out of copyright

All Professionally Made to Order for Quick Shipping

"Rising from the Depths: A Journey of Resilience and Strength" In a world filled with artistic expressions, there are countless depictions of the act of "getting up. " From Francisco Goya's haunting Plate 80 from Los Caprichos to James Neagle's portrayal of Falstaff Rising Slowly, these works capture the essence of overcoming adversity and finding the courage to stand tall. Goya's Plate 80, titled "It is time, " serves as a poignant reminder that no matter how dark our circumstances may seem, there comes a moment when we must rise. The image portrays an individual breaking free from chains, symbolizing liberation and the determination to move forward. Similarly, in Shakespeare's First Part of King Henry IV, Act 5 Scene 4, Falstaff Rising Slowly showcases the protagonist's gradual ascent. This scene reminds us that sometimes getting up requires patience and perseverance; it is not always instantaneous but rather a process that demands resilience. Fast forward to Gioco Delle Donne by an unknown artist between 1654-1718. This artwork depicts women engaged in their daily chores—a testament to their strength and ability to rise above societal expectations. It highlights how even mundane tasks can be empowering when approached with determination. Moving into more contemporary pieces such as Getting Up (1911) by an unidentified artist using watercolors on canvas or Gabrielle Arising (c. 1909) painted by another anonymous creator in oil on canvas—we witness individuals emerging from various situations. These artworks represent personal growth and transformation—reminders that we have within ourselves the power to overcome any obstacle. But getting up isn't limited solely to humans; animals too experience this triumph over adversity. In Plate 714 Dog; Aroused by a Torpedo; Mastiff-Smith (1885), we see man's best friend rising after being startled—an embodiment of resilience found even in nature itself.