George Pearl Adam Collection

In a melancholy frame of old clipped trees, c1927, (1927). Artist: Henry Franks Waring
In a melancholy frame of old clipped trees, c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927]

The Luxembourg Paris loves trees and children. c1927, (1927). Artist: Henry Franks Waring
The Luxembourg Paris loves trees and children. c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927]

A diversity of creatures, c1927, (1927). Artist: Henry Franks Waring
A diversity of creatures, c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927]

St. Germain Des Pres In the old quarter. c1927, (1927). Artist: Henry Franks Waring
St. Germain Des Pres In the old quarter. c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927]

The Daub Fair A monstrous jumble sale, c1927, (1927). Artist: Henry Franks Waring
The Daub Fair A monstrous jumble sale, c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927]

They can really be called village shops, c1927, (1927). Artist: Henry Franks Waring
They can really be called village shops, c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927]

La Place Du Tertre An untouched village square. c1927, (1927). Artist: Henry Franks Waring
La Place Du Tertre An untouched village square. c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927]

A long way from Mr. Berry Walls flowing cravats, c1927, (1927). Artist: Henry Franks Waring
A long way from Mr. Berry Walls flowing cravats, c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927]

Of all the streets of Paris the Seine is the most interesting, c1927, (1927). Artist: Henry Franks Waring
Of all the streets of Paris the Seine is the most interesting, c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927]

The Canal St. Martin, c1927, (1927). Artist: Henry Franks Waring
The Canal St. Martin, c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927]

These foreign-looking streets, c1927, (1927). Artist: Henry Franks Waring
These foreign-looking streets, c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927.]

Val De Grace, c1927, (1927). Artist: Henry Franks Waring
Val De Grace, c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927]

Double-lined with forlorn palaces, c1927, (1927). Artist: Henry Franks Waring
Double-lined with forlorn palaces, c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927]

The first Paris road was her river, c1927, (1927). Artist: Henry Franks Waring
The first Paris road was her river, c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927]

The Revolutions own street of Saint-Antoine, c1927, (1927). Artist: Henry Franks Waring
The Revolutions own street of Saint-Antoine, c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927]

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"George Pearl Adam: Capturing the Essence of Paris in the 1920s" Step into a melancholy frame of old clipped trees, as depicted by artist Henry Franks Waring in 1927. In his captivating artwork, George Pearl Adam transports us to a time when Paris was adorned with stunning natural beauty. "The Luxembourg Paris loves trees and children, " exclaims another piece by Waring. The Luxembourg Gardens come alive through Adam's lens, showcasing the city's deep affection for both nature and its little ones. With "A diversity of creatures, " we witness Adam's ability to capture the vibrant energy that thrived within every corner of Paris during this era. From street performers to artists, this diverse tapestry is brought to life on canvas. Adam takes us on a journey through St. Germain Des Pres, an old quarter brimming with history and charm. Through his artistry, we can almost hear the echoes of footsteps from generations past. "The Daub Fair: A monstrous jumble sale" reveals yet another facet of Parisian life in the 1920s. Amidst chaos and clutter, Adam skillfully portrays the bustling atmosphere that characterized these lively events. In "They can really be called village shops, " we are transported to quaint streets lined with unique stores selling their wares. These small businesses were at the heart of local communities and added character to each neighborhood they graced. Le Moulin Rouge holds a special place in our hearts as Pierrot's candle flickers no more. With poignant strokes, Waring captures the fading glamour and nostalgia surrounding this iconic cabaret venue. La Place Du Tertre beckons us towards an untouched village square frozen in time. Here, locals gather under cobblestone alleys while artists passionately create masterpieces amidst charming cafes - all immortalized by George Pearl Adam's brushstrokes. "A long way from Mr. Berry Walls flowing cravats" transports us to a world far removed from the fashion trends of the time.