George Mcculloch Collection

Sideboard, detail, c. 1880 (walnut) (see also 2972953)
3084386 Sideboard, detail, c.1880 (walnut) (see also 2972953) by Day, Lewis Foreman (1845-1910); The Geffrye Museum of the Home, London

Sideboard, c. 1880 (walnut) (see also 3084386)
2972953 Sideboard, c.1880 (walnut) (see also 3084386) by Day, Lewis Foreman (1845-1910); The Geffrye Museum of the Home, London

Interior of Fort Nicholas, 1856. Artist: Edmund Walker
Interior of Fort Nicholas, 1856. The print shows an interior view of Fort of Saint Nicholas, held by Russians until 1853, when Turks stormed the enemy lines

Ditch of the Bastion Du Mat, 1856. Artist: Edmund Walker
Ditch of the Bastion Du Mat, 1856. A depiction of an episode from the Crimean War (1853 - 1856). The Bastion du Mat was a redoubt built by the French Army at the far left of the British lines

Kamiesch, 1856. Artist: Edmund Walker
Kamiesch, 1856. The print shows an episode of the Crimean War (1853 - 1856), the French Army occupying the place of Kamiesch on the west coast during the Battle of Balaclava (1854)

Church in the Rear of the Redan, Looking North - Showing the Effects of Shot and Shell, 1856. Artist: W Trask
Church in the Rear of the Redan, Looking North - Showing the Effects of Shot and Shell, 1856. The image depicts an episode of the Crimean War (1853 - 1856)

Cavalry Camp, 1856. A depiction of a military encampment during the Siege of Sevastopol (1854-1855), as a part of the Crimean War (1853-1856)

Camp of the 4th Division, 1856. Artist: George Brackenbury
Camp of the 4th Division, 1856. The print shows a military encampment during the Siege of Sevastopol (1854-1855), as a part of the Crimean War (1853-1856). After William Simpson (1823-1899)

Ditch of the Malakoff, Battery Gervais, and Rear of Redan, 1856. Artist: Thomas Picken
Ditch of the Malakoff, Battery Gervais, and Rear of Redan, 1856. The image depicts an important episode of the Crimean War (1853-1856)

Quarantine Cemetery and Church with French Battery No. 50, 1856. Artist: Georges McCulloch
Quarantine Cemetery and Church with French Battery No. 50, 1856. The image depicts a church and a quarantine cemetery during the Crimean War (1853-1856)

Kertch from the North, 1856. Artist: Georges McCulloch
Kertch from the North, 1856. A depiction of the expedition to Kertch by the British forces. The capture of the city of Kertch is part of the Siege of Sevastopol (1854-1855)

The Valley of Baidar, from Rear Petroskis Villa, Looking East, 1856. Artists: Jonathan Needham, William Simpson
The Valley of Baidar, from Rear Petroskis Villa, Looking East, 1856. A depiction of the Valley of Baidar taken from Petroskis Villa. The episode is part of the Crimean War (1853 -1856)

The North Side of the Harbour of Sebastopol, from the Top of the Harbour, 1856. Artist: W Trask
The North Side of the Harbour of Sebastopol, from the Top of the Harbour, 1856. A depiction of the Harbour of Sevastopol taken from a surrounding high ground

Fortress of Yenikale Looking Towards the Sea of Azof, 1856. Artist: Georges McCulloch
Fortress of Yenikale Looking Towards the Sea of Azof, 1856. A depiction of the Fortress of Yenikale during the Crimean War (1853-1856)

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George McCulloch was a talented artist known for his attention to detail and skillful rendering of various subjects. One of his notable works is the c. 1880 walnut sideboard, which showcases his mastery in capturing intricate designs and textures. Another remarkable piece by McCulloch is an interior view of Fort Nicholas in 1856, where he beautifully portrays the architecture and atmosphere of the fort. In addition to architectural scenes, McCulloch also depicted military landscapes such as the Ditch of Bastion Du Mat and Kamiesch, both from 1856. These paintings reveal his ability to convey the ruggedness and intensity of war through brushstrokes. McCulloch's artistic range extended beyond warfare; he also captured scenes that showcased destruction caused by conflict, like "Church in the Rear of Redan, " which depicts the devastating effects of shot and shell on a church building during battle. Furthermore, he documented military camps such as Cavalry Camp and Camp of the 4th Division in 1856 with great precision, providing viewers with glimpses into soldiers' daily lives. Among McCulloch's works are several collaborations with other artists like Edmund Walker, Thomas Picken, Jonathan Needham, William Simpson, George Brackenbury – each contributing their unique perspective to create comprehensive portrayals. One particularly striking painting attributed to McCulloch is "Quarantine Cemetery and Church with French Battery No. 50" from 1856. This artwork captures not only historical events but also evokes emotions through its composition and use of light. Another captivating piece by him is "Kertch from North, " painted during that same year when tensions were high between nations involved in conflicts around Crimea region - it offers a glimpse into this troubled time while showcasing McCullochs talent for landscape painting. Lastly, "The Valley Baidar" provides viewers with breathtaking views looking eastwards towards Petroskis Villa- here we see McCulloch's ability to capture the beauty of nature and its surroundings.