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George Adam Collection

"George Adam: Capturing the Essence of Paris in 1927" Step into a melancholy frame of old clipped trees as George Adam, an artist with a keen eye for detail

Background imageGeorge Adam Collection: In a melancholy frame of old clipped trees, c1927, (1927). Artist: Henry Franks Waring

In a melancholy frame of old clipped trees, c1927, (1927). Artist: Henry Franks Waring
In a melancholy frame of old clipped trees, c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927]

Background imageGeorge Adam Collection: The Luxembourg Paris loves trees and children. c1927, (1927). Artist: Henry Franks Waring

The Luxembourg Paris loves trees and children. c1927, (1927). Artist: Henry Franks Waring
The Luxembourg Paris loves trees and children. c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927]

Background imageGeorge Adam Collection: A diversity of creatures, c1927, (1927). Artist: Henry Franks Waring

A diversity of creatures, c1927, (1927). Artist: Henry Franks Waring
A diversity of creatures, c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927]

Background imageGeorge Adam Collection: St. Germain Des Pres In the old quarter. c1927, (1927). Artist: Henry Franks Waring

St. Germain Des Pres In the old quarter. c1927, (1927). Artist: Henry Franks Waring
St. Germain Des Pres In the old quarter. c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927]

Background imageGeorge Adam Collection: The Daub Fair A monstrous jumble sale, c1927, (1927). Artist: Henry Franks Waring

The Daub Fair A monstrous jumble sale, c1927, (1927). Artist: Henry Franks Waring
The Daub Fair A monstrous jumble sale, c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927]

Background imageGeorge Adam Collection: They can really be called village shops, c1927, (1927). Artist: Henry Franks Waring

They can really be called village shops, c1927, (1927). Artist: Henry Franks Waring
They can really be called village shops, c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927]

Background imageGeorge Adam Collection: La Place Du Tertre An untouched village square. c1927, (1927). Artist: Henry Franks Waring

La Place Du Tertre An untouched village square. c1927, (1927). Artist: Henry Franks Waring
La Place Du Tertre An untouched village square. c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927]

Background imageGeorge Adam Collection: A long way from Mr. Berry Walls flowing cravats, c1927, (1927). Artist: Henry Franks Waring

A long way from Mr. Berry Walls flowing cravats, c1927, (1927). Artist: Henry Franks Waring
A long way from Mr. Berry Walls flowing cravats, c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927]

Background imageGeorge Adam Collection: Of all the streets of Paris the Seine is the most interesting, c1927, (1927)

Of all the streets of Paris the Seine is the most interesting, c1927, (1927). Artist: Henry Franks Waring
Of all the streets of Paris the Seine is the most interesting, c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927]

Background imageGeorge Adam Collection: The Canal St. Martin, c1927, (1927). Artist: Henry Franks Waring

The Canal St. Martin, c1927, (1927). Artist: Henry Franks Waring
The Canal St. Martin, c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927]

Background imageGeorge Adam Collection: These foreign-looking streets, c1927, (1927). Artist: Henry Franks Waring

These foreign-looking streets, c1927, (1927). Artist: Henry Franks Waring
These foreign-looking streets, c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927.]

Background imageGeorge Adam Collection: Val De Grace, c1927, (1927). Artist: Henry Franks Waring

Val De Grace, c1927, (1927). Artist: Henry Franks Waring
Val De Grace, c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927]

Background imageGeorge Adam Collection: Double-lined with forlorn palaces, c1927, (1927). Artist: Henry Franks Waring

Double-lined with forlorn palaces, c1927, (1927). Artist: Henry Franks Waring
Double-lined with forlorn palaces, c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927]

Background imageGeorge Adam Collection: The first Paris road was her river, c1927, (1927). Artist: Henry Franks Waring

The first Paris road was her river, c1927, (1927). Artist: Henry Franks Waring
The first Paris road was her river, c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927]

Background imageGeorge Adam Collection: The Revolutions own street of Saint-Antoine, c1927, (1927). Artist: Henry Franks Waring

The Revolutions own street of Saint-Antoine, c1927, (1927). Artist: Henry Franks Waring
The Revolutions own street of Saint-Antoine, c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927]


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"George Adam: Capturing the Essence of Paris in 1927" Step into a melancholy frame of old clipped trees as George Adam, an artist with a keen eye for detail, transports us back to the enchanting streets of Paris in 1927. In his collection, he beautifully captures the essence of this vibrant city through various artworks. "The Luxembourg Paris loves trees and children" reveals Adam's admiration for the lush greenery that adorns the Luxembourg Gardens, where families gather and laughter fills the air. His brushstrokes bring life to this idyllic scene. With "A diversity of creatures, " we witness Adam's ability to capture not only human subjects but also animals that roam freely on these charming streets. Each creature tells its own story within this bustling cityscape. In "St. Germain Des Pres In the old quarter, " George Adam takes us on a journey through time as we explore one of Paris' oldest neighborhoods. The cobblestone streets and historic buildings evoke a sense of nostalgia and wonder. "The Daub Fair A monstrous jumble sale" showcases another facet of Parisian life - its vibrant markets filled with treasures waiting to be discovered. Adam's attention to detail allows us to immerse ourselves in this chaotic yet captivating atmosphere. As we stroll along "They can really be called village shops, " we are reminded that even amidst grandeur, there is still room for quaint little stores that add charm to every corner. These hidden gems hold stories untold within their walls. In "Le Moulin Rouge Dead indeed is Pierrots candle, " George Adam pays homage to iconic landmarks like Le Moulin Rouge, capturing both its allure and fading glory. Through his artistry, he preserves moments frozen in time. Traveling further off the beaten path, "La Place Du Tertre An untouched village square" invites us into an untouched haven away from modernity's grasp – where simplicity reigns supreme. Adam's brushstrokes transport us to a simpler time.