Genuflection Collection

Pierre I of Castille called the the cruel or vigilante, King of Castile and Leon (1350-1366) (marble)
CUL4932365 Pierre I of Castille called the the cruel or vigilante, King of Castile and Leon (1350-1366) (marble); (add.info.: Sculpture on marble. Madrid)

Isabella II (1830-1904). Queen of Spain (1833-1868).; O'Donnell, Leopoldo (1809-1867)
CUL4877100 Isabella II (1830-1904). Queen of Spain (1833-1868).; O'Donnell, Leopoldo (1809-1867). Spanish officer and politician

Ordono IV of Leon and Umayyad Caliph of Cordoba Al-Hakam II
Encounter that took place in Madinat al-Zahra (Cordoba) between King Ordono IV of Leon, called the Bad (926-962) and the Umayyad Caliph of Cordoba Al-Hakam II (915-976). Illustration by J. Alaminos

Triumphal Arch of Santa Maria (Saint Mary) in Calle Mayor
Attributed to Lorenzo de Quiros (1717-1789). Spanish painter. Triumphal Arch of Santa Maria (Saint Mary) in Calle Mayor (Main Street), circa 1760. History Museum. Madrid. Spain

Emperor Frederick III receiving the astronomer Giovanni Bianchinis book Tabulae Astrologiae (colour litho)
364994 Emperor Frederick III receiving the astronomer Giovanni Bianchinis book Tabulae Astrologiae (colour litho) by Italian School, (15th century) (after); Biblioteca Ariostea, Ferrara

Plate 199. Courtseying, Fan in Right Hand, 1885 (collotype on paper)
3950462 Plate 199. Courtseying, Fan in Right Hand, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 22.9x34 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Plate 501. Miscellaneous, Stooping, Kneeling, etc. 1872-85 (collotype on paper)
3950281 Plate 501. Miscellaneous, Stooping, Kneeling, etc. 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 20.2x40.8 cm; Addison Gallery of American Art, Phillips Academy, Andover

Interior of a Church in Normandy, 1832 (oil on canvas)
CHT289129 Interior of a Church in Normandy, 1832 (oil on canvas) by Messager, Jean-Baptiste (1812-85); Galerie Daniel Greiner, Paris

Plate 200. Courtseying, Kissing Hand and Turning Around, 1885 (collotype on paper)
3950463 Plate 200.Courtseying, Kissing Hand and Turning Around, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 21.1x37.2 cm; Addison Gallery of American Art, Phillips Academy, Andover

The Surrender of Julich, 1634-5 (oil on canvas)
3247830 The Surrender of JAOElich, 1634-5 (oil on canvas) by Leonardo, Jusepe or Jose (de Chavier)(c.1605-1656); 307x381 cm; Prado, Madrid

Kern, Eritrea - Ramadan Prayers - genuflection, third phase. Date: circa 1910s

OTTOMAN EMPIRE. TURKEY. SULTAN receiving some members of the Council in the Topkapi
Turkey. Ottoman Empire. Sultan receiving some members of the Council in the Topkapi Palace courtroom. Istanbul. Engraving of the nineteenth century

Madonna Protecting Two Members of a Confraternity, print made by Horatio Bertelli
XJF476250 Madonna Protecting Two Members of a Confraternity, print made by Horatio Bertelli, 1582 (engraving) by Carracci, Agostino (1557-1602) (after); 29.9 x 21.2 cm; Private Collection; Italian

Jesus appears to the disciples. Codex of Predis (1476). Royal Library. Turin. Italy

All Professionally Made to Order for Quick Shipping

"Genuflection: A Reverential Gesture Across Time and Cultures" Genuflection, a gesture of deep respect and humility, has been practiced by individuals from diverse backgrounds throughout history. From medieval monarchs to religious devotees, this act of reverence transcends time and cultural boundaries. In the 10th century, Ordono IV of Leon knelt before Umayyad Caliph Al-Hakam II in an extraordinary display of submission and diplomacy. This historic encounter symbolized the complex relationship between Christian kingdoms and Islamic empires during the Middle Ages. The Triumphal Arch of Santa Maria in Calle Mayor witnessed countless genuflections as pilgrims paid homage to Saint Mary. Standing tall with intricate carvings depicting scenes from biblical stories, this arch became a sacred site for believers seeking solace or expressing gratitude. Stanislaw Oswiecim's poignant image captures a heart-wrenching moment as he genuflects at the body of his beloved Anna Oswiecim in 1888. In this deeply personal act, he bids farewell to his cherished companion with utmost tenderness and sorrow. Emperor Frederick III's reception of Giovanni Bianchini's book Tabulae Astrologiae showcases how even intellectual exchanges were accompanied by gestures of deference. Genuflection here becomes a sign not only of respect but also acknowledgment for knowledge shared. Courtseying with fan in hand or stooping down gracefully are depicted in collotype prints dating back to the late 19th century. These images capture various forms that were prevalent during social gatherings or formal occasions, highlighting its significance within societal norms. An oil painting portraying the interior of a church in Normandy transports us into a spiritual realm where devout worshippers kneel before altars adorned with candles and religious icons. Genuflection becomes an integral part of their prayerful experience—a physical manifestation of their faith.