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Genre Collection (page 5)

"Exploring the Boundaries of Genre: From Classic Comedy to Surrealism and Beyond" Step back in time with Laurel and Hardy

Background imageGenre Collection: The Latest News, Cattle in the Stable, 1862 (oil on canvas)

The Latest News, Cattle in the Stable, 1862 (oil on canvas)
1079451 The Latest News, Cattle in the Stable, 1862 (oil on canvas) by Tait, Arthur Fitzwilliam (1819-1905); 56.2x86.4 cm; Collection of the New-York Historical Society

Background imageGenre Collection: Lord Burlingtons neo-Palladian Villa at Chiswick and the Jacobean House

Lord Burlingtons neo-Palladian Villa at Chiswick and the Jacobean House
449335 Lord Burlingtons neo-Palladian Villa at Chiswick and the Jacobean House (pen & ink with wash on paper) by Rigaud, Jacques (1681-1754); 35.5x69.8 cm; eThe Devonshire Collections

Background imageGenre Collection: Mishap at the Ford, 1818 (oil on panel)

Mishap at the Ford, 1818 (oil on panel)
466447 Mishap at the Ford, 1818 (oil on panel) by Fisher, Alvan (1792-1863); 70.2 x 91.3 cm; Corcoran Collection, National Gallery of Art, Washington D.C

Background imageGenre Collection: The Battle of the Pictures, illustration from Hogarth Restored

The Battle of the Pictures, illustration from Hogarth Restored
STC451208 The Battle of the Pictures, illustration from Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook, pub

Background imageGenre Collection: Lord Burlingtons Chiswick Villa, from the south-east (pen & ink with wash on paper)

Lord Burlingtons Chiswick Villa, from the south-east (pen & ink with wash on paper)
449333 Lord Burlingtons Chiswick Villa, from the south-east (pen & ink with wash on paper) by Rigaud, Jacques (1681-1754); 36x70 cm; eThe Devonshire Collections

Background imageGenre Collection: Vintage Scene, c. 1650 (oil on canvas)

Vintage Scene, c. 1650 (oil on canvas)
2563442 Vintage Scene, c.1650 (oil on canvas) by Le Nain Brothers (17th Century) (circle of); Cleveland Museum of Art, OH, USA; French, out of copyright

Background imageGenre Collection: Free Harvesting in Free State, How It Began in Many Italian Campaigns (Colour Litho)

Free Harvesting in Free State, How It Began in Many Italian Campaigns (Colour Litho)
2798568 Free Harvesting in Free State, How It Began in Many Italian Campaigns (Colour Litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info.: Free Harvesting in Free State)

Background imageGenre Collection: A Festival Of The Trees In The Mountains, The Rise Of 1500 People To The Southern Grigna Refuge

A Festival Of The Trees In The Mountains, The Rise Of 1500 People To The Southern Grigna Refuge... (colour litho)
2798306 A Festival Of The Trees In The Mountains, The Rise Of 1500 People To The Southern Grigna Refuge... (colour litho) by Beltrame

Background imageGenre Collection: The Young Card Players, 1643 (oil on copper mounted on panel)

The Young Card Players, 1643 (oil on copper mounted on panel)
2636911 The Young Card Players, 1643 (oil on copper mounted on panel) by Le Nain, Antoine and Louis (d.1648) & Mathieu (1607-77); 30.3x38.8 cm; Sterling and Francine Clark Art Institute

Background imageGenre Collection: Rural scene, Italy - young amorous couple, girl feeding goat

Rural scene, Italy - young amorous couple, girl feeding goat
Genre rural scene tableau, Italy - young amorous couple and girl feeding a goat. Vintage 19th century photograph

Background imageGenre Collection: Egyptian barber at work, genre studio scene, Zangaki studio

Egyptian barber at work, genre studio scene, Zangaki studio
Vintage 19th century photograph: Egyptian barber at work, genre studio scene, Zangaki studio

Background imageGenre Collection: Red rock cod and red handfish

Red rock cod and red handfish
Red rock cod, Scorpaena papillosa and red handfish, Thymichthys politus (ruby fish, Scorpoena cruenta, and tortoiseshell fish, Cheironectes politus)

Background imageGenre Collection: St Jamess Church and Silver Street looking into Lower Maudlin Lane, Bristol

St Jamess Church and Silver Street looking into Lower Maudlin Lane, Bristol
1274509 St Jamess Church and Silver Street looking into Lower Maudlin Lane, Bristol, 1824 (pencil and watercolour on paper) by Cashin, Edward (fl.1823-26); Bristol Museum and Art Gallery

Background imageGenre Collection: Gothic-style wall hanging, circa 1900

Gothic-style wall hanging, circa 1900. Carved wooden pelmet, velvet lambrequin, wool and silk satin curtain, damask wall hangings. Planche 7. Croisee Gothique

Background imageGenre Collection: Chinese-style wall hanging, circa 1900

Chinese-style wall hanging, circa 1900. Gilt pelmet, damask valance, satin curtains with gold and silver decoration, embroidered silk wall decorations. Planche 3. Croisee Genre Chinois

Background imageGenre Collection: King Louis XIII-style wall hanging, circa 1900

King Louis XIII-style wall hanging, circa 1900. Velvet lambrequin and drapes, silk curtains. Planche 11. Croisee Louis XIII

Background imageGenre Collection: Military Staff and Aides-de-Camp in Queen Victoria s

Military Staff and Aides-de-Camp in Queen Victoria s
Military Staff and Aides-de-Camp in Queen Victorias coronation parade. Equerry of the Crown Stable, Sir George Augustus Quentin, Queens Gentleman Rider, Deputy Adjutant General

Background imageGenre Collection: Milking in Winter (oil on panel)

Milking in Winter (oil on panel)
WAG292751 Milking in Winter (oil on panel) by Gool, Jan van (1685-1765); 31.8x45.1 cm; Wolverhampton Art Gallery, West Midlands, UK; eWolverhampton Art Gallery; Dutch, out of copyright

Background imageGenre Collection: Camellia bonardii

Camellia bonardii
Camellia japonica variety, Camellia bonardii or Camellia bonnardii. Handcoloured copperplate stipple engraving by Oudet after a botanical illustration by Johann Jakob Jung from Lorenzo Berleses

Background imageGenre Collection: Camellia squamosa

Camellia squamosa
Camellia japonica variety, Camellia squamosa or Camellia squammosa. Produced by Dr. Sacco of Milan in 1838. Handcoloured copperplate stipple engraving by Oudet after a botanical illustration by

Background imageGenre Collection: Camellia delicatissima

Camellia delicatissima
Camellia japonica variety, Camellia delicatissima. Handcoloured copperplate stipple engraving by Oudet after a botanical illustration by Johann Jakob Jung from Lorenzo Berleses Iconographie du Genre

Background imageGenre Collection: Camellia punctata plena

Camellia punctata plena
Camellia japonica variety, Camellia punctata plena. Handcoloured copperplate stipple engraving by Oudet after a botanical illustration by Johann Jakob Jung from Lorenzo Berleses Iconographie du Genre

Background imageGenre Collection: Camellia myrthyfolia

Camellia myrthyfolia
Camellia japonica variety, Camellia myrthyfolia. Handcoloured copperplate stipple engraving by Oudet after a botanical illustration by Johann Jakob Jung from Lorenzo Berleses Iconographie du Genre

Background imageGenre Collection: Camellia variegata plena

Camellia variegata plena
Camellia japonica variety, Camellia variegata plena. Handcoloured copperplate stipple engraving by Oudet after a botanical illustration by Johann Jakob Jung from Lorenzo Berleses Iconographie du

Background imageGenre Collection: Camellia monfortiana

Camellia monfortiana
Camellia japonica variety, Camellia monfortiana. Handcoloured copperplate stipple engraving by Oudet after a botanical illustration by Johann Jakob Jung from Lorenzo Berleses Iconographie du Genre

Background imageGenre Collection: David Garrick and Mary Ann Yates in the characters

David Garrick and Mary Ann Yates in the characters
Mr. David Garrick and Mrs. Mary Ann Yates in the characters of Lusignan and Zara in Aaron Hills Zara, Drury Lane Theatre, 1758. Copperplate engraving by W

Background imageGenre Collection: The Scullery Maid, 1738 (oil on canvas)

The Scullery Maid, 1738 (oil on canvas)
HNT151897 The Scullery Maid, 1738 (oil on canvas) by Chardin, Jean-Baptiste Simeon (1699-1779); The Hunterian, University of Glasgow

Background imageGenre Collection: Interior with Lady Sewing, c. 1910 (oil on canvas)

Interior with Lady Sewing, c. 1910 (oil on canvas)
CBR161848 Interior with Lady Sewing, c.1910 (oil on canvas) by Holsoe, Carl (1863-1935); 73x54 cm; Private Collection; Photo eConnaught Brown, London; Danish, out of copyright

Background imageGenre Collection: Interior with Women and a Child (oil on canvas)

Interior with Women and a Child (oil on canvas)
XIR156710 Interior with Women and a Child (oil on canvas) by Mathey, Paul (1844-1929); 48x38 cm; Musee d Orsay, Paris, France; (add.info.: Child and Woman in an Interior; ); French, out of copyright

Background imageGenre Collection: Peasant woman and boy, 1846 (oil on canvas)

Peasant woman and boy, 1846 (oil on canvas)
BWM155771 Peasant woman and boy, 1846 (oil on canvas) by Cals, Adolphe-Felix (1810-80); The Bowes Museum, Barnard Castle, County Durham, UK; eBowes Museum; French, out of copyright

Background imageGenre Collection: Babys Birthday, 1867 (oil on canvas)

Babys Birthday, 1867 (oil on canvas)
WAG5304 Babys Birthday, 1867 (oil on canvas) by Hardy, Frederick Daniel (1826-1911); 66.1 x 91.5 cm; Wolverhampton Art Gallery, West Midlands

Background imageGenre Collection: The Dismayed Artist, 1866 (oil on canvas)

The Dismayed Artist, 1866 (oil on canvas)
WAG5302 The Dismayed Artist, 1866 (oil on canvas) by Hardy, Frederick Daniel (1826-1911); 45.8 x 61.3 cm; Wolverhampton Art Gallery, West Midlands, UK; (add.info.: artist and his brother)

Background imageGenre Collection: A MisDeal, 1877 (oil on canvas)

A MisDeal, 1877 (oil on canvas)
WAG13351 A MisDeal, 1877 (oil on canvas) by Hardy, Frederick Daniel (1826-1911); 76.2 x 101.6 cm; Wolverhampton Art Gallery, West Midlands

Background imageGenre Collection: 'Upsetting all of the Jurymen onto the heads of the crowd below'

"Upsetting all of the Jurymen onto the heads of the crowd below"
4075097 " Upsetting all of the Jurymen onto the heads of the crowd below", illustration for Lewis Carrolls Alices Adventures in Wonderland, 1901 (litho) by Newell

Background imageGenre Collection: 'Tut, tut child! said the Duchess', illustration for Lewis

"Tut, tut child! said the Duchess", illustration for Lewis
4075095 " Tut, tut child! said the Duchess", illustration for Lewis Carrolls Alices Adventures in Wonderland, 1901 (litho) by Newell

Background imageGenre Collection: 'They lived at the bottom of a well', illustration for Lewis Carroll

"They lived at the bottom of a well", illustration for Lewis Carroll
4075089 " They lived at the bottom of a well", illustration for Lewis Carrolls Alices Adventures in Wonderland, 1901 (litho) by Newell

Background imageGenre Collection: 'This time it vanished quite slowly', illustration for Lewis Carroll

"This time it vanished quite slowly", illustration for Lewis Carroll
4075087 " This time it vanished quite slowly", illustration for Lewis Carrolls Alices Adventures in Wonderland, 1901 (litho) by Newell

Background imageGenre Collection: 'The poor little lizard Bill was in the middle being held up'

"The poor little lizard Bill was in the middle being held up"
4075077 " The poor little lizard Bill was in the middle being held up", illustration for Lewis Carrolls Alices Adventures in Wonderland, 1901 (litho) by Newell

Background imageGenre Collection: 'The Rabbit started violently', illustration for Lewis Carrolls Alice

"The Rabbit started violently", illustration for Lewis Carrolls Alice
4075068 " The Rabbit started violently", illustration for Lewis Carrolls Alices Adventures in Wonderland, 1901 (litho) by Newell

Background imageGenre Collection: Little girl with her lunch (La Petite Fille aux Cerises

Little girl with her lunch (La Petite Fille aux Cerises
5934126 Little girl with her lunch (La Petite Fille aux Cerises) engraved by Charles Nicolas Cochin I (1688-1754) 1738 (etching & engraving) by Chardin

Background imageGenre Collection: A Guardroom Interior with Soldiers Eating and Drinking in Female Company

A Guardroom Interior with Soldiers Eating and Drinking in Female Company
BAL39591 A Guardroom Interior with Soldiers Eating and Drinking in Female Company, 1639 (oil on panel) by Lamen, Christoffel Jacobsz van der (1606-51); 54x76.2 cm; Johnny van Haeften Gallery, London

Background imageGenre Collection: Thomas Webster (b / w photo)

Thomas Webster (b / w photo)
816023 Thomas Webster (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: Thomas Webster (1800-1886). English painter.); Look and Learn / Elgar Collection

Background imageGenre Collection: Portrait of Franz Kafka, (1883 - 1924) (b / w photo)

Portrait of Franz Kafka, (1883 - 1924) (b / w photo)
937184 Portrait of Franz Kafka, (1883 - 1924) (b/w photo) by Czech School, (20th century); Private Collection; (add.info)

Background imageGenre Collection: Domestic Interior with a mother and child seated at a piano, c. 1860 (oil on canvas)

Domestic Interior with a mother and child seated at a piano, c. 1860 (oil on canvas)
695564 Domestic Interior with a mother and child seated at a piano, c.1860 (oil on canvas) by Cope, Charles West (1811-90) (attr)



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"Exploring the Boundaries of Genre: From Classic Comedy to Surrealism and Beyond" Step back in time with Laurel and Hardy, as they bring laughter and joy in their 1939 film "Flying Deuces. " This iconic duo captivated audiences with their slapstick humor and timeless performances. In another corner of the cinematic world, Charlie Chaplin takes center stage alongside Paulette Goddard in the unforgettable final scene from "Modern Times" (1936). Chaplin's genius shines through as he effortlessly blends comedy with social commentary, leaving a lasting impact on the genre. Venturing into the realm of art, Diego Velazquez's masterpiece "Old Woman Cooking Eggs" (1618) showcases his mastery of capturing everyday life. The detailed brushwork transports us to a simpler time while highlighting the beauty found in ordinary moments. Oscar Wilde's provocative play "Salome" comes alive through Aubrey Beardsley's striking pen and ink drawing. The intricate lines depict a climactic moment that perfectly encapsulates Wilde's decadent style. Sergey Solomko introduces us to an enchanting creature - the Blue Bird or Bird Sirin. This mystical artwork invites us to explore folklore and mythology within different genres, blurring boundaries between reality and imagination. Returning to Laurel and Hardy once more, we witness their comedic brilliance in "Big Business" (1929). Their hilarious antics leave us doubled over with laughter as they navigate absurd situations with impeccable timing. From laughter to fear, we delve into horror with James Whale's iconic film poster for "Bride of Frankenstein" (1935). It represents a pivotal moment when this classic monster tale became ingrained in popular culture forevermore. Henry Scott Tuke captures a serene seaside scene in his painting "The Run Home. " Through his masterful use of light and color, he transports us into a tranquil world where genre becomes irrelevant compared to sheer beauty.