Gathering Wood Collection

Wooded Landscape, or The Rest on the Flight into Egypt, 1607 (oil on panel)
BOO226977 Wooded Landscape, or The Rest on the Flight into Egypt, 1607 (oil on panel) by Brueghel, Jan the Elder (1568-1625); 51.5x91.5 cm; State Hermitage Museum, St

Winter Landscape (oil on panel)
BAL37585 Winter Landscape (oil on panel) by Lytens or Leytens, Gysbrecht (1586-c.1656); 71.5x89 cm; State Hermitage Museum, St. Petersburg, Russia; Flemish, out of copyright

For every trifle are they set upon me, illustration from William Shakespeares
3260682 For every trifle are they set upon me, illustration from William Shakespeares The Tempest, pub. 1926 (colour litho) by Rackham

The Woodman (engraving)
2771727 The Woodman (engraving) by English School, (19th century); Private Collection; (add.info.: The Woodman. Illustration for The Illustrated Times)

Wood Gatherers: An Autumn Afternoon, 1891 (oil on canvas)
CLK339930 Wood Gatherers: An Autumn Afternoon, 1891 (oil on canvas) by Inness, George Snr. (1825-94); 76.2x114.6 cm; Sterling and Francine Clark Art Institute, Williamstown, Massachusetts

"And the Small Red Hen came forth to gather sticks outside"
2603579 " And the Small Red Hen came forth to gather sticks outside", from Peter Rabbit Little Red Hen and Owl and Pussy Cat pub. Charles E Graham & Co. c

Gathering Wood (engraving)
1105870 Gathering Wood (engraving) by European School, (19th century); Private Collection; (add.info.: Gathering Wood. Illustration for The Illustrated London News)

Malvern Woods (oil)
BAL41306 Malvern Woods (oil) by Bates, David (1840-1921); Private Collection; English, out of copyright

For every trifle are they set upon me, illustration from The Tempest, 1926
For every trifle are they set upon me, illustration from William Shakespeares The Tempest, pub. 1926 (colour lithograph). William Shakespeare (1564 - 1616); Act II: Scene II, Line 8;

Pass card part Norwegian coast Pass card coast
Pass card of a part of the Norwegian coast Pass card of the coast of Finland. from Heyligelander Leen to C. Tromsondt Accurately arranged and corrected from many errors (title on object)

Gathering Wood late 1790s Giovanni Domenico Tiepolo
Gathering Wood, late 1790s. Giovanni Domenico Tiepolo (Italian, 1727-1804). Pen and brown ink and brush and brown wash over black chalk; framing lines in brown ink and graphite; sheet

Winter, 1889-93 (mural)
XIR77967 Winter, 1889-93 (mural) by Puvis de Chavannes, Pierre (1824-98); Hotel de Ville, Paris, France; (add.info.: painted on canvas in his studio then taken)

Elijah and the widow of Zarephath, Jan Saenredam, Gerard Valck, Theodorus Schrevelius, 1604

A Farm at Montfoucault, 1894 (oil on canvas)
XIR161961 A Farm at Montfoucault, 1894 (oil on canvas) by Pissarro, Camille (1830-1903); 60x73 cm; Musee d Art et d Histoire, Geneva, Switzerland; French, out of copyright

North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire, 1767
XYC156931 North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire, 1767 (pen and black ink with w/c over pencil on paper) by Sandby

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"Gathering Wood: A Timeless Connection with Nature" In the serene and picturesque wooded landscape, a scene unfolds that transcends time. "The Rest on the Flight into Egypt" captures the essence of tranquility as Joseph, Mary, and baby Jesus seek solace amidst nature's embrace. The panel painting from 1607 depicts their respite in a peaceful winter landscape. As we delve deeper into this theme of gathering wood, we encounter various artistic expressions. An illustration from William Shakespeare's work reminds us that even trifle tasks like collecting sticks can hold significance. In "The Woodman, " an engraving portrays a laborer diligently procuring firewood, showcasing the importance of this age-old practice. Moving forward to 1891, "Wood Gatherers: An Autumn Afternoon" brings forth a vivid oil canvas depicting individuals engaged in gathering wood during this season of change. Their actions echo those described by William Shakespeare – every task holds meaning if we choose to see it. "And the Small Red Hen came forth to gather sticks outside, " another intriguing reference that highlights how even animals partake in this timeless ritual. Through an engraving aptly titled "Gathering Wood, " we witness people united in their efforts to collect fuel for warmth and sustenance during late 18th-century life. Nature continues to inspire artists throughout history; Malvern Woods' oil painting showcases its captivating beauty while emphasizing our dependence on timber resources. Similarly, an illustration from "The Tempest" transports us back to 1926 when every detail was meticulously captured through artistry. Beyond artistic depictions lie real-life accounts – such as Pass card part Norwegian coast – where gathering wood remains essential for survival along treacherous shores. Giovanni Domenico Tiepolo's masterpiece titled "Gathering Wood late 1790s" immortalizes this ancient practice while honoring its historical relevance.