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Gastineau Collection

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Background imageGastineau Collection: Chirk Aqueduct on the Ellesmere Canal, c1829. Artist: Thomas Barber

Chirk Aqueduct on the Ellesmere Canal, c1829. Artist: Thomas Barber
Chirk Aqueduct on the Ellesmere Canal, c1829. Now known as the Llangollen, the canal was built by the Scottish civil engineer Thomas Telford (1757-1834)

Background imageGastineau Collection: View of Woolwich with the River Thames in the distance, c1830. Artist: J Hinchcliff

View of Woolwich with the River Thames in the distance, c1830. Artist: J Hinchcliff
View of Woolwich with the River Thames in the distance, c1830

Background imageGastineau Collection: Chirk aqueduct on the Ellesmere Canal, London, 1829 (engraving)

Chirk aqueduct on the Ellesmere Canal, London, 1829 (engraving)
540036 Chirk aqueduct on the Ellesmere Canal, London, 1829 (engraving); (add.info.: Built by Thomas Telford (1757-1834) between 1796 and 1801

Background imageGastineau Collection: Gastineau Gold Crushing Plant, between c1900 and 1923. Creator: Unknown

Gastineau Gold Crushing Plant, between c1900 and 1923. Creator: Unknown
Gastineau Gold Crushing Plant, between c1900 and 1923

Background imageGastineau Collection: Tableau from L Assommoir, c. 1900s (b / w photo)

Tableau from L Assommoir, c. 1900s (b / w photo)
473745 Tableau from L Assommoir, c.1900s (b/w photo) by Boyer, Paul (1850-1937); Private Collection; (add.info.: L Assommoir)

Background imageGastineau Collection: A bridge at Eltham Palace, Kent, 1828. Artist: Henry Adlard

A bridge at Eltham Palace, Kent, 1828. Artist: Henry Adlard
A bridge at Eltham Palace, Kent, 1828. View with cattle in the foreground

Background imageGastineau Collection: Tower of London, c1830. Artist: William Woolnoth

Tower of London, c1830. Artist: William Woolnoth
Tower of London, c1830. View from the River Thames showing boats and figures on the water

Background imageGastineau Collection: Eltham Bridge, Kent, 19th century, (1935). Artist: Henry Gastineau

Eltham Bridge, Kent, 19th century, (1935). Artist: Henry Gastineau
Eltham Bridge, Kent, 19th century, (1935). From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II. - D to H, by C. Reginald Grundy

Background imageGastineau Collection: Canterbury Cathedral. Kent, c1831. Artist: Henry Adlard

Canterbury Cathedral. Kent, c1831. Artist: Henry Adlard
Canterbury Cathedral. Kent, c1831. Henry Gastineau (1791-1876). [Geo Virtue, London]

Background imageGastineau Collection: Shakeseares Cliff, Dover. Kent, 1831. Artists: Henry Gastineau, Henry Adlard

Shakeseares Cliff, Dover. Kent, 1831. Artists: Henry Gastineau, Henry Adlard
Shakeseares Cliff, Dover. Kent, 1831. After Henry Gastineau (1791-1876). [Geo Virtue, London, 1831]

Background imageGastineau Collection: Fountain Cottage, Camberwell Grove, Surrey, 19th century. Artist: J Storer

Fountain Cottage, Camberwell Grove, Surrey, 19th century. Artist: J Storer
Fountain Cottage, Camberwell Grove, Surrey, 19th century. Fountain Cottage belonged to John Coakley Lettsom, a famous physician, botanist

Background imageGastineau Collection: Pevensey Castle, Pevensey, East Sussex, 1829. Artist: J Rogers

Pevensey Castle, Pevensey, East Sussex, 1829. Artist: J Rogers
Pevensey Castle, Pevensey, East Sussex, 1829. A castle was first built at Pevensey early in the 4th century by the Romans, but it was destroyed by Saxon invaders in the late 5th century

Background imageGastineau Collection: Bramber Church, West Sussex, 1829. Artist: J Shury

Bramber Church, West Sussex, 1829. Artist: J Shury
Bramber Church, West Sussex, 1829. Brambers Norman church dates from the late 11th century

Background imageGastineau Collection: Sompting Church, Sussex, 1829. Artist: J Shury

Sompting Church, Sussex, 1829. Artist: J Shury
Sompting Church, Sussex, 1829. St Mary s, Sompting, a fine example of Anglo-Saxon church architecture from the 11th century

Background imageGastineau Collection: Blast furnaces for production of iron at Coalbrookdale, Shropshire, c1830. Artist: HW Bond

Blast furnaces for production of iron at Coalbrookdale, Shropshire, c1830. Artist: HW Bond
Blast furnaces for production of iron at Coalbrookdale, Shropshire, c1830. This scene is on the river Severn a few miles from Ironbridge

Background imageGastineau Collection: View Of The Mount Roberts Tramway Above Juneau And Cruise Ships In Gastineau Channel

View Of The Mount Roberts Tramway Above Juneau And Cruise Ships In Gastineau Channel, Southeast Alaska, Summer

Background imageGastineau Collection: Sea Kayakers In Gastineau Channel With Mendenhall Glacier And Coast Mountains In The Background In

Sea Kayakers In Gastineau Channel With Mendenhall Glacier And Coast Mountains In The Background In Southeast Alaska During Summer

Background imageGastineau Collection: Glenarm, Co. Antrim

Glenarm, Co. Antrim (1859). Gastineau, Henry 1791 - 1876. Date: 1859

Background imageGastineau Collection: Voreppe on the Road to the Grande Chartreuse

Voreppe on the Road to the Grande Chartreuse
Voreppe - on the Road to the Grande Chartreuse. Gastineau, Henry 1791 - 1876

Background imageGastineau Collection: Blast furnaces for production of iron at Coalbrookdale, Monmouthshire, c1830. This

Blast furnaces for production of iron at Coalbrookdale, Monmouthshire, c1830. This scene is on the river Severn a few miles from Ironbridge


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"Gastineau: Capturing the Beauty of British Landscapes in the 19th Century" Step back in time and immerse yourself in the breathtaking views of historical Britain through the artistic lens of Henry Gastineau. Known for his remarkable talent, Gastineau's works transport us to a bygone era, where nature and architecture harmoniously coexist. Take a glimpse at Woolwich, as seen from afar with the majestic River Thames flowing gracefully beneath. J Hinchcliff's masterpiece captures this serene scene circa 1830, allowing us to appreciate its timeless charm. Moving on to Chirk Aqueduct on the Ellesmere Canal, Thomas Barber skillfully portrays this engineering marvel from around 1829. The aqueduct stands proudly amidst lush greenery, showcasing man's ingenuity blending seamlessly with nature. Traveling further into history, we encounter a captivating tableau from L'Assommoir. This black-and-white photograph hailing from the early 1900s immerses us in an atmospheric moment filled with emotion and intrigue. Henry Adlard invites us to explore Eltham Palace's enchanting bridge dating back to 1828. With delicate brushstrokes, he captures its architectural grandeur against a backdrop of natural beauty—a true testament to England's rich heritage. The Tower of London emerges majestically before our eyes through William Woolnoth's artistry circa 1830. Its imposing presence tells tales of centuries past—of kings and queens, triumphs and tragedies—an iconic symbol etched into British history forever. Returning once again to Eltham Bridge but now in the capable hands of Henry Gastineau himself (1935), we witness his unique perspective on this architectural gem nestled within Kent's picturesque landscape. His attention to detail brings life and vibrancy to every stroke. Canterbury Cathedral stands tall as Henry Adlard masterfully captures its intricate beauty circa 1831.