Garland Of Musical Modes Collection

Kedar Ragini: Folio from a ragamala series (Garland of Musical Modes), ca. 1690-95. Ascetic listening to a disciple playing the rudra vina

Vasanti Ragini, Page from a Ragamala Series (Garland of Musical Modes), ca. 1710. Vasant means spring

Page from a Dispersed Ragamala Series (Garland of Musical Modes), ca. 1710. Creator: Unknown
Page from a Dispersed Ragamala Series (Garland of Musical Modes), ca. 1710

Puriya Ragaputra: Page from the Dispersed Boston Ragamala Series... ca
Puriya Ragaputra: Page from the Dispersed " Boston" Ragamala Series (Garland of Musical Modes), ca. 1760. Krishna and Radha are shown outside a pavilion

Andhrayaki Ragini: Folio from a ragamala series (Garland of Musical Modes), ca. 1710. A lady reclines on her bed, restlessly pulling her hair in frustration at the absence of her lover

Panchama Ragini: Page from a Ragamala Series (Garland of Musical Modes), ca. 1640. The patron pays musicians. The text of this ragini speaks of his contented happiness and love

Bhairavi Ragini: Folio from a ragamala series (Garland of Musical Modes), ca. 1640-50. Female devotee worshiping at a Shaiva shrine inside a palace compound

Bangali Ragini: Folio from a ragamala series (Garland of Musical Modes), 1709. Creator: Unknown
Bangali Ragini: Folio from a ragamala series (Garland of Musical Modes), 1709

Khambavati Ragini... from a Dispersed Ragamala Series (Garland of Musical Modes), 1700-1725
Khambavati Ragini: Page from a Dispersed Ragamala Series (Garland of Musical Modes), 1700-1725. Khamabhavati accompanied by a female attendant offers a tray of fruits to Brahma

Vasant Ragini: Folio from a ragamala series (Garland of Musical Modes), ca. 1630-40. Krishna dances to a drum and cymbals in a spring festival celebrating the coming abundance

Ramkali Ragini: Folio from a ragamala series (Garland of Musical Modes), ca. 1605-06. woman anxiously waiting for her lover, who arrives far too late, she suspects he has been with another woman

Khambhavati Ragini: Folio from a ragamala series (Garland of Musical Modes), ca. 1675. A female mendicant makes a Vedic fire offering to the god Brahma

Nata Ragina: Folio from a ragamala series (Garland of Musical Modes), 1714. Creator: Mohamed
Nata Ragina: Folio from a ragamala series (Garland of Musical Modes), 1714

Sanveri Ragini, Page from a Ragamala Series (Garland of Musical Modes), ca. 1700-1710

Bairadi Ragini: Folio from a ragamala series (Garland of Musical Modes), ca. 1605-6

Dipak Raga: Folio from a Ragamala Series (Garland of Musical Modes), 1630-40. Creator: Unknown
Dipak Raga: Folio from a Ragamala Series (Garland of Musical Modes), 1630-40. Associated with night to evoke the mood of intimacy between lovers

Chandravimba Ragaputra: Page from a Dispersed Boston Ragamala Series
Chandravimba Ragaputra: Page from a Dispersed " Boston" Ragamala Series (Garland of Musical Modes), ca. 1760

Vilaval Ragini: Folio from a ragamala series (Garland of Musical Modes), ca. 1680

Shri Raga: Folio from a ragamala series (Garland of Musical Modes), mid-17th century. Ruler playes a rudra veena during harvest festival

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"Exploring the Melodic Tapestry: The Garland of Musical Modes" Immerse yourself in the enchanting world of Indian classical music with the captivating "Garland of Musical Modes. " This collection, consisting of various ragas or musical modes, offers a glimpse into the rich heritage and artistic expressions of ancient India. Dating back to as early as 1605-06, these folios and pages from different ragamala series transport us through time. Each artwork showcases a unique raga, beautifully depicted with intricate details and vibrant colors. One such example is the Kedar Ragini folio from around 1690-95. It portrays a serene scene where a couple enjoys music amidst nature's tranquility. The Vasanti Ragini page from ca. 1710 depicts a graceful lady playing an instrument while surrounded by blooming flowers, evoking feelings of joy and celebration. The diversity within this collection is evident in pieces like Puriya Ragaputra from the dispersed Boston Ragamala Series (ca. 1710). Its composition reflects influences from both North Indian and Persian traditions, highlighting cultural exchange during that era. Andhrayaki Ragini (ca. 1710) takes us on a journey to South India with its distinctive style characterized by rhythmic patterns and emotive melodies. Meanwhile, Bangali Ragini (1709) captures the essence of Bengal's folk music tradition through its lively depiction. These artworks not only serve as visual representations but also provide insights into how each raga was perceived at that time—Khambavati Ragini (1700-1725), for instance, exudes melancholy through its somber tones and introspective mood. The significance attached to seasons can be seen in Vasant Ragini (ca. 1630-40), which celebrates springtime through delicate brushstrokes depicting blossoming trees and playful birdsong—a true ode to nature's beauty.