Furniture Collection (page 21)

Multigrain bread dough formed into loaves and circles (to make hamburger buns) ready for its final rising

Woman rolling ball of bread dough with a rolling pin to flatten it, prior to forming it into a loaf. (MR)

Woman rolling multigrain bread dough into circles to make hamburger buns. (MR)

Calico cat wondering if she will be allowed to stay on the chair she has just hopped up onto. (PR)

Portrait of eight week old Corgi puppy standing on a leather chair. (PR)

Tessa, the English Bulldog resting. (PR)

Tessa, the English Bulldog on a down and stay command, hopeful of a treat. (PR)

Catalogue illustration, vase, writing desk, ornament, plate. 43. Tall vase in turquoise and white, decorated with gold, made in the Imperial Porcelain Factory at Yildiz, donated by the Sultan. 44

Catalogue illustration, vase, embroidery, statue, etc
Catalogue illustration, vase, embroidery, statue, pedestal, candlestick. 55. Porcelain vase made in the Imperial Factory at Yildiz, donated by the Sultan. 56

Catalogue illustration, carpets, vases, desk. 69. Silk carpet made in Angora, donated by the Sultan. 70. Enamelled vase, made in the Imperial Porcelain Factory at Yildiz, donated by the Sultan. 71

Ground Floor Bedsit - Oxford - Victorian
Ground Floor Bedsit - 20 Marlborough Road, Oxford - Extremely cluttered Victorian interior including brass bed, piano and multiple clocks! Date: 1897

Ajaccio, Corsica, France, The Home of Napoleon - The Salon (Living Room). Date: circa 1910s

Ajaccio, Corsica, France, The Home of Napoleon - The Bedroom Date: circa 1910s

Ajaccio, Corsica, France, The Home of Napoleon - The Boudoir Date: circa 1905

The Drawing Room of the West Central Hotel, London
The Drawing Room of the West Central Hotel, Southampton Row, Russell Square, London. Date: circa 1910

Six ladder-back chairs
One of six matching walnut ladder-back chairs. It lacks its original seat, but the seat rails bear slight indentations that indicate that it was most likely to have been made with a rush seat

Women and children afraid of the rats
VIntage Illustration of a scene from the story of the Pied Piper of Hamelin. Women and children afraid of the rats. Kate Greenaway, 1888

Chair
One of four tall-back chairs with ebonised and gilded wood frames, possibly made from oak and beech, with later red silk brocade upholstery, made in England or continental Europe c.1700. Date: c.1700

Oak armchair and stool
Oak armchair with parquetry banding, inlaid decoration and carved details, made in the west of England c.1600-1640. Date: c.1600-1640

Guilbaud Writing Cabinet, Trade Label
Walnut-veneered writing cabinet bearing the trade label of John Guilbaud, retailed in London, c.1695-1700. Date: 1693-1712

Guilbaud Writing Cabinet, detail
Walnut-veneered writing cabinet bearing the trade label of John Guilbaud, retailed in London, c.1695-1700. Date: 1693-1712

Table, detail
Draw-leaf table made from oak with carved friezes, made in England c.1600-1650. Date: c.1600-1650

Draw-leaf table made from oak with carved friezes, made in England c.1600-1650. Date: c.1600-1650

Windsor armchair and ladder-back armchair
Windsor armchair with a high-back double-bow and fleur-de-lys motif in the pierced central splat, made from beech, cherry and willow, with an elm seat

Side chair
One of a set of three chairs in imitation rosewood, with carved rope twist top rails, scrolled crossbars and woven rush seats, c.1815-1820. Date: c.1815-1820

Windsor armchair, detail
Windsor armchair with a continuous arm and back bow made from ash with an elm seat, possibly manufactured in Yealmpton, Devon, c.1820. Date: c.1820

Windsor side chair with hoop back made from ash with a sycamore seat, painted to imitate bamboo, possibly manufactured in Yealmpton, Devon, c.1820. Date: c.1820

Windsor side chair with hoop back, detail
Windsor side chair with hoop back made from ash with a sycamore seat, painted to imitate bamboo, possibly manufactured in Yealmpton, Devon, c.1820. Date: c.1820

Caned armchair
One of a pair of caned armchairs, with a twist-turned and carved walnut frame and caned seat and back, made in England c.1685-1700. Date: c.1695

Cabinet on stand, detail
Cabinet on a stand with engraved veneered ebony doors, internal doors and cupboards with fruitwood and ivory marquetry, with later brass fittings

Caned chair
One of a set of six caned chairs, with a twist-turned and carved walnut frame and caned seat and back, made in England c.1685-1700. Date: c.1685-1700

Page from Useful Artistic Furniture
Useful Artistic Furniture, a catalogue by Story & Triggs of London, illustrated with colour and black and white photographs of furniture in appropriate interior settings, printed in Austria, c.1900

The First Place, a domestic interior scene with a crying maid, oil on canvas by A. Erwood, it was exhibited at the Royal Academy in 1860, in a gilt and moulded frame. Date: 1860

Spindle-back armchair, detail
Triple-row spindle-back armchair made of ash with a rush seat, stamped J.RIDING, possibly manufactured by John Riding in Macclesfield, Cheshire, c.1818. Date: c. 1818

Armchair made from solid ebony, ebony veneers, and purple heart, inlaid with ivory and purple heart, with an upholstered seat back and arms, attributed to Jackson and Graham (London)

Ladder-back side chair, detail
Ladder-back side chair, with three decoratively curved & pierced ladders in the back, made from ash with a rush seat, probably made in Lincolnshire, c.1780-1820. Date: c.1780-1820

Ladder-back armchair, detail
Ladder-back armchair square cabriole front legs made from ash, with a rush seat, probably made by the Ashton family of chairmakers from Louth, Spilsby and Alford, Lincolnshire, c. 1780-1820

Court cupboard
Oak court cupboard in two sections, the upper section with two cupboard doors flanking a central carved panel and two columns supporting an overhanging frieze, made in England c.1630. Date: c.1630

Mahogany side chair
One of a set of four mahogany chairs in the style of Thomas Chippendale with a pierced gothic splat, a top-rail with carved foliate terminals and modern horsehair upholstery

Pembroke table
Mahogany pembroke table, with an oval top and frieze drawer, on brass castors. Manufactured in England in c.1785. Date: c.1785

Cabinet on chest
Walnut veneered cabinet on a chest with a joined deal carcase, oak drawers, on bun feet, made in England c.1710. Date: c.1710

Armchair, with cover
Fully upholstered armchair with walnut front legs and beech frame, with original stamped green, but faded to blue upholstery thought to be wool and made in England between c.1720 and 40. Date: c.1720

Tall back chair made from beech, carved and ebonised with a cane seat and back panel, and a modern green cotton damask squab cushion, thought to date c.1690-1700. Date: c.1690-1700

Inside back cover of New Illustrated Catalogue of Furniture
The inner back cover from New Illustrated Catalogue of Furniture. Published by C. Reynolds, Ltd. in Stepney Green, London c.1903. Date: 1903

Page from New Illustrated Catalogue of Furniture
Page 13 from New Illustrated Catalogue of Furniture. Published by C. Reynolds, Ltd. in Stepney Green, London c.1903. Date: 1903

Back cover of New Illustrated Catalogue of Furniture
New Illustrated Catalogue of Furniture, an illustrated catalogue of furniture manufactured by J. R. & Sons, published by G. Reynolds Ltd. Stepney Green, London, 1903. Date: 1903

Walnut armchair with a lyre-shaped back carved with a stylised scallop shell, with a drop-in seat upholstered in modern green damask, probably made in London c.1740. Date: c.1740

Childs chair with a black japanned beechwood frame with turned decoration to imitate bamboo, with a horizontally ribbed back with six rails, an oval caned seat and turned legs with splayed feet

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"Exploring the World of Furniture: From Moroccan Lanterns to Edwardian Music Rooms" Step into a world of exquisite craftsmanship and cultural diversity as we delve into the captivating realm of furniture. Our journey begins in Morocco, North Africa, where the intricate designs of a Moroccan lantern transport us to a land rich in vibrant colors and ornate patterns. Moving on, we find ourselves immersed in the elegance of Eltham Palace's Edwardian music room. The harmonious melodies that once filled this space can almost be heard as we admire its opulent furnishings and grandeur. Next stop is Osborne House, where Drawing Room J030031 invites us to bask in Victorian splendor. The lavish decor transports us back in time, offering a glimpse into the refined tastes of British royalty. As we venture further, Darwins study at Down House beckons with its intellectual allure. Here lies an intimate space where one of history's greatest minds pondered his groundbreaking theories amidst shelves lined with books and scientific instruments. The cast iron Victorian walking stick stand reminds us not only of practicality but also showcases the artistic flair prevalent during this era. Its intricate details serve as a testament to skilled craftsmen who turned everyday objects into works of art. Stepping into the workshop of a carpenter and joiner reveals their mastery over woodwork - an essential skill that has shaped our homes for centuries. Their dedication to precision ensures that every piece they create stands strong while exuding timeless beauty. A visit to Durbar Room at Osborne House takes us on an exotic journey through India's influence on British design aesthetics. Intricately carved arches and sumptuous textiles transport us straight into another world – one filled with regal opulence and cultural fusion. Piano keys await our touch alongside scattered music sheets; K011303 captures moments frozen in musical time. This vignette speaks volumes about how furniture becomes intertwined with personal expression – each note played a reflection of the soul. La Maison Moderne c.