Frederick Sandys Collection

La Belle Isolde, 1862. Artist: Frederick Augustus Sandys
La Belle Isolde, 1862. From The Connoisseur Volume 103. [Otto Limited, London, 1939]

Rosamond, Queen of the Lombards. c1850-1900, (1923). Artist: Frederick Augustus Sandys
Rosamond, Queen of the Lombards. c1850-1900, (1923). Rosamund ( fl. 572) was a Lombard queen. She was the daughter of Cunimund, king of the Gepids, and wife of Alboin, king of the Lombards

Amor Mundi. From Christine Rossettis Poem. c1850-1900, (1923). Artist: Frederick Augustus Sandys
Amor Mundi. From Christine Rossettis Poem. c1850-1900, (1923). The tone of the poem in general describes in loss of hope and misery

A Nightmare, May 4, 1857. Creator: Frederick Augustus Sandys
A Nightmare, May 4, 1857

Mrs Sandys, the artists mother, late 1840s (oil on canvas)
5938079 Mrs Sandys, the artists mother, late 1840s (oil on canvas) by Sandys, Anthony Frederick Augustus (1829-1904); 46.5x36.2 cm; Fitzwilliam Museum, University of Cambridge

Autumn 1860-1862. Creator: Frederick Augustus Sandys
Autumn 1860-1862. An ageing soldier is depicted reclining on a river bank watched attentively by a woman and a child. The three figures appear to symbolise the three stages of life whilst the title

Medea, 1868. Creator: Frederick Augustus Sandys
Medea, 1868. Greek legend describes Medea as a sorceress and the wife of Jason. When he deserted her for another woman, Medea poisoned both her rival (Glauce) and her two children

Morgan-le-Fay, 1864. Creator: Frederick Augustus Sandys
Morgan-le-Fay, 1864 Artist: Frederick Sandys. Morgan le Fay is a powerful enchantress in the Arthurian legend. Early appearances of Morgan do not elaborate her character beyond her role as either a

Portrait of Susanna Rose, 1862. Creator: Frederick Sandys (British, 1829-1904)
Portrait of Susanna Rose, 1862. Sandyss meticulously rendered portrait of Susanna Rose (1795-1870) revels in its truth to detail

The Coral Necklace, 1871. Creator: Frederick Sandys (British, 1829-1904)
The Coral Necklace, 1871. Closely associated with the Pre-Raphaelite Brotherhood, Sandys was a friend of Dante Gabriel Rossetti and played an active role in the bohemian artistic, literary

Coral Necklace 1871 Frederick Sandys British
The Coral Necklace, 1871. Frederick Sandys (British, 1829-1904). Black, brown, and red chalk; sheet: 55.9 x 39.2 cm (22 x 15 7/16 in.); secondary support: 57.1 x 40 cm (22 1/2 x 15 3/4 in.)

Portrait Susanna Rose 1862 Frederick Sandys British
Portrait of Susanna Rose, 1862. Frederick Sandys (British, 1829-1904). Oil on wood; framed: 54 x 47 x 4.5 cm (21 1/4 x 18 1/2 x 1 3/4 in.); unframed: 34.7 x 28 cm (13 11/16 x 11 in.)

Whitlingham, Norfolk Inscribed in dark red paint, lower center: F Sandys. 1860
Whitlingham, Norfolk Inscribed in dark red paint, lower center: " F Sandys. 1860:" Signed and dated in dark red paint, lower center: " F Sandys

Grace Rose Inscribed, upper left: Grace Rose Dated, upper left: A
Grace Rose Inscribed, upper left: " Grace Rose" Dated, upper left: " A.D. 1866", Frederick Sandys, 1829-1904, British

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Frederick Augustus Sandys was a renowned British artist known for his captivating and evocative works. One of his most famous pieces, "La Belle Isolde, " created in 1862, showcases Sandys' exceptional talent for capturing the beauty and allure of women. The painting depicts the legendary character from Arthurian legend, emphasizing her ethereal charm and delicate features. In another masterpiece titled "Rosamond, Queen of the Lombards, " Sandys transports us to a different era with his meticulous attention to detail. Painted between 1850-1900 (1923), this piece portrays Rosamond as an enigmatic figure exuding strength and regality. Sandys also drew inspiration from literature, as seen in "Amor Mundi. " Based on Christine Rossetti's poem, this artwork reflects Sandys' ability to translate words into visual art seamlessly. The painting captures the essence of love and longing through its rich colors and intricate composition. Not limited to romantic themes, Sandys delved into darker subjects too. In "A Nightmare" painted on May 4th, 1857, he explores the realm of dreams and subconscious fears. This haunting image leaves viewers intrigued by its mysterious narrative. Beyond these iconic works lies a personal touch in some portraits such as "Mrs. Sandys, " where Frederick pays tribute to his mother with great tenderness during the late 1840s. Another notable creation is "Medea" from 1868; it showcases both Sandys' mastery over form and his ability to convey intense emotions through paint strokes alone. Medea's tormented expression serves as a testament to her tragic story. "Morgan-le-Fay" is yet another example of how Frederick Augustus Sandys skillfully brings mythical characters to life using vivid colors and intricate details that captivate our imagination.