Frederic Gordon Collection

St. Albans, 1809. Artist: George Sidney Shepherd
St. Albans, 1809. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe. [Bemrose and Sons Ltd

Brinkburn Priory, Northumberland, c1830, (1938). Artist: JMW Turner
Brinkburn Priory, Northumberland, c1830, (1938). Painting held at the Museums Sheffield, Sheffield. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford

Beeston Castle, Cheshire, c1839, (1938). Artist: JMW Turner
Beeston Castle, Cheshire, c1839, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe

Men of War, c1720. Artist: Peter Monamy
Men of War, c1720. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe. [Bemrose and Sons Ltd

Durham Cathedral from the Prebends Bridge, c1832. Artist: George Fennell Robson
Durham Cathedral from the Prebends Bridge, c1832. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F

Crossing the Sands, Ulverston, c1834. Artist: David Cox the elder
Crossing the Sands, Ulverston, c1834. Painting held at the Birmingham Museums and Art Gallery, Birmingham. From A Catalogue of the Pictures

Tarr Point (Torpoint, Plymouth), c18th century. Artist: Thomas Rowlandson
Tarr Point (Torpoint, Plymouth), c18th century. From The Connoisseur Volume XCII, edited by F. Gordon Roe. [The Connoisseur Ltd, London, 1933]

St. Alkmunds, Shrewsbury, 1801, (1938). Artist: John Varley I
St. Alkmund s, Shrewsbury, 1801, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe

A View of the Thames: Greenwich in the distance, 1820 Artist: Patrick Nasmyth
A View of the Thames: Greenwich in the distance, 1820. Painting held at The Tate, London. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III

Warlock Knowe, 1872. Artist: William Leighton Leitch
Warlock Knowe, 1872. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe. [Bemrose and Sons Ltd

Popes Villa, Twickenham: The Outing, c1819. Artist: Thomas Rowlandson
Popes Villa, Twickenham: The Outing, c1819. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

A Woodmans Cottage, 1820. Artist: Patrick Nasmyth
A Woodmans Cottage, 1820. Painting held at the National Galleries of Scotland, Scottish National Gallery, Edinburgh. From A Catalogue of the Pictures

Lord Howard of Effingham, c1600. Artist: Thomas Cockson
Lord Howard of Effingham, c1600. Charles Howard, 1st Earl of Nottingham (1536-1624), Earl of Nottingham. The Armada and the English fleet in Cadizin is in the background

St. Benets Abbey, on the Bure, c1854. Artist: Henry Bright
St. Benets Abbey, on the Bure, c1854. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F

Danae and the brazen Tower, 1872. Artist: Edward Burnes-Jones
Danae and the brazen Tower, 1872. Painting held at The Ashmolean Museum of Art and Archaeology, Oxford. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford

Now for the Painter (Rope) Passengers Going on Board, 1827, (1938). Artist: JMW Turner
Now for the Painter (Rope) Passengers Going on Board, 1827, (1938). Painting held at the Manchester Art Gallery. From A Catalogue of the Pictures

Interrupted, 1875, (1938). Artist: Joseph Wolf
Interrupted, 1875, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe. [Emrose and Sons Ltd

Treaty of marriage between Charles V and Princess Mary Tudor, c1508. Artist: Richard Pynson
Treaty of marriage between Charles V and Princess Mary Tudor, c1508. From The Connoisseur Volume XCI, edited by F. Gordon Roe. [The Connoisseur Ltd, London, 1933]. (Colorised black and white print)

A woodcut of a ship which is believed to be The Ark Royal, c1587. From The Connoisseur Volume XCI, edited by F. Gordon Roe. [The Connoisseur Ltd, London, 1933]. (Colorised black and white print)

Hollars plan of Oxford, c1643. Artist: Wenceslaus Hollar
Hollars plan of Oxford, c1643. From The Connoisseur Volume XCII, edited by F. Gordon Roe. [The Connoisseur Ltd, London, 1933]. (Colorised black and white print)

Mountain Road, Capel Curig, North Wales, (1938). Artist: James William Whitaker
Mountain Road, Capel Curig, North Wales, 1872. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe

Landscape with Women, Sheep and Dog, c1811, (1938). Artist: Richard Westall
Landscape with Women, Sheep and Dog, c1811, (1938). Painting held at the Birmingham Museums Trust, Birmingham. From A Catalogue of the Pictures

The Return from Market, 1786, (1938). Artist: Francis Wheatley
The Return from Market, 1786, (1938). Painting held by Leeds Museums and Art Galleries. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C

On the Coast of Holland, 1876, (1938). Artist: James Webb
On the Coast of Holland, 1876, (1938). Painting held at the Aberdeen Art Gallery & Museums, Aberdeen. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford

A Fishing Lugger off the Coast of Kent, c1854, (1938). Artist: Archibald Webb
A Fishing Lugger off the Coast of Kent, c1854, (1938). Painting held at the National Maritime Museum, London. From A Catalogue of the Pictures

Landscape, 1839, (1938). Artist: Frederick W Watts
Landscape, 1839, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe. [Emrose and Sons Ltd

Sheep Shearing, 1828, (1938). Artist: James Ward
Sheep Shearing, 1828, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe. [Emrose and Sons Ltd

Izaak Walton angling: A Summers day on the banks of the Colne, (1938). Artist: Edward Matthew Ward
Izaak Walton angling: A Summers day on the banks of the Colne, c1850, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C

Winter Woods, c1916, (1938). Artist: William Eyre Walker
Winter Woods, c1916, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe. [Emrose and Sons Ltd

Near Ashford, Kent, 1907, (1938). Artist: Robert Thorne Waite
Near Ashford, Kent, 1907, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe

Blackberrying, 1859, (1938). Artist: Fred Walker
Blackberrying, 1859, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe. [Emrose and Sons Ltd

Alfriston Mill, c1886, (1938). Artist: Robert Thorne Waite
Alfriston Mill, c1886, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe. [Emrose and Sons Ltd

The Travelling Tinker, c1829, (1938). Artist: George Vincent
The Travelling Tinker, c1829, (1938). Painting held at the Victoria Art Gallery, Bath. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C

Grove Scene, Norwich, c1827, (1938). Artist: George Vincent
Grove Scene, Norwich, c1827, (1938). Painting held at the Victoria Art Gallery, Bath. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C

On the Yare, c1828, (1938). Artist: George Vincent
On the Yare, c1828, (1938). Painting held at the Museums Sheffield, Sheffield. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C

A Castle by a River, c1851, (1938). Artist: Alfred Vickers
A Castle by a River, c1851, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe

Scene in Dovedale, Derbyshire, 1836, (1938). Artist: Alfred Vickers
Scene in Dovedale, Derbyshire, 1836, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe

Cattle and Figures in Wooded Valley with Stream, 1860, (1938). Artist: Alfred Vickers
Cattle and Figures in Wooded Valley with Stream, 1860, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F

A Harbour surrounded by Wooded Hills and Meadows with Cattle, 1859, (1938). Artist: Alfred Vickers
A Harbour surrounded by Wooded Hills and Meadows with Cattle, 1859, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C

Banks of the Envy, near Rhuddlan, 1852, (1938). Artist: Alfred Vickers
Banks of the Envy, near Rhuddlan, 1852, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe

A Castle, with Waggon and Horses, c1886, (1938). Artist: Francis Towne
A Castle, with Waggon and Horses, c1886, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe

Fye Bridge, Norwich, c1835, (1938). Artist: John Thirtle
Fye Bridge, Norwich, c1835, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe

The Highland Ferry, 1857, (1938). Artist: John Frederick Tayler
The Highland Ferry, 1857, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe

The Weir, c1875. Artist: William Stephen Coleman
The Weir, c1875. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

A Gipsy Encampment, c1788. Artist: William Shayer
A Gipsy Encampment, c1788. Painting held at the Nottingham City Museums and Galleries, Nottingham. From A Catalogue of the Pictures

Coast Scene, with Figures and Horses, c1841. Artist: William Shayer
Coast Scene, with Figures and Horses, c1841. Painting held at the Atkinson Art Gallery Collection, Southport. From A Catalogue of the Pictures

A Shady Corner, 1840. Artist: William Shayer
A Shady Corner, 1840. Painting held at the Southampton City Art Gallery, Southampton. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III

Dol-y-Garrog Mill near Llanrwst, Caernarvonshire, c1844. Artist: William James Muller
Dol-y-Garrog Mill near Llanrwst, Caernarvonshire, c1844. Painting held at the Williamson Art Gallery & Museum, Birkenhead

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Frederic Gordon: A Journey Through Artistic Landscapes Step into the world of Frederic Gordon, a man who found solace and inspiration in the beauty of nature captured by renowned artists. From Brinkburn Priory's enchanting ruins in Northumberland, as depicted by JMW Turner in 1830, to St. Albans' picturesque streets brought to life by George Sidney Shepherd in 1809, Gordon immersed himself in these masterpieces. In Patrick Nasmyth's "A Woodmans Cottage" from 1820, we see a humble abode nestled amidst lush greenery - an idyllic retreat that resonated with Gordon's love for simplicity and tranquility. The maritime scene portrayed in Peter Monamy's "Men of War" transports us back to the early 18th century when naval battles dominated the seas. Gordon's imagination takes flight as he gazes upon David Cox the elder's "Crossing the Sands, Ulverston" from around 1834. He envisions himself traversing those sandy paths and feeling the cool breeze on his face. Thomas Rowlandson captures Tarr Point (Torpoint, Plymouth) during the 18th century - a bustling port where dreams set sail towards distant horizons. Delving into history through art becomes evident as Lord Howard of Effingham emerges before our eyes through Thomas Cockson's brushstrokes from around 1600. This glimpse into another era fuels Gordon’s curiosity about past civilizations and their impact on our present world. John Varley I invites us to admire St. Alkmunds Church standing tall against Shrewsbury’s skyline since its completion in 1801 – a testament to human craftsmanship and devotion throughout centuries gone by. JMW Turner then guides us towards Beeston Castle perched atop Cheshire hillsides circa 1839; its grandeur echoing stories untold within its ancient walls. Patrick Nasmyth's "A View of the Thames.