Francisco Collection (page 9)

Plate 18 of the Tauromaquia : The daring of Martincho in the ring at Saragossa, 1816

Plate 13 of the Tauromaquia : A Spanish mounted knight in the ring breaking short spears without the help of assistants, , 1816

Plate 16 of the Tauromaquia : The same man throws a bull in the ring at Madrid. 1816

Plate 14 from the Tauromaquia : The very skillful student of Falces, wrapped in his cape, tricks the bull with the play of his body. 1816

Plate 9 of the Tauromaquia : A Spanish knight kills the bull after having lost his horse. 1816

Plate 8 of the Tauromaquia : A Moor caught by the bull in the ring, 1816

Plate 1 from The Tauromaquia : The way in which the ancient Spaniards hunted bulls on horseback in the open country, 1816

Baltasar Carlos, Prince of Spain and Son of Philip IV (D. Baltasar Carlos Principe de Espana. Hijo del Rey D. Felipe IV), 1778

Plate 16 from the Disparates : Wounds heal quicker than hasty words, ca. 1816-23 (published 1864)

Plate 18 from the Disparates : Birds of a feather flock together, ca
Plate 18 from the Disparates :Birds of a feather flock together, ca. 1816-23 (published 1864)

Plate 11 from the Disparates : Poor Folly, ca. 1816-23 (published 1864)

Plate 9 from the Disparates : General folly, ca. 1816-23 (published 1864)
Plate 9 from the Disparates :General folly, ca. 1816-23 (published 1864)

Plate 2 of the Tauromaquia : Another way of hunting on foot, 1816

Plate C: The dogs let loose on the bull. ca. 1816. Creator: Francisco Goya
Plate C: The dogs let loose on the bull. ca. 1816

Plate 33 from the Tauromaquia : The unlucky death of Pepe Illo in the ring at Madrid. 1816

Plate 27 from the Tauromaquia : The celebrated picador, Fernando del Toro, draws the fierce beast on with his pike, 1816

Plate 23 from the Tauromaquia : Mariano Ceballos, alias the Indian
Plate 23 from the Tauromaquia :Mariano Ceballos, alias the Indian, kills the bull from his horse. 1816

Plate 21 from the Tauromaquia : Dreadful events in the front rows of the ring at Madrid and death of the mayor of Torrejon, 1816

Plate 20 from the Tauromaquia : The agility and audacity of Juanito Apiñ
Plate 20 from the Tauromaquia :The agility and audacity of Juanito Apinani in [the ring] at Madrid. 1816

Plate 12 from the Tauromaquia : The crowd hamstrings the bull with lances, sickles, banderillas and other arms. 1816

Plate 11 from the Tauromaquia : The Cid campeador spearing another bull. 1816

Plate 10 from La Tauromaquia : Charles V spearing a bull in the ring at Valladolid, 1816

Plate 6 from The Tauromaquia : The Moors make a different play in the ring calling the
Plate 6 from The Tauromaquia :The Moors make a different play in the ring calling the bull with their burnous. 1816

Plate 5 from The Tauromaquia : The spirited Moor Gazul is the first to spear bulls according to the rules, 1816

Plate D from the Disparates : Fools- or Little Bulls - folly, ca. 1816-23 (published 1877)

Plate 4 from the Disparates : Simpleton, ca. 1816-23 (published between 1854-63)

Plate 12 from the Disparates : If Marion will dance, then she has... ca
Plate 12 from the Disparates : If Marion will dance, then she has to take the consequences, ca. 1816-23 (published 1864)

Plate 5 from the Disparates : Flying Folly, ca. 1816-23 (private printing ca. 1854)
Plate 5 from the Disparates : Flying Folly, ca. 1816-23 (private printing ca.1854)

Plate 7 from the Disparates : Disorderly Folly, ca. 1816-23 (published 1864)

Plate 6 from the Disparates : It is amazing-and we were made by God, ca. 1816-23 (published 1864)

Plate 2 from the Disparates : Folly of Fear, ca. 1816-23 (published ca. 1848)

Plate 1 from the Disparates : Feminine folly. ca. 1816-23 (published 1864)

Plate 17 from the Disparates : Loyalty, ca. 1816-23 (published 1864)

Plate 8 from the Disparates : The men in sacks, ca. 1816-23 (published 1864)

Disparates (Los Proverbios), ca. 1816-23 (published 1864). Creator: Francisco Goya
Disparates (Los Proverbios), ca. 1816-23 (published 1864)

Plate D from the Disparates : Fools- or Little Bulls - fo... ca
Plate D from the Disparates : Fools- or Little Bulls - folly, ca. 1816-23 (published before 1877)

Plate C from the Disparates : Animal Folly, ca. 1816-23 (published before 1877)

Plate B from the Disparates : Punctual Folly, ca. 1816-23 (published before 1877)
Plate B from the Disparates :Punctual Folly, ca. 1816-23 (published before 1877)

Plate A from the Disparates : Well-Known Folly, ca. 1816-23 (published before 1877)
Plate A from the Disparates :Well-Known Folly, ca. 1816-23 (published before 1877)

Plate 15 from the Disparates : Clear Folly, ca. 1816-23 (published 1864)

Plate 14 from the Disparates : Carnival Folly, ca. 1816-23 (published 1864)

Plate 13 from the Disparates : A Way of Flying, ca. 1816-23 (published 1864)

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Francisco Tarrega Eixea (1852-1909), a renowned guitarist and composer, is captured in this captivating portrait as he skillfully strums his guitar. His fingers dance across the strings, producing melodies that resonate with passion and emotion. In another artistic masterpiece, Saint Anthony of Padua captivates an audience of aquatic creatures as he preaches to the fishes. Francisco Tarrega's music seems to echo through the water, enchanting even the most elusive marine beings. Moving forward in time, we encounter three Fatima Visionaries who witnessed divine apparitions in Portugal during 1917. Their innocent faces reflect both awe and reverence as they experience a spiritual connection beyond comprehension. Francesco Hayez's painting "The Kiss" portrays an intimate moment frozen in time. The artist masterfully captures the tenderness shared between two lovers, their embrace conveying a profound sense of longing and desire. Shifting gears once again, we delve into history with Franco Bahamonde Francisco (1892-1975). A controversial figure known for his leadership during Spain's tumultuous times, his legacy remains divisive among historians and citizens alike. "The Naked Maja, " created by Francisco Goya around 1800, showcases a bold depiction of female sensuality. This provocative artwork challenges societal norms while celebrating human beauty in its rawest form. Alcatraz Island emerges from San Francisco Bay like a fortress surrounded by treacherous waters. Once home to infamous criminals, it now stands as a haunting reminder of America's criminal past. Goya returns with "Witches in Flight, " where supernatural forces take center stage amidst darkened skies. These bewitching figures soar through the air on broomsticks while casting spells upon unsuspecting souls below. Saturn Devouring a Son depicts one of Goya's most chilling works: Saturn consuming his own offspring out of fear for losing power. This macabre portrayal serves as a haunting reminder of the destructive nature of unchecked authority.