Fraud Blocker Skip to main content

Francisco De Collection

"Francisco de Goya: A Master of Satire, Portraits, and Historical Figures" Step into the world Goya

Background imageFrancisco De Collection: Plate 80 from Los Caprichos : It is time (Ya es hora. ), 1799. Creator: Francisco Goya

Plate 80 from Los Caprichos : It is time (Ya es hora. ), 1799. Creator: Francisco Goya
Plate 80 from Los Caprichos : It is time (Ya es hora.), 1799

Background imageFrancisco De Collection: Pllate 60 from Los Caprichos : Trials (Ensayos. ), 1799. Creator: Francisco Goya

Pllate 60 from Los Caprichos : Trials (Ensayos. ), 1799. Creator: Francisco Goya
Pllate 60 from Los Caprichos : Trials (Ensayos.), 1799

Background imageFrancisco De Collection: Plate 25 from Los Caprichos : If he broke the pot (Si quebroel Cantaro. ), 1799

Plate 25 from Los Caprichos : If he broke the pot (Si quebroel Cantaro. ), 1799
Plate 25 from Los Caprichos : If he broke the pot (Si quebro el Cantaro.), 1799

Background imageFrancisco De Collection: The Duke of Wellington, c. 1812. Creator: Workshop of Francisco de Goya

The Duke of Wellington, c. 1812. Creator: Workshop of Francisco de Goya
The Duke of Wellington, c. 1812

Background imageFrancisco De Collection: Senora Sabasa Garcia, c. 1806 / 1811. Creator: Francisco Goya

Senora Sabasa Garcia, c. 1806 / 1811. Creator: Francisco Goya
Senora Sabasa Garcia, c. 1806/1811

Background imageFrancisco De Collection: Charles IV of Spain as Huntsman, c. 1799 / 1800. Creator: Workshop of Francisco de Goya

Charles IV of Spain as Huntsman, c. 1799 / 1800. Creator: Workshop of Francisco de Goya
Charles IV of Spain as Huntsman, c. 1799/1800

Background imageFrancisco De Collection: BartolomeSureda y Miserol, c. 1803 / 1804. Creator: Francisco Goya

BartolomeSureda y Miserol, c. 1803 / 1804. Creator: Francisco Goya
Bartolome Sureda y Miserol, c. 1803/1804

Background imageFrancisco De Collection: Young Lady Wearing a Mantilla and Basquina, c. 1800 / 1805. Creator: Francisco Goya

Young Lady Wearing a Mantilla and Basquina, c. 1800 / 1805. Creator: Francisco Goya
Young Lady Wearing a Mantilla and Basquina, c. 1800/1805

Background imageFrancisco De Collection: Maria Teresa de Borbon y Vallabriga, later Condesa de Chinchon, 1783

Maria Teresa de Borbon y Vallabriga, later Condesa de Chinchon, 1783

Background imageFrancisco De Collection: Victor Guye, 1810. Creator: Francisco Goya

Victor Guye, 1810. Creator: Francisco Goya
Victor Guye, 1810

Background imageFrancisco De Collection: Therese Louise de Sureda, c. 1803 / 1804. Creator: Francisco Goya

Therese Louise de Sureda, c. 1803 / 1804. Creator: Francisco Goya
Therese Louise de Sureda, c. 1803/1804

Background imageFrancisco De Collection: Don Antonio Noriega, 1801. Creator: Francisco Goya

Don Antonio Noriega, 1801. Creator: Francisco Goya
Don Antonio Noriega, 1801

Background imageFrancisco De Collection: The Marquesa de Pontejos, c. 1786. Creator: Francisco Goya

The Marquesa de Pontejos, c. 1786. Creator: Francisco Goya
The Marquesa de Pontejos, c. 1786

Background imageFrancisco De Collection: Portrait of a Young Man, ca. 1820. Creator: Formerly attributed to Goya

Portrait of a Young Man, ca. 1820. Creator: Formerly attributed to Goya
Portrait of a Young Man, ca. 1820

Background imageFrancisco De Collection: Philip IV on horseback, after Velazquez, 1778. Creator: Francisco Goya

Philip IV on horseback, after Velazquez, 1778. Creator: Francisco Goya
Philip IV on horseback, after Velazquez, 1778

Background imageFrancisco De Collection: Plate 32 from the Tauromaquia : Two teams of picadors thrown one after the other by a

Plate 32 from the Tauromaquia : Two teams of picadors thrown one after the other by a
Plate 32 from the Tauromaquia :Two teams of picadors thrown one after the other by a single bull. 1816

Background imageFrancisco De Collection: Plate 31 of the Tauromaquia : Banderillas with firecrackers. 1816

Plate 31 of the Tauromaquia : Banderillas with firecrackers. 1816

Background imageFrancisco De Collection: Plate 30 of the Tauromaquia : Pedro Romero killing the halted bull. 1816

Plate 30 of the Tauromaquia : Pedro Romero killing the halted bull. 1816

Background imageFrancisco De Collection: Plate 29 of the Tauromaquia : Pepe Illo making the pass of the recorte. 1816

Plate 29 of the Tauromaquia : Pepe Illo making the pass of the recorte. 1816

Background imageFrancisco De Collection: Plate 24 of the Tauromaquia : The same Ceballos mounted on another bull breaks short

Plate 24 of the Tauromaquia : The same Ceballos mounted on another bull breaks short spears in the ring at Madrid. 1816

Background imageFrancisco De Collection: Plate 22 from the Tauromaquia : Manly courage of the celebrated Pajuelera in [the ring]

Plate 22 from the Tauromaquia : Manly courage of the celebrated Pajuelera in [the ring]
Plate 22 from the Tauromaquia :Manly courage of the celebrated Pajuelera in [the ring] at Saragossa. 1816

Background imageFrancisco De Collection: Plate 19 of the Tauromaquia : Another madness of his in the same ring. 1816

Plate 19 of the Tauromaquia : Another madness of his in the same ring. 1816

Background imageFrancisco De Collection: Plate 18 of the Tauromaquia : The daring of Martincho in the ring at Saragossa, 1816

Plate 18 of the Tauromaquia : The daring of Martincho in the ring at Saragossa, 1816

Background imageFrancisco De Collection: Plate 13 of the Tauromaquia : A Spanish mounted knight in the ring breaking short spears

Plate 13 of the Tauromaquia : A Spanish mounted knight in the ring breaking short spears without the help of assistants, , 1816

Background imageFrancisco De Collection: Plate 16 of the Tauromaquia : The same man throws a bull in the ring at Madrid. 1816

Plate 16 of the Tauromaquia : The same man throws a bull in the ring at Madrid. 1816

Background imageFrancisco De Collection: Plate 14 from the Tauromaquia : The very skillful student of Falces, wrapped in his cape

Plate 14 from the Tauromaquia : The very skillful student of Falces, wrapped in his cape, tricks the bull with the play of his body. 1816

Background imageFrancisco De Collection: Plate 9 of the Tauromaquia : A Spanish knight kills the bull after having lost his horse

Plate 9 of the Tauromaquia : A Spanish knight kills the bull after having lost his horse. 1816

Background imageFrancisco De Collection: Plate 8 of the Tauromaquia : A Moor caught by the bull in the ring, 1816

Plate 8 of the Tauromaquia : A Moor caught by the bull in the ring, 1816

Background imageFrancisco De Collection: Plate 1 from The Tauromaquia : The way in which the ancient Spaniards hunted bulls

Plate 1 from The Tauromaquia : The way in which the ancient Spaniards hunted bulls on horseback in the open country, 1816

Background imageFrancisco De Collection: Baltasar Carlos, Prince of Spain and Son of Philip IV (D

Baltasar Carlos, Prince of Spain and Son of Philip IV (D. Baltasar Carlos Principe de Espana. Hijo del Rey D. Felipe IV), 1778

Background imageFrancisco De Collection: Plate 16 from the Disparates : Wounds heal quicker than hasty words, ca

Plate 16 from the Disparates : Wounds heal quicker than hasty words, ca. 1816-23 (published 1864)

Background imageFrancisco De Collection: Plate 18 from the Disparates : Birds of a feather flock together, ca

Plate 18 from the Disparates : Birds of a feather flock together, ca
Plate 18 from the Disparates :Birds of a feather flock together, ca. 1816-23 (published 1864)

Background imageFrancisco De Collection: Plate 11 from the Disparates : Poor Folly, ca. 1816-23 (published 1864)

Plate 11 from the Disparates : Poor Folly, ca. 1816-23 (published 1864)

Background imageFrancisco De Collection: Plate 9 from the Disparates : General folly, ca. 1816-23 (published 1864)

Plate 9 from the Disparates : General folly, ca. 1816-23 (published 1864)
Plate 9 from the Disparates :General folly, ca. 1816-23 (published 1864)

Background imageFrancisco De Collection: Plate 2 of the Tauromaquia : Another way of hunting on foot, 1816

Plate 2 of the Tauromaquia : Another way of hunting on foot, 1816

Background imageFrancisco De Collection: Plate C: The dogs let loose on the bull. ca. 1816. Creator: Francisco Goya

Plate C: The dogs let loose on the bull. ca. 1816. Creator: Francisco Goya
Plate C: The dogs let loose on the bull. ca. 1816

Background imageFrancisco De Collection: Plate 33 from the Tauromaquia : The unlucky death of Pepe Illo in the ring at Madrid

Plate 33 from the Tauromaquia : The unlucky death of Pepe Illo in the ring at Madrid. 1816

Background imageFrancisco De Collection: Plate 27 from the Tauromaquia : The celebrated picador, Fernando del Toro

Plate 27 from the Tauromaquia : The celebrated picador, Fernando del Toro, draws the fierce beast on with his pike, 1816

Background imageFrancisco De Collection: Plate 23 from the Tauromaquia : Mariano Ceballos, alias the Indian

Plate 23 from the Tauromaquia : Mariano Ceballos, alias the Indian
Plate 23 from the Tauromaquia :Mariano Ceballos, alias the Indian, kills the bull from his horse. 1816

Background imageFrancisco De Collection: Plate 21 from the Tauromaquia : Dreadful events in the front rows of the ring at Madrid

Plate 21 from the Tauromaquia : Dreadful events in the front rows of the ring at Madrid and death of the mayor of Torrejon, 1816

Background imageFrancisco De Collection: Plate 20 from the Tauromaquia : The agility and audacity of Juanito Apiñ

Plate 20 from the Tauromaquia : The agility and audacity of Juanito Apiñ
Plate 20 from the Tauromaquia :The agility and audacity of Juanito Apinani in [the ring] at Madrid. 1816

Background imageFrancisco De Collection: Plate 12 from the Tauromaquia : The crowd hamstrings the bull with lances, sickles

Plate 12 from the Tauromaquia : The crowd hamstrings the bull with lances, sickles, banderillas and other arms. 1816

Background imageFrancisco De Collection: Plate 11 from the Tauromaquia : The Cid campeador spearing another bull. 1816

Plate 11 from the Tauromaquia : The Cid campeador spearing another bull. 1816

Background imageFrancisco De Collection: Plate 10 from La Tauromaquia : Charles V spearing a bull in the ring at Valladolid, 1816

Plate 10 from La Tauromaquia : Charles V spearing a bull in the ring at Valladolid, 1816

Background imageFrancisco De Collection: Plate 6 from The Tauromaquia : The Moors make a different play in the ring calling the

Plate 6 from The Tauromaquia : The Moors make a different play in the ring calling the
Plate 6 from The Tauromaquia :The Moors make a different play in the ring calling the bull with their burnous. 1816

Background imageFrancisco De Collection: Plate 5 from The Tauromaquia : The spirited Moor Gazul is the first to spear bulls

Plate 5 from The Tauromaquia : The spirited Moor Gazul is the first to spear bulls according to the rules, 1816

Background imageFrancisco De Collection: Plate D from the Disparates : Fools- or Little Bulls - folly, ca

Plate D from the Disparates : Fools- or Little Bulls - folly, ca. 1816-23 (published 1877)

Background imageFrancisco De Collection: Plate 4 from the Disparates : Simpleton, ca. 1816-23 (published between 1854-63)

Plate 4 from the Disparates : Simpleton, ca. 1816-23 (published between 1854-63)



All Professionally Made to Order for Quick Shipping

"Francisco de Goya: A Master of Satire, Portraits, and Historical Figures" Step into the world Goya, a renowned Spanish artist whose works continue to captivate audiences today. With his keen eye for detail and ability to convey emotion through brushstrokes, Goya's art is both thought-provoking and visually stunning. In Plate 80 from Los Caprichos titled "It is time (Ya es hora. )", Goya delves into social commentary, shedding light on the flaws of society. His satirical approach challenges viewers to question their own beliefs and values. Moving on to Plate 60 from Los Caprichos called "Trials (Ensayos. )", Goya explores themes of injustice and corruption within the legal system. Through powerful imagery, he exposes the dark underbelly of society while urging for change. Plate 25 from Los Caprichos entitled "If he broke the pot (Si quebroel Cantaro. )" showcases Goya's talent in capturing everyday scenes with a touch of humor. This playful piece reminds us not to take life too seriously and find joy in simple moments. Goya's skill in portraiture shines through in his depiction of notable figures such as The Duke of Wellington. Created by his workshop, this portrait exudes strength and determination - qualities that defined this military leader during tumultuous times. Another striking portrait is that of Senora Sabasa Garcia - an elegant woman captured with grace by Goya himself. Her poise reflects both her inner strength and societal status during early 19th-century Spain. In Charles IV of Spain as Huntsman, also created by his workshop, we witness a different side to royalty. Here, Charles IV appears as an avid hunter rather than a ruler – showcasing the multifaceted nature hidden behind power. Bartolome Sureda y Miserol exemplifies Goya's ability to capture the essence of his subjects.