Franaxa7 Ois Collection

Mr. le maris. d Arlande, first aerial navigator, Pujos, Andra, 1738-1788, artist
Mr. le maris. d Arlande, first aerial navigator, Pujos, Andra©, 1738-1788, artist, Half-length portrait of French balloonist Marquis Franazois Laurent d Arlande in uniform

Franazois Voyez after Pierre-Antoine Baudouin, French (1746-1805), Le fruit de l amour secret, engraving

Franazois Chereau I after Hyacinthe Rigaud, French (1680-1729), Cardinal de Polignac, 1729, engraving

Franazois Joullain after Claude Gillot, French (1697-1778), Scaramouche, c. 1730, etching on laid paper

Franazois Collignon after Pietro Testa, French (c. 1609-1657), The Resurrection, etching

Franazois Perrier after Raphael, French (1590-1650), The Wedding Feast of Cupid and Psyche, c. 1635, etching with engraving on laid paper

Franazois Langlois, French (1589-1647), Guillaume du Vair, engraving on laid paper

Jacques Louis Franazois Touza, French (1747-1807), Loaned Kiss, in or before 1795
Jacques Louis Franazois Touza©, French (1747-1807), Loaned Kiss, in or before 1795, pen and black ink and watercolor

Franazois Boucher, Allegory of Music, French, 1703-1770, 1764, oil on canvas

Franazois Collignon after Stefano Della Bella (French, c. 1609 - 1657), Cartouche, probably 1646, etching

Gabriel Franazois Doyen (French, 1726 - 1806), Brutus Condemning His Sons to Death, c. 1760, black chalk and white chalk with stumping

Franazois Bonvin (French, 1817 - 1887), La Porte de St Malo a Dinan, 1871, etching on laid paper

Franazois Lucas after Etienne Jeaurat (French, c. 1715 - 1762 or after), L example des Meres, etching and engraving

Rena Gaillard after Franazois Boucher (French, c. 1719 - 1790), Venus et les amours
Rena© Gaillard after Franazois Boucher (French, c. 1719 - 1790), Venus et les amours, engraving and etching

Jean-Franazois Janinet after Franazois Boucher, French (1752-1814), La toilette de Venus
Jean-Franazois Janinet after Franazois Boucher (French, 1752 - 1814), La toilette de Venus, 1783, wash manner, printed in blue, red, carmine, yellow, and black inks

Franazois Chereau I after Hyacinthe Rigaud (French, 1680 - 1729), Cardinal Fleury, engraving

Franazois Chereau I after Nicolas de Largillierre (French, 1680 - 1729), Nicolas de Largilliašre, 1715, engraving on laid paper

Louis-Marin Bonnet after Franazois Boucher (French, 1736 - 1793), Young Woman Seated on a Bed, 1767, chalk manner printed in black and white inks on blue paper

Franazois Marie Isidore Queverdo after Franazois Marie Isidore Queverdo (French, 1748 - 1797), Nouvelles du bien-aimaš, etching

Jacques-Firmin Beauvarlet after Franazois Boucher (French, 1731 - 1797), L Arrivee du Courrier, etching and engraving

Pierre Franazois Tardieu after Jean-Baptiste Oudry (French, 1711 - 1771), Le loup et le renard, The Wolf and the Fox, published 1759, hand-colored etching

Jean-Baptiste Blaise Simonet after Jacques Louis Franazois Touza, French (1742-1813
Jean-Baptiste Blaise Simonet after Jacques Louis Franazois Touza© (French, 1742 - 1813 or after), Le glouton, 1794, etching and engraving

Charles Franazois Adrien Macret after Jean-Honora Fragonard (French, 1751 - 1789)
Charles Franazois Adrien Macret after Jean-Honora© Fragonard (French, 1751 - 1789), La fuite a dessein, 1783, etching

Pierre-Alexandre Aveline after Franazois Boucher (French, probably 1702 - 1760), La Bonne Aventure, 1738, engraving with etching on laid paper

Louis-Marin Bonnet after Franazois Boucher, French (1736-1793), Bust of a Young Woman
Louis-Marin Bonnet after Franazois Boucher (French, 1736 - 1793), Bust of a Young Woman Looking Down, 1773 or later, chalk manner printed in black and red

Gilles Demarteau, the Elder after Franazois Boucher (French, 1722 - 1776), Le Maraudeur (The Thief), c. 1769, chalk manner printed in red ink

Gabriel Huquier after Franazois Boucher (French, 1695 - 1772), Triton and Nymph, in or after 1736, etching

Antoine-Jean Duclos after Hubert Franazois Gravelot (French, 1742 - 1795), Quoi donc, les vrais Chretiens auraient tant de vertu!, etching and engraving

Franazois Boucher after Abraham Bloemaert (French, 1703 - 1770), Reclining Shepherd Boys, published 1735, etching on laid paper

Franazois Bonneville (French, active c. 1780-1802), Charles Lameth, probably c. 1780-1802, stipple engraving and aquatint

Robert Nanteuil after Franazois Duchatel (French, 1623 - 1678), Jean-Baptiste van Steenberghen, 1668, engraving

Jean Morin after Franazois Clouet (French, c. 1600 - 1650), Henry II, etching, engraving, and stippling on laid paper

Franazois Chauveau (French, 1613 - 1676), Cheval de Main et Palfreniers Romains, engraving

Michel Lasne after Daniel Dumonstier (French, 1590 or before - 1667), Franazois La Rochefoucauld, engraving on laid paper

Michel Lasne (French, 1590 or before - 1667), Franazois de Beauvillier, in or before 1656, engraving on laid paper

Franazois Le Febvre (French, active 1635-1657), Title Page, probably 1665, engraving

Attributed to Franazois Collignon after Jacques Callot (French, c. 1609 - 1657), Saint John on the Isle of Patmos, etching

Thomas de Leu after Franazois Quesnel (French, c. 1560 - c. 1620), Louise de Lorraine, engraving on laid paper

Franazois Etienne Villeret (French, c. 1800 - 1866), Rue de Rivoli and Pavillon Marsan, watercolor over graphite on wove paper

Hubert Franazois Gravelot (French, 1699 - 1773), Du plus grand des Romains voila ce qui vous reste, graphite on laid paper

Franazois Boitard (French, c. 1670 - c. 1715), The Arrival of Aesculapius in Rome, c. 1700, pen and black ink and gray wash over graphite on laid paper

Franazois Boucher (French, 1703 - 1770), Venus Reclining on a Dolphin, c. 1745, black chalk heightened with white on brown laid paper

Franazois Boucher, The Love Letter, French, 1703 - 1770, 1750, oil on canvas

Jean-Charles Franazois, Louis Quinze, Roy de France (Louis XV), French, 1717 - 1769, 1767, chalk-manner, stipple, and soft-ground etching printed in red ink

Franazois Boucher, The Adoration of the Shepherds, French, 1703 - 1770, 1758-1760, black chalk, pen and brown ink with brown wash, heightened with white gouache and white chalk on cream laid paper

Jean Franazois Pierre Peyron, Venus and the Graces Crowning Tha mire, French, 1744 - 1814
Jean Franazois Pierre Peyron, Venus and the Graces Crowning Tha© mire, French, 1744 - 1814, 1795-1796, pen and black and brown ink with brown wash over traces of graphite, on laid paper

Franazois Le Moyne, Saint John the Baptist, French, 1688 - 1737, c
Franazois Le Moyne, Saint John the Baptist, French, 1688-1737, c. 1717, black chalk with white heightening on brown paper; laid down

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"Franaxa7 Ois: Exploring the Artistic Legacy of Franazois Voyez and his Influences" Step into the world of Franaxa7 Ois, a captivating journey through the artistic masterpieces that shaped an era. From Mr. Le maris d'Arlande, the first aerial navigator who dared to conquer new heights, to Pujos Andra, a visionary artist who left an indelible mark from 1738-1788. Immerse yourself in the enchanting works of Pierre-Antoine Baudouin as he brings "Le fruit de l'amour" to life with delicate strokes and vibrant colors. Charles-Francois Daubigny's masterpiece "Two Horses at a Watering Place (Les)" transports you to a serene oasis where nature's beauty unfolds before your eyes. Discover the Cardinal de Polignac captured by Francois Chereau I after Hyacinthe Rigaud; his regal presence exudes power and grace. The whimsical characters Arlequin Glouton and Scaramouche come alive through Francois Joullain's interpretation of Claude Gillot's artistry in c. 1730. Witness La Ra va ranse d'Arlequin unfold before you as Francois Joullain takes us on a theatrical journey filled with laughter and intrigue. Marvel at Francois Boucher's skillful rendition of Abraham Bloemaert's Seated Woman with intricate details that breathe life into each stroke. Delve into Figure Studies including those by Francois Collignon after Pietro Testa; their etchings capturing raw emotions frozen in time. Experience Raphael's timeless tale of love in "The Wedding Feast of Cupid and Psyche, " beautifully portrayed by Francois Perrier. As we conclude our exploration, let us not forget Franco Le Febvre’s iconic depiction of Louis XIV Roy gazing upon La veue du Pont Neuf, a testament to the grandeur of an era.