Fontebasso Collection

Pope Saint Gregory I Frees the Souls from Purgatory with His Prayers, 1731

Six nymphs and two putti, from "Bacchanals and Histories", 1744
Six nymphs and two putti, from " Bacchanals and Histories", 1744

The Sacrifice of Polyxena, from "Bacchanals and Histories", 1744. 1744
The Sacrifice of Polyxena, from " Bacchanals and Histories", 1744

Satyr with Club and Seven Figures, from "Bacchanals and Histories", 1744
Satyr with Club and Seven Figures, from " Bacchanals and Histories", 1744

The Sacrifice of Iphigenia, 18th century. Artist: Fontebasso, Francesco (1709-1769)
The Sacrifice of Iphigenia, 18th century. From a private collection

The Magnanimity of Scipio Africanus, c1727-1769. Artist: Francesco Fontebasso
The Magnanimity of Scipio Africanus, c1727-1769. Fontebasso, Francesco (1709-1769). Found in the collection of the State M. Ciurlionis Art Museum, Kaunas

Antiochus and Stratonice, 18th century. Artist: Francesco Fontebasso
Antiochus and Stratonice, 18th century. Antiochus I Soter (d261 BC) was a king of the Hellenistic Seleucid Empire. He married his stepmother, Stratonice, after his father, Seleucus I Nicator

Three Studies Head Youth Francesco Salvator Fontebasso
Three Studies of the Head of a Youth; Francesco Salvator Fontebasso (Italian, 1707 - 1769); about 1737; Black chalk; 42.3 × 27.6 cm (16 5, 8 × 10 7, 8 in.)

Joseph Interpreting Dreams Fellow Prisoners Francesco Salvator
Joseph Interpreting the Dreams of His Fellow Prisoners; Francesco Salvator Fontebasso (Italian, 1707 - 1769); about 1750; Pen and brown ink, pink wash, heightened with white

Follower of Francesco Fontebasso, The Raising of Lazarus, 18th century, pen and brown ink, brush and brown ink, and brown wash, heightened with white, on prepared laid paper

Follower of Francesco Fontebasso, Death of the Magdalene, 18th century, pen and brown ink, brush and brown ink, and brown wash, heightened with white, on prepared laid paper

Follower of Francesco Fontebasso, Christ and the Woman of Samaria, 18th century, pen and brown ink, brush and brown ink, and brown wash, heightened with white, on prepared laid paper

Francesco Fontebasso (Italian, 1709 - 1769), Apollo and Nymphs in a Landscape with a Bust of Pan, 1744, etching on laid paper

Follower of Francesco Fontebasso, Preaching of John the Baptist in the Wilderness, 18th century, pen and brown ink, brush and brown ink, and brown wash, heightened with white, on prepared laid paper

Follower of Francesco Fontebasso, Saint Luke Painting the Virgin, 18th century, pen and brown ink, brush and brown ink, and brown wash, heightened with white, on prepared laid paper

Follower of Francesco Fontebasso, Birth of the Virgin, 18th century, pen and brown ink, brush and brown ink, and brown wash, heightened with white, on prepared laid paper

Follower of Francesco Fontebasso, Death of a Holy Friar, 18th century, pen and brown ink, brush and brown ink, and brown wash, heightened with white, on prepared laid paper

Follower of Francesco Fontebasso, The Deposition, 18th century, pen and brown ink, brush and brown ink, and brown wash, heightened with white, on prepared laid paper

Three Studies of the Head of a Youth; Francesco Salvator Fontebasso, Italian, 1707 - 1769; about 1737; Black chalk; 42.3 x 27.6 cm (16 5/8 x 10 7/8 in.)

Francesco Fontebasso after Sebastiano Ricci (Italian, 1709-1769), Saint Gregoire I Delivering Souls from Purgatory, 1744, etching on laid paper

FONTEBASSO: SACRIFICE. Scene of Sacrifice. Oil on canvas, 18th century, by Francesco Fontebasso

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Fontebasso, a renowned artist of the 18th century, captivated audiences with his masterful creations. His works spanned various themes and subjects, showcasing his versatility and skill. In "Pope Saint Gregory I Frees the Souls from Purgatory with His Prayers, " Fontebasso depicts a powerful scene of redemption and salvation. The ethereal beauty of this piece resonates as Pope Gregory I intercedes for souls trapped in purgatory, offering them release through his prayers. "Bacchanals and Histories" showcases Fontebasso's ability to capture movement and grace. In "Six nymphs and two putti, " he portrays these mythical beings in a lively dance, their flowing garments adding to the sense of motion. "The Sacrifice of Polyxena" transports viewers to ancient times as Fontebasso recreates this tragic event from Greek mythology. The anguish on Polyxena's face is palpable, evoking empathy from those who gaze upon it. In "Nine Figures near a Herm of Pan, " Fontebasso explores the realm of fantasy once again. This composition exudes an air of mystery as figures gather around Pan's statue, their expressions hinting at secrets yet untold. The artist's talent shines through in "Satyr with Club and Seven Figures. " Here, Fontebasso captures the essence of Bacchanalian revelry with vibrant colors and dynamic poses that bring this mythological scene to life. Another notable work by Fontebasso is "The Magnanimity of Scipio Africanus. " This painting pays homage to Scipio Africanus' noble character as he displays mercy towards his defeated enemies—an act that exemplifies true greatness. It also delves into romantic narratives like "Antiochus and Stratonice. " The tender embrace between Antiochus and Stratonice tells a tale filled with passion against all odds—a testament to love's enduring power.