Fludd Collection

The Temple of Music by Robert Fludd, 1617. Artist: Anonymous
The Temple of Music by Robert Fludd, 1617. From a private collection

English physician and Rosicrucian. Human mental abilities classified in terms of God and the universe
ROBERT FLUDD (1574-1637). English physician and Rosicrucian. Human mental abilities classified in terms of God and the universe. Colored engraving from Fludds 17th century treatise, Utriusque Cosmi

A diagram of the Universe by the 17th century English Neoplatonist Robert Fludd showing the links between the hidden
FLUDDs UNIVERSE. A diagram of the Universe by the 17th century English Neoplatonist Robert Fludd showing the links between the hidden God and the manifest world

Clepsydra (water clock) indicating hours and with a chime. Robert Fludd Utriusque cosmi historia ,Oppenheim, 1617-19
536388 Clepsydra (water clock) indicating hours and with a chime. Robert Fludd Utriusque cosmi historia ,Oppenheim, 1617-19

Gunners laying siege to a moated and fortified enclosure. Attackers are using earth-filled baskets called gabions to
529951 Gunners laying siege to a moated and fortified enclosure. Attackers are using earth-filled baskets called gabions to protect their guns and themselves

The Cabalistic analysis of the mind and the senses, 1617-19 (engraving)
539982 The Cabalistic analysis of the mind and the senses, 1617-19 (engraving) by English School, (17th century); (add.info.: The Cabalistic analysis of the mind and the senses)

Frontispiece to Robert Fludds Utriusque Cosmi Historia
XJF307396 Frontispiece to Robert Fludds Utriusque Cosmi Historia, Tractatus Secundus de Naturae Simia Sue Tecnica Macrocosmi, Frankfurt, 1624 (engraving) (b/w photo) by Merian, Matthaus

Frontispiece to Robert Fludds Utriusque Cosmi Historia
XJF447340 Frontispiece to Robert Fludds Utriusque Cosmi Historia, Tractatus Secundus de Naturae Simia Sue Tecnica Macrocosmi, Frankfurt, 1624 (engraving) by English School

Integrae naturae speculum artisque imago Utriusque cosmi
Integrae naturae speculum, artisque imago, Utriusque cosmi maioris scilicet et minoris metaphysica, physica atqve technica historia, Fludd, Robert, 1574-1637, Engraving, 1617-1621

An astrologer casting a horoscope, 1617 (late 19th century). Copy of an illustration from Utriusque Cosmi Historia by Robert Fludd, (Oppenheim 1617), used in A History of Magic, late 19th century

Portrait of Robert Fludd (1574-1637), 17th century. Artist: Anonymous
Portrait of Robert Fludd (1574-1637), 17th century. From a private collection

Interior of the Globe Theatre, Bankside, London, 1617-1619. Stage of the second Globe, built on the foundations and in the same style as the first immediately after the fire of 1613

Portrait of Robert Fludd (1574-1637), 1626. Artist: Anonymous
Portrait of Robert Fludd (1574-1637), 1626. Found in the collection of the Russian State Library, Moscow

The Cabalistic analysis of the mind and the senses, 1617. This attributed different functions to different regions of the brain. From Ultriusque cosmi...historia by Robert Fludd. (Oppenheim, 1617-1619

Using a cross-staff to measure the height of a tower, 1617-1619. From Utriusque cosmi...historia by Robert Fludd. (Oppenheim, 1617-1619)

Measuring the distance of an inaccessible object by triangulation using a hinged staff, 1617-1619. From Utriusque cosmi...historia by Robert Fludd. (Oppenheim, 1617-1619)

Surveyors using quadrants to measure the height of a tower, c1617-c1619. Artist: Robert Fludd
Surveyors using quadrants to measure the height of a tower, 1617-c1619. Quadrants fitted with plumb bobs and marked with shadow scales to measure the height of a tower

Finding the angular distance between two edges of a wood using a cross-staff, 1617-1619. From Utriusque cosmi...historia by Robert Fludd. (Oppenheim, 1617-1619)

Surveying, early 17th century. Method of using a quadrant fitted with a plumb line and marked with shadow scales to measure the depth of a well. From Utriusque cosmi... historia by Robert Fludd

Geocentric or Earth-centred Universe, c1617. The Earth surrounded by the spheres of the elements water, air and fire, and by the spheres of the Moon

The divine harmony of the microcosm and the macrososm, c1617
The divine harmony of the microcosm and the macrososm according to the Hermetic and Cabalistic teaching, c1617. God is always at the apex of the triangle. From Ultriusque cosmi

The relation of Man, the microcosm, with the Universe, the macrocosm, c1617. The spheres of the Sun, Moon and planets and the hierarchy of angels and archangels

The divine harmony of the universe, c1617. The hand of God turns the peg to tune the universe. From Utriusque cosmi... historia by Robert Fludd. (Oppenheim, 1617-1619)

Synopsis of the diviners arts, 1617-1619. Chiromancy, prophecy, mnemonics, physiognomy, pyramidology, geomancy, astrology, the seven sources of human knowledge. From Utriusque cosmi

Clepsydra (water clock) indicating hours and chiming, 1617-1619. From Utriusque cosmi...historia by Robert Fludd (Oppenheim, 1617-1619)

Chiromancy, 1617-1619. Title page of a chapter on chiromancy from Robert Fludds Utriusque cosmi...historia, showing the lines of the hand. (Oppenheim, 1617-1619)

Star Fort defended by a moat coming under siege, 1617-1619. From Utriusque cosmi...historia by Robert Fludd. (Oppenheim, 1617-1619)

Design for an encampment outside a besieged fortress, 1617-1619. From Utriusque cosmi... historia by Robert Fludd. (Oppenheim, 1617-1619)

Divine harmony, 1617-1619. The divine harmony existing between Man the microsm, and the universe the macrocosm, with God at the top. From Utriusque cosmi... historia by Robert Fludd

Diagram showing mans position in the universe, 1617-19. Artist: Robert Fludd
Diagram showing mans position in the universe, 1617-19. Relation of man (the microcosm), with the universe (the macrocosm), showing spheres of Sun, Moon and planets

Utriusque cosmi historia, 1517-19. Artist: Robert Fludd
Utriusque cosmi historia, 1517-19. Gunners laying siege to moated and fortified enclosure. Attackers are using earth-filled Gabions to protect their guns and themselves

Detribus prioribus creationis diebus Utriusque cosmi
Detribus prioribus creationis diebus, Utriusque cosmi maioris scilicet et minoris metaphysica, physica atqve technica historia, Fludd, Robert, 1574-1637, Etching, 1617, Etched within the image: FIAT

De elemento ignis Utriusque cosmi maioris scilicet
De elemento ignis, Utriusque cosmi maioris scilicet et minoris metaphysica, physica atqve technica historia, Fludd, Robert, 1574-1637, Etching, 1617

Arboris sephirothicae descriptio Utriusque cosmi
Arboris sephirothicae descriptio, Utriusque cosmi maioris scilicet et minoris metaphysica, physica atqve technica historia, Fludd, Robert, 1574-1637, Engraving, 1621, Tree of sephiroth

De sphaera media quae sphaera humiditatis dicitur
De sphaera media, quae sphaera humiditatis dicitur, and de elemento aquae and aeris, Utriusque cosmi maioris scilicet et minoris metaphysica, physica atqve technica historia, Fludd, Robert

The relation of man, the microcosm with the universe, the macrocosm, showing the spheres of the Sun, Moon and planets and the hierarchy of angels, archangels

FLUDD: UNIVERSE, 1617. Illustration from Robert Fludds Utriusque Cosmi depicting his theory that the entire universe, from the planets and the elements to the letters of the alphabet

of the rose and cross. Line engraving from Robert Fludds Summum Bonum, 1629
ROSICRUCIAN SYMBOL of the rose and cross. Line engraving from Robert Fludds Summum Bonum, 1629

ROSICRUCIANISM. Rosicrucian symbol of the rose and cross. Line engraving from Robert Fludds Summum Bonum, 1629

The divine harmony of the universe, tuned by the hand of God. From Robert Fludd Ultriusque cosmi... historia, Oppenheim, 1617-1619. Engraving

FLUDD (1574 - 1637)
ROBERT FLUDD - Chemist and medical personality. Date: 1574 - 1637

The divine harmony of the microcosm and the macrososm according to the Hermetic and Cabalistic teaching. God is always at the apex of the triangle. From Robert Fludd Ultriusque cosmi

Star Fort defended by moat coming under siege. From Robert Fludd Utriusque cosmi... historia Oppenheim 1617-1619. Engraving

Finding the angular distance between two edges of a wood using a cross-staff. From Robert Fludd Utriusque cosmi... historia, Oppenheim, 1617-1619. Engraving

Design for encampment outside a besieged fortress. Engraving from Robert Fludd Utriusque cosmi... historia Oppenheim 1617-1619

Geocentric universe showing the Earth surrounded by the spheres of water, air and fire, and by the spheres of the Moon, Sun and planets and the sphere of the fixed stars

Using a cross-staff to measure the height of a tower. From Robert Fludd Utriusque cosmi... historia, Oppenheim, 1617-1619. Engraving

The Cabalistic analysis of the mind and the senses, attributing different functions to different regions of the brain. From Robert Fludd Ultriusque cosmi... historia, Oppenheim, 1617-1619. Engraving

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"Unveiling the Mysteries: Exploring the Enigmatic World of Fludd" Step into the captivating realm of Robert Fludd, a 17th-century English Neoplatonist whose works transcend time and ignite curiosity. The Temple of Music, an anonymous masterpiece from 1617, transports us to a harmonious sanctuary where melodies intertwine with celestial secrets. Fludd's diagram of the Universe in his Utriusque Cosmi unravels the intricate web connecting the hidden God to our tangible reality. A fusion of philosophical and theosophical truths, this woodcut invites contemplation on life's profound mysteries. Delving deeper into Fludd's enigmatic mind, we encounter his Cabalistic analysis of both mind and senses. Through intricate engravings from 1617-19, he unveils esoteric knowledge that transcends conventional understanding. The frontispiece to Fludd's Utriusque Cosmi Historia beckons us further down this rabbit hole of wisdom. It serves as a gateway to an intellectual journey where ancient knowledge converges with contemporary insights. Intriguingly, even astrology finds its place within Fludd's repertoire. An astrologer casting a horoscope in 1617 (late 19th century) reveals how celestial alignments shape our destinies according to this visionary thinker. Portraits immortalize Robert Fludd himself - one from the 17th century and another from 1626 - capturing his essence as an enigmatic figure who dared challenge conventional beliefs while pushing boundaries through his writings and ideas. Stepping outside the realm of philosophy and mysticism, we find ourselves transported to London's Globe Theatre in Bankside during its heyday between 1617-1619. This iconic venue witnessed Shakespearean masterpieces that continue to captivate audiences today. Fludd’s insatiable thirst for knowledge extended beyond abstract concepts; he was also fascinated by practical applications.