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Florentine Collection (page 6)

"Florentine Art: A Glimpse into Renaissance Masterpieces" Step into the enchanting world art, where masterpieces come to life and captivate the senses

Background imageFlorentine Collection: Detail from the Capitani della Misericordia, 1386 (fresco)

Detail from the Capitani della Misericordia, 1386 (fresco)
875224 Detail from the Capitani della Misericordia, 1386 (fresco) by Gerini, Niccolo di Pietro (fl.1368-1415); Museo del Bigallo, Florence, Italy; eGiuliano Valsecchi; Italian, out of copyright

Background imageFlorentine Collection: Detail of the Florence Pieta, 1547-53 (marble)

Detail of the Florence Pieta, 1547-53 (marble)
875221 Detail of the Florence Pieta, 1547-53 (marble) by Buonarroti, Michelangelo (1475-1564); Museo dell Opera del Duomo, Florence, Tuscany, Italy; eGiuliano Valsecchi; Italian, out of copyright

Background imageFlorentine Collection: St. John the Baptist, from the St. Reparata Polyptych (middle left panel

St. John the Baptist, from the St. Reparata Polyptych (middle left panel
BAT66567 St. John the Baptist, from the St. Reparata Polyptych (middle left panel, reverse) (detail of 66558, see also 66564-66568) by Giotto (Giotto di Bondone) (c.1266-1337); Duomo, Florence

Background imageFlorentine Collection: Female saint from the St. Reparata Polyptych (reverse of far right panel)

Female saint from the St. Reparata Polyptych (reverse of far right panel)
BAT66564 Female saint from the St. Reparata Polyptych (reverse of far right panel) by Giotto (Giotto di Bondone) (c.1266-1337); Duomo, Florence, Tuscany, Italy; Photo eNicol Orsi Battaglini; Italian

Background imageFlorentine Collection: Wounded Christ from the Coronation of the Virgin Polyptych (centre predella) (see also 65540-65551)

Wounded Christ from the Coronation of the Virgin Polyptych (centre predella) (see also 65540-65551)
BAT66549 Wounded Christ from the Coronation of the Virgin Polyptych (centre predella) (see also 65540-65551) by Giotto, Ambrogio Bondone (c.1266-1337) (workshop); Baroncelli Chapel

Background imageFlorentine Collection: The Mystic Marriage of St. Catherine with St. Francis, St. Clare, St. Cosmas and St

The Mystic Marriage of St. Catherine with St. Francis, St. Clare, St. Cosmas and St
AII78615 The Mystic Marriage of St. Catherine with St. Francis, St. Clare, St. Cosmas and St. Damian by Pagani, Gaspare (1518-p.1543); Galleria e Museo Estense, Modena, Italy; Italian

Background imageFlorentine Collection: Portrait of Francesco Maria Della Rovere, Duke of Urbino

Portrait of Francesco Maria Della Rovere, Duke of Urbino
SCP69437 Portrait of Francesco Maria Della Rovere, Duke of Urbino by Titian (Tiziano Vecellio) (c.1488-1576); 143x100 cm; Galleria degli Uffizi, Florence, Tuscany, Italy; Italian, out of copyright

Background imageFlorentine Collection: St. Cecilia and Scenes From Her Life: two scenes showing St

St. Cecilia and Scenes From Her Life: two scenes showing St
SCP69432 St. Cecilia and Scenes From Her Life: two scenes showing St. Cecilia brought before the prefect (left) and the martyrdom of St. Cecilia (right), c.1300 (detail of 50346) by Master of St

Background imageFlorentine Collection: Coronation of the Virgin Polyptych (middle right panel) (see also 66540-66551)

Coronation of the Virgin Polyptych (middle right panel) (see also 66540-66551)
BAT66543 Coronation of the Virgin Polyptych (middle right panel) (see also 66540-66551) by Giotto, Ambrogio Bondone (c.1266-1337) (workshop); Baroncelli Chapel, Church of Santa Croce, Florence

Background imageFlorentine Collection: Female attendant, Birth of Virgin, by Domenico Ghirlandaio

Female attendant, Birth of Virgin, by Domenico Ghirlandaio
Female attendant in the Birth of the Virgin, by Domenico Ghirlandaio (1448 - 1494), engraving after a fresco in the choir of Santa Maria Novella, Florence, Italy

Background imageFlorentine Collection: Historiated initials depicting Job receiving messengers with bad news (vellum)

Historiated initials depicting Job receiving messengers with bad news (vellum)
MMT223869 Historiated initials depicting Job receiving messengers with bad news (vellum) by Casentino, Jacopo del (1297-1358); 15x15 cm; Musee Marmottan Monet, Paris

Background imageFlorentine Collection: Adoration of the Magi detail, 1423 (tempera on panel)

Adoration of the Magi detail, 1423 (tempera on panel)
BEN209291 Adoration of the Magi detail, 1423 (tempera on panel) by Fabriano, Gentile da (c.1370-1427); Galleria degli Uffizi, Florence, Tuscany, Italy; (add.info.: Also known as the Pala Strozzi)

Background imageFlorentine Collection: Ancient musical instruments including bellows

Ancient musical instruments including bellows
Foot instrument used by a faun in a Florentine gallery 1, bellows from a relief in the Pallavicini Gardens 2, bagpipe from an ancient basrelief 3, tambourine, castanets and tibia from Greek vases 4

Background imageFlorentine Collection: The Death of Brunelleschi, 1852 (oil on canvas)

The Death of Brunelleschi, 1852 (oil on canvas)
LGH162588 The Death of Brunelleschi, 1852 (oil on canvas) by Leighton, Frederic (1830-96); 254x183 cm; Leighton House Museum, Kensington & Chelsea, London

Background imageFlorentine Collection: Interior with Fifteenth Century Fireplace, Villa Medicea di Careggi (photo)

Interior with Fifteenth Century Fireplace, Villa Medicea di Careggi (photo)
BEN276616 Interior with Fifteenth Century Fireplace, Villa Medicea di Careggi (photo) by Michelozzo di Bartolommeo (1396-1472); Villa Medicea di Careggi, Florence, Tuscany

Background imageFlorentine Collection: Detail of the vault of the cellar, Villa Medicea di Careggi (photo)

Detail of the vault of the cellar, Villa Medicea di Careggi (photo)
BEN276602 Detail of the vault of the cellar, Villa Medicea di Careggi (photo) by Michelozzo di Bartolommeo (1396-1472); Villa Medicea di Careggi, Florence, Tuscany

Background imageFlorentine Collection: View of the vault of the cellar, Villa Medicea di Careggi (photo)

View of the vault of the cellar, Villa Medicea di Careggi (photo)
BEN276601 View of the vault of the cellar, Villa Medicea di Careggi (photo) by Michelozzo di Bartolommeo (1396-1472); Villa Medicea di Careggi, Florence, Tuscany

Background imageFlorentine Collection: Iris species

Iris species
Chalcedonian iris, Iris susiana, Florentine iris, Iris florentina, Nepal iris, Iris nepalensis, three-toothed iris, Iris tridentata, and spring iris, Iris verna

Background imageFlorentine Collection: Gladiolus, German iris and Florentine iris

Gladiolus, German iris and Florentine iris
Gladiolus, Gladiolus communis, German iris, Iris germanica, and Florentine iris, Iris florentina. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicers Krauterbuch

Background imageFlorentine Collection: Dante and Beatrice in the garden (colour litho)

Dante and Beatrice in the garden (colour litho)
STC335876 Dante and Beatrice in the garden (colour litho) by Saccaggi, Cesare (1868-1934); Private Collection; (add.info.: Dante Alighieri (c.1265-1321) with Beatrice Portinari (1266-90)

Background imageFlorentine Collection: Portrait presumed to be Andrea del Verrocchio (oil on panel)

Portrait presumed to be Andrea del Verrocchio (oil on panel)
ALI434078 Portrait presumed to be Andrea del Verrocchio (oil on panel) by Credi, Lorenzo di (1456-1536); Galleria degli Uffizi, Florence, Tuscany

Background imageFlorentine Collection: Craftsmen at work in the studio of footwear designer and manufacturer Ferragamo in Palazzo Feroni

Craftsmen at work in the studio of footwear designer and manufacturer Ferragamo in Palazzo Feroni, Florence
494198 Craftsmen at work in the studio of footwear designer and manufacturer Ferragamo in Palazzo Feroni, Florence, 1937 (glass plate) by Fratelli Alinari (fl.1854-1920); Alinari

Background imageFlorentine Collection: Mlle. Florentine as La Gouailleuse in Les

Mlle. Florentine as La Gouailleuse in Les
Ballet dancer Mlle. Florentine as La Gouailleuse (Cheeky Girl) in Les Mysteres de Passy, Theatre des Folies Dramatiques, 1844

Background imageFlorentine Collection: The Last Judgement. Heaven, left, Hell, right. Christ sits in judgement in central

The Last Judgement. Heaven, left, Hell, right. Christ sits in judgement in central
534929 The Last Judgement. Heaven, left, Hell, right. Christ sits in judgement in central panel. Fra Angelico (1400-1455) Florentine painter. Triptych. Tempera on board. Staatliche Museum, Berlin

Background imageFlorentine Collection: Historiated initial I, depicting the Creation, c. 1470 (vellum)

Historiated initial I, depicting the Creation, c. 1470 (vellum)
FIT167260 Historiated initial I, depicting the Creation, c.1470 (vellum) by Pellegrino di Mariano (15th century) (attr.to); 58x40.6 cm; Fitzwilliam Museum, University of Cambridge

Background imageFlorentine Collection: The Montauri Birth Tray, 25th April, 1428 (tempera, gilt & silver on panel)

The Montauri Birth Tray, 25th April, 1428 (tempera, gilt & silver on panel)
3703521 The Montauri Birth Tray, 25th April, 1428 (tempera, gilt & silver on panel) by Fruosino, Batrolomeo di (1366/69-1441); diam: 71.8 cm; Private Collection; (add.info)

Background imageFlorentine Collection: Niccolo Machiavelli, Florentine politician and writer (engraving)

Niccolo Machiavelli, Florentine politician and writer (engraving)
3647893 Niccolo Machiavelli, Florentine politician and writer (engraving) by German School, (19th century); Private Collection; (add.info.: Niccolo Machiavelli (1469-1527)

Background imageFlorentine Collection: The Holy Family with the Young Saint John the Baptist, 1528-9 (oil on wood)

The Holy Family with the Young Saint John the Baptist, 1528-9 (oil on wood)
3493053 The Holy Family with the Young Saint John the Baptist, 1528-9 (oil on wood) by Sarto, Andrea del (1486-1530); 135.9x100.6 cm; Metropolitan Museum of Art, New York

Background imageFlorentine Collection: Alessandro de Medici, 1534-35 (oil on panel)

Alessandro de Medici, 1534-35 (oil on panel)
2970202 Alessandro de Medici, 1534-35 (oil on panel) by Pontormo, Jacopo (1494-1557); 35.3x25.8 cm; The Art Institute of Chicago, IL, USA; (add.info.: Alessandro de Medici, Duke of Florence (July 22)

Background imageFlorentine Collection: Holy Family, c. 1497 (oil on canvas)

Holy Family, c. 1497 (oil on canvas)
3588528 Holy Family, c.1497 (oil on canvas) by Bartolomeo, Fra (Baccio della Porta) (1472-1517); 151.1x90.8 cm; Los Angeles County Museum of Art, CA, USA; Italian, out of copyright

Background imageFlorentine Collection: Corridor in San Marco (engraving)

Corridor in San Marco (engraving)
3625650 Corridor in San Marco (engraving) by English School, (19th century); Private Collection; (add.info.: Corridor in San Marco)

Background imageFlorentine Collection: Interior of Baptistery (engraving)

Interior of Baptistery (engraving)
3625635 Interior of Baptistery (engraving) by English School, (19th century); Private Collection; (add.info.: Interior of Baptistery)

Background imageFlorentine Collection: Holy Family, by M Angelo, in the Bargello, Unfinished (engraving)

Holy Family, by M Angelo, in the Bargello, Unfinished (engraving)
3625633 Holy Family, by M Angelo, in the Bargello, Unfinished (engraving) by English School, (19th century); Private Collection; (add.info.: Holy Family, by M Angelo, in the Bargello, Unfinished)

Background imageFlorentine Collection: Florence, from Fiesole (engraving)

Florence, from Fiesole (engraving)
3625618 Florence, from Fiesole (engraving) by English School, (19th century); Private Collection; (add.info.: Florence, from Fiesole)

Background imageFlorentine Collection: The Arno, looking west from the Ponte Vecchio (engraving)

The Arno, looking west from the Ponte Vecchio (engraving)
3625616 The Arno, looking west from the Ponte Vecchio (engraving) by English School, (19th century); Private Collection; (add.info.: The Arno, looking west from the Ponte Vecchio)

Background imageFlorentine Collection: Lantern, Palazzo Strozzi (engraving)

Lantern, Palazzo Strozzi (engraving)
3625614 Lantern, Palazzo Strozzi (engraving) by English School, (19th century); Private Collection; (add.info.: Lantern, Palazzo Strozzi)

Background imageFlorentine Collection: Vitrine, Officina Profumo, Farmaceutica di Santa Maria Novella, Florence, Italy, 1899 (b / w photo)

Vitrine, Officina Profumo, Farmaceutica di Santa Maria Novella, Florence, Italy, 1899 (b / w photo)
3658021 Vitrine, Officina Profumo, Farmaceutica di Santa Maria Novella, Florence, Italy, 1899 (b/w photo) by Italian Photographer, (19th century); Alinari Archives, Florence

Background imageFlorentine Collection: The Last Communion of Saint Jerome, c. 1490 (tempera and gold on wood)

The Last Communion of Saint Jerome, c. 1490 (tempera and gold on wood)
3614032 The Last Communion of Saint Jerome, c.1490 (tempera and gold on wood) by Botticelli, Sandro (Alessandro di Mariano di Vanni Filipepi) (1444/5-1510); Metropolitan Museum of Art, New York

Background imageFlorentine Collection: Dante meets Beatrice (chromolitho)

Dante meets Beatrice (chromolitho)
2782951 Dante meets Beatrice (chromolitho) by European School, (19th century); Private Collection; (add.info.: Dante meets Beatrice. Liebig card, published in late 19th or early 20th century)

Background imageFlorentine Collection: Le vase de Medicis, 1656 (etching)

Le vase de Medicis, 1656 (etching)
2562914 Le vase de Medicis, 1656 (etching) by Bella, Stefano della (1610-64); New York Public Library, USA; Stephen A. Schwarzman Building / Photography Collection, Miriam and Ira D

Background imageFlorentine Collection: Gualdrada Donati presenting her Daughter to Buondelmente

Gualdrada Donati presenting her Daughter to Buondelmente
1217636 Gualdrada Donati presenting her Daughter to Buondelmente (pen and black ink with graphite on white paper) by Burne-Jones, Edward Coley (1833-98); 23.3x39.3 cm; Ashmolean Museum

Background imageFlorentine Collection: Sir Thomas Baines, 1665-70 (oil on canvas)

Sir Thomas Baines, 1665-70 (oil on canvas)
1199939 Sir Thomas Baines, 1665-70 (oil on canvas) by Dolci, Carlo (1616-86); 86.2x72.4 cm; Fitzwilliam Museum, University of Cambridge, UK; (add.info.: Sir Thomas Baines, M.D)

Background imageFlorentine Collection: European costumes, 15th Century (coloured engraving)

European costumes, 15th Century (coloured engraving)
968842 European costumes, 15th Century (coloured engraving) by German School, (19th century); Private Collection; (add.info.: European costumes, 15th Century)

Background imageFlorentine Collection: Petrarch, Italian Renaissance scholar and poet (chromolitho)

Petrarch, Italian Renaissance scholar and poet (chromolitho)
1093547 Petrarch, Italian Renaissance scholar and poet (chromolitho) by French School, (19th century); Private Collection; (add.info.: Petrarch (1304-1374), Italian Renaissance scholar and poet



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"Florentine Art: A Glimpse into Renaissance Masterpieces" Step into the enchanting world art, where masterpieces come to life and captivate the senses. From the delicate strokes of Donatello's Pazzi Madonna to Paolo Uccello's epic depiction of The Battle of San Romano, this vibrant city has been a cradle for artistic brilliance. Intricately carved from marble, Donatello's Pazzi Madonna (Virgin and Child) exudes grace and serenity. Created in c1417-18, it stands as a testament to his mastery as a Florentine sculptor. Paolo Uccello takes us on an exhilarating journey through time with his renowned artwork, The Battle of San Romano. Painted in 1456, this masterpiece showcases Uccello's meticulous attention to detail and his ability to capture the intensity of battle. Sandro Botticelli transports us into a mythical realm with Primavera, painted around 1478. This ethereal piece celebrates springtime and embodies the essence Renaissance art. Agnolo Bronzino mesmerizes us with An Allegory with Venus and Cupid. Created between c1523-1568, this enigmatic painting invites contemplation on love and desire while showcasing Bronzino's skillful brushwork. Fra Angelico enchants our souls with The Coronation of the Virgin - an exquisite portrayal that emanates divine beauty. His work captures both religious devotion and artistic finesse. The Birth of Venus by Sandro Botticelli is a true marvel that continues to inspire awe even today. Painted around 1485 using tempera on canvas technique; it depicts the goddess emerging from sea foam—a symbol of purity and rebirth. Lorenzo Monaco presents us with The Intercession of Christ and the Virgin—an evocative piece created before 1402.