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Flemalle Collection

"Flemalle: A Glimpse into the Masterpieces of Robert Campin" Step into the enchanting world of Flemalle

Background imageFlemalle Collection: Man in Prayer, ca. 1430-35. Creator: Workshop of Robert Campin

Man in Prayer, ca. 1430-35. Creator: Workshop of Robert Campin
Man in Prayer, ca. 1430-35

Background imageFlemalle Collection: Ala De Retablo (Santa Barbara), 1438, (c1934). Artist: Robert Campin

Ala De Retablo (Santa Barbara), 1438, (c1934). Artist: Robert Campin
Ala De Retablo (Santa Barbara), 1438, (c1934). Right panel of the Werl Triptych, painted by Robert Campin (sometimes called Master of Flemalle). Santa Barbara lived when Christianity was illegal

Background imageFlemalle Collection: St. John the Baptist and the Franciscan master Henry of Werl, 1438, (c1934). Artist: Robert Campin

St. John the Baptist and the Franciscan master Henry of Werl, 1438, (c1934). Artist: Robert Campin
St. John the Baptist and the Franciscan master Henry of Werl, 1438, (c1934). Left panel of the Werl Triptych was painted by Robert Campin (sometimes called Master of Flemalle)

Background imageFlemalle Collection: An Altar-Piece by The Maitre de Flemalle, 1907

An Altar-Piece by The Maitre de Flemalle, 1907
An Altar-Piece by The Maitre de Flemalle. A Flemish altar-piece depicting the nativity, 1907

Background imageFlemalle Collection: St Veronica, mid 15th century (1958)

St Veronica, mid 15th century (1958). According to Christian legend, Veronica encountered Jesus on the Via Dolorosa and paused to wipe the sweat from his face with her veil

Background imageFlemalle Collection: Pieta, 1927

Pieta, 1927. A print from Flemish and Belgian art 1300-1900, The Exhibition organised by the Anglo-Belgian Union at Burlington House, London

Background imageFlemalle Collection: The Virgin and Child before a Firescreen, 1440. Artist: Robert Campin

The Virgin and Child before a Firescreen, 1440. Artist: Robert Campin
The Virgin and Child before a Firescreen, 1440. The Virgin is depicted seated on a wooden bench in front of a large wicker firescreen, the shape of which is suggestive of a halo

Background imageFlemalle Collection: Madonna and Child before a Fireplace, 1430s. Artist: Robert Campin

Madonna and Child before a Fireplace, 1430s. Artist: Robert Campin
Madonna and Child before a Fireplace, 1430s. In this painting, the right panel of a diptych, Mary is depicted as an ordinary Netherlandish woman seated in front of the hearth

Background imageFlemalle Collection: St Joseph, c1425. Artist: Robert Campin

St Joseph, c1425. Artist: Robert Campin
St Joseph, c1425. St Joseph portrayed as a medieval carpenter from the Merode Altarpiece. From the collection of the Metropolitan Museum of Art, New York, USA

Background imageFlemalle Collection: The Trinity, 14th century. Artist: Robert Campin

The Trinity, 14th century. Artist: Robert Campin
The Trinity, 14th century. The Father, Son and the Holy Ghost, represented by the dove on Christs shoulder. Left wing of a triptych. From the Hermitage Museum, St Petersburg, Russia

Background imageFlemalle Collection: Campin, Robert, called Master of Fl魡lle (1378-1444)

Campin, Robert, called Master of Fl魡lle (1378-1444)
Campin, Robert, called Master of Fl魡 lle (1378-1444). Barth鬥 my Alatruye. ca. 1415-1440. Portrait of a secretary belonging to the court of Philip the Good. Oil on wood. BELGIUM


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"Flemalle: A Glimpse into the Masterpieces of Robert Campin" Step into the enchanting world of Flemalle, where artistry and spirituality intertwine to create timeless masterpieces. In this captivating collection, we are transported through centuries as we explore the works of renowned artist Robert Campin. One painting that immediately catches our attention is "Man in Prayer, " created by the Workshop of Robert Campin around 1430-35. The delicate brushstrokes and serene atmosphere evoke a sense of deep contemplation and devotion. Moving forward, we encounter "Ala De Retablo (Santa Barbara)" from 1438, a striking piece that showcases Campin's exceptional talent for capturing emotion. The vibrant colors and intricate details transport us to another era, allowing us to witness the power of faith through art. Another notable work is "St. John the Baptist and the Franciscan master Henry of Werl" from 1438. This composition beautifully combines religious figures with humanistic elements, highlighting Campin's ability to bridge different realms within his artwork. As we delve further into Flemalle's artistic treasures, we come across an altar-piece by The Maitre de Flemalle in 1907. This modern interpretation pays homage to its historical roots while infusing contemporary flair into every stroke. Amongst these remarkable pieces stands out "St Veronica, " a mid-15th-century masterpiece brought back to life in 1958. Its ethereal beauty captivates viewers as they witness St Veronica's compassion radiating through her gentle touch on Christ's face. Campin's profound exploration continues with his poignant depiction of Pieta in 1927—a heart-wrenching portrayal that invites reflection on suffering and redemption. "The Virgin and Child before a Firescreen" from 1440 transports us back in time as it portrays tender maternal love amidst an intricately designed setting. Every detail tells a story, inviting us to immerse ourselves in the artist's vision.