Figure Study Collection

Woman drying herself (charcoal & pastel)
CH44087 Woman drying herself (charcoal & pastel) by Degas, Edgar (1834-1917); Private Collection; Photo eChristies Images; French, out of copyright

Untitled [Classical figure] (w / c)
6200457 Untitled [Classical figure] (w/c) by Duncan, John (1866-1945); 20.3x12.7 cm; The McManus, Dundee, UK; (add.info.: Sketch book with the number 13 written on the front cover)

Studies for a Picture, 1862-63 (pencil & ink)
6198415 Studies for a Picture, 1862-63 (pencil & ink) by Herdman, Robert (1829-88); 19.1x31.2 cm; The McManus, Dundee, UK; (add.info)

Ballet dancer poses for sculptor, Paris, 1933 Jose Maria Sert

Untitled [Female nude] (pencil)
6200463 Untitled [Female nude] (pencil) by Duncan, John (1866-1945); 20.3x12.7 cm; The McManus, Dundee, UK; (add.info.: Sketch book with the number 13 written on the front cover)

Untitled [Nude figures in a landscape (pencil)
6200451 Untitled [Nude figures in a landscape (pencil) by Duncan, John (1866-1945); 20.3x12.7 cm; The McManus, Dundee, UK; (add.info.: Sketch book with the number 13 written on the front cover)

Death of Adonis (pencil)
6200450 Death of Adonis (pencil) by Duncan, John (1866-1945); 20.3x12.7 cm; The McManus, Dundee, UK; (add.info.: Sketch book with the number 13 written on the front cover)

Untitled [Female figure] (pencil)
6200449 Untitled [Female figure] (pencil) by Duncan, John (1866-1945); 20.3x12.7 cm; The McManus, Dundee, UK; (add.info.: Sketch book with the number 13 written on the front cover)

Woman seated at a window, 1858 (pencil on off-white wove paper)
FSG324609 Woman seated at a window, 1858 (pencil on off-white wove paper) by Whistler, James Abbott McNeill (1834-1903); 12.5x9.7 cm; Freer Gallery of Art, Smithsonian Institution

The Purple Iris, 1871-72 (chalk & pastel on brown paper)
FSG324847 The Purple Iris, 1871-72 (chalk & pastel on brown paper) by Whistler, James Abbott McNeill (1834-1903); 28.5x12.5 cm; Freer Gallery of Art, Smithsonian Institution

Untitled [Profile faces] (pencil)
6200461 Untitled [Profile faces] (pencil) by Duncan, John (1866-1945); 20.3x12.7 cm; The McManus, Dundee, UK; (add.info.: Sketch book with the number 13 written on the front cover)

Priest of the Ideal, Stephen Grahams (pencil)
6200455 Priest of the Ideal, Stephen Grahams (pencil) by Duncan, John (1866-1945); 20.3x12.7 cm; The McManus, Dundee, UK; (add.info.: Sketch book with the number 13 written on the front cover)

A Man Leaning on a Wooden Cross (pastel)
6198096 A Man Leaning on a Wooden Cross (pastel) by Carracci, Lodovico (1555-1619) (attr. to); 63x50 cm; The McManus, Dundee, UK; Dundee Art Galleries and Museums; Italian, out of copyright

Untitled [Female profile] (pencil)
6200462 Untitled [Female profile] (pencil) by Duncan, John (1866-1945); 20.3x12.7 cm; The McManus, Dundee, UK; (add.info.: Sketch book with the number 13 written on the front cover)

Untitled [Two faces] (pencil)
6200460 Untitled [Two faces] (pencil) by Duncan, John (1866-1945); 20.3x12.7 cm; The McManus, Dundee, UK; (add.info.: Sketch book with the number 13 written on the front cover)

Eurydice, Rendezvous, Closed Door, Prayer (pencil)
6200452 Eurydice, Rendezvous, Closed Door, Prayer (pencil) by Duncan, John (1866-1945); 20.3x12.7 cm; The McManus, Dundee, UK; (add.info.: Sketch book with the number 13 written on the front cover)

Wi Lichtsome Heart I Pu d a Rose, 19th century (pencil)
6198417 Wi Lichtsome Heart I Pu d a Rose, 19th century (pencil) by Herdman, Robert (1829-88); 28x21.6 cm; The McManus, Dundee

Two Standing Male Nudes (oil on canvas)
LMG157869 Two Standing Male Nudes (oil on canvas) by Etty, William (1787-1849); 71.1x58.4 cm; Leeds Museums and Galleries (Leeds Art Gallery) U.K.; eLeeds Museums and Galleries; English

Untitled [Five sketches of figures] (pencil)
6200453 Untitled [Five sketches of figures] (pencil) by Duncan, John (1866-1945); 20.3x12.7 cm; The McManus, Dundee, UK; (add.info.: Sketch book with the number 13 written on the front cover)

Untitled [Virgin and Child] (pen & ink)
6200459 Untitled [Virgin and Child] (pen & ink) by Duncan, John (1866-1945); 20.3x12.7 cm; The McManus, Dundee, UK; (add.info.: Sketch book with the number 13 written on the front cover)

Figure study woman lying box bed eating bowl
Figure study of a woman lying in a box bed eating from a bowl, built-in bedstead, David Bles, 16-May-1888, paper, chalk, h 322 mm × w 250 mm

Scene Italian Comedy recto Figure Study verso
Scene from the Italian Comedy (recto); Figure Study (verso); Claude Gillot (French, 1673 - 1722); France; about 1700; Pen and black ink, brush with reddish wash

Figure Study Parmigianino Francesco Mazzola Italian
Figure Study; Parmigianino (Francesco Mazzola) (Italian, 1503 - 1540); 1526-1527; Pen and brown ink, brown wash, with white gouache heightening; 21.6 × 24.3 cm (8 1, 2 × 9 9, 16 in.)

Study Kneeling Figure Sketch Face recto Figure Study
Study of a Kneeling Figure with a Sketch of a Face (recto); Figure Study and Face (verso); Andrea del Sarto (Italian, 1486 - 1530); 1522 - 1526; Red and black chalk (recto); red chalk (verso)

Figure Study Federico Barocci Italian 1535 1612
Figure Study; Federico Barocci (Italian, about 1535 - 1612); Italy; 1603 - 1607; Black and white chalk, beige chalk on right knee, stylus indentations

Figure Study Inscriptions Theodore Gericault
Figure Study and Inscriptions; Theodore Gericault (French, 1791 - 1824); 1812 - 1814; Graphite; 15.2 x 10.6 cm (6 x 4 3, 16 in.)

Verona Sketchbook Figure study page 72 1760 Francesco Lorenzi
Verona Sketchbook: Figure study (page 72), 1760. Francesco Lorenzi (Italian, 1723-1787). White chalk; sheet: 32 x 23 cm (12 5/8 x 9 1/16 in.)

Figure Study James McNeill Whistler American
Figure Study. James McNeill Whistler (American, 1834-1903). Lithograph

Figure Study 1890 James McNeill Whistler American
Figure Study, 1890. James McNeill Whistler (American, 1834-1903). Lithograph

Sketchbook page 52 Figure Study Ernest Meissonier
Sketchbook, page 52: Figure Study. Ernest Meissonier (French, 1815-1891). Graphite;

Sketchbook page 51 Figure Study Ernest Meissonier
Sketchbook, page 51: Figure Study. Ernest Meissonier (French, 1815-1891). Graphite;

Sketchbook page 77 Figure Study Ernest Meissonier
Sketchbook, page 77: Figure Study. Ernest Meissonier (French, 1815-1891). Graphite

Sketchbook page 72 Figure Study Ernest Meissonier
Sketchbook, page 72: Figure Study. Ernest Meissonier (French, 1815-1891). Graphite;

Sketchbook page 62 Figure Study Stairway Horse
Sketchbook, page 62: Figure Study, Stairway, Horse. Ernest Meissonier (French, 1815-1891). Graphite;

Sketchbook page 05 Figure Study Ernest Meissonier
Sketchbook, page 05: Figure Study. Ernest Meissonier (French, 1815-1891). Graphite;

Sketchbook page 37 Figure Study crossed legs
Sketchbook, page 37: Figure Study, crossed legs. Ernest Meissonier (French, 1815-1891). Graphite;

Sketchbook page 87 Figure Study Ernest Meissonier
Sketchbook, page 87: Figure Study. Ernest Meissonier (French, 1815-1891). Graphite;

Sketchbook page 84 Figure Study Study Ship Ernest Meissonier
Sketchbook, page 84: Figure Study, Study of a Ship. Ernest Meissonier (French, 1815-1891). Graphite;

Sketchbook page 03 Figure Study Ernest Meissonier
Sketchbook, page 03: Figure Study. Ernest Meissonier (French, 1815-1891). Graphite

Figure study graphite 7-3 / 8 x 3-3 / 4 18. 7 9. 5 cm
Artokoloro

Figure study pen black ink 10-5 / 16 x 7-1 / 2 26. 2 19. 1 cm
Artokoloro

Figure Study Colors 1890 Transfer lithograph
Artokoloro

Figures Study for the Lamentation Over the Dead Christ, 1530 (black chalk on paper)
BAL49893 Figures Study for the Lamentation Over the Dead Christ, 1530 (black chalk on paper) by Buonarroti, Michelangelo (1475-1564); 282x262mm cm; British Museum, London, UK; Italian

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"Exploring the Human Form: A Captivating Figure Study Collection" Delve into the captivating world through a diverse range of artistic mediums. From charcoal and pastel to pencil and ink, these artworks offer a unique glimpse into the beauty and complexity of the human body. In "Woman drying herself, " delicate strokes of charcoal and pastel bring forth an intimate moment frozen in time. The artist's attention to detail captures every contour, showcasing both vulnerability and strength. The untitled classical figure painting in watercolor transports us to another era. With graceful brushstrokes, this piece celebrates the timeless elegance of the human form, paying homage to ancient aesthetics. Step into history with "Studies for a Picture, 1862-63. " Through meticulous pencil and ink work, this artwork reveals an artist's process as they experiment with composition and pose. Each stroke serves as a stepping stone towards creating a masterpiece. Travel back to Paris in 1933 with "Ballet dancer poses for sculptor. " This enchanting photograph captures the collaboration between art forms as a ballerina becomes muse for sculpture. The result is an exquisite fusion of movement frozen in time. In "Untitled [Female nude], " simplicity shines through intricate pencil lines that delicately outline feminine curves. This minimalist approach allows viewers to appreciate the raw beauty inherent in every line drawn. Nature takes center stage in "Untitled [Nude figures in a landscape]. " Pencil strokes create harmonious connections between human figures and their surroundings, blurring boundaries between flesh and earth. "The Death of Adonis" evokes emotions through skillful use of pencils' shades and textures. Every stroke tells a story; each line conveys sorrow or longing within this poignant depiction from Greek mythology. With grace personified, "Untitled [Female figure]" captivates viewers with its elegant simplicity rendered solely by pencil strokes. It reminds us that sometimes less is more when it comes to capturing the essence of a subject.