Figura Femminile Collection

Fontanellato, Labirinto della Masone, Franco Maria Ricci Art Collection: "Isadora Duncan and two bears"
5895106 Fontanellato, Labirinto della Masone, Franco Maria Ricci Art Collection: "Isadora Duncan and two bears", detail, (ivory and bronze) by Guiraud-Riviere

Fontanellato, Labirinto della Masone, Franco Maria Ricci Art Collection: "Isadora Duncan and two bears"
5895105 Fontanellato, Labirinto della Masone, Franco Maria Ricci Art Collection: "Isadora Duncan and two bears", (ivory and bronze) by Guiraud-Riviere

Sepulchre of Michelangelo Buonarroti, detail of the personification of Sculpture and the bust portraying Michelangelo
6366102 Sepulchre of Michelangelo Buonarroti, detail of the personification of Sculpture and the bust portraying Michelangelo by Lorenzi, Battista (1527-94) & Cioli

Medici Chapel: Descent of Christ to the Limbo, detail, 1522 (oil on panel)
6366072 Medici Chapel: Descent of Christ to the Limbo, detail, 1522 (oil on panel) by Bronzino, Agnolo di Cosimo (1503-72); Santa Croce, Florence, Italy; (add.info.: Basilica of the Holy Cross)

Portrait of unknown woman, II century
2655108 Portrait of unknown woman, II century by Roman, (2nd century AD); Museo Archeologico, Fiesole, Tuscany, Italy; (add.info.: Fiesole, Archaeological Museum: portrait of unknown woman)

St. George and the Dragon", 1460-65 (tempera on panel, water gilding and silver leaf)
5973949 St. George and the Dragon", 1460-65 (tempera on panel, water gilding and silver leaf) by Italian School, (15th century); Pinacoteca Tosio Martinengo, Brescia

Night, 1821 (marble)
5973925 Night, 1821 (marble) by Thorvaldsen, Bertel (1770-1844); Pinacoteca Tosio Martinengo, Brescia, Italy; (add.info.: Brescia, Pinacoteca Tosio Martinengo: " La notte")

Plate decorated by a beautiful womans bust, with a crown of thorns motif, first half of the 16th century (majolica)
6298552 Plate decorated by a beautiful womans bust, with a crown of thorns motif, first half of the 16th century (majolica) by Italian School, (16th century); Museo Regionale della Ceramica, Deruta

Detail with two ladies, Camera Pinta (Painted Room) (fresco)
6204082 Detail with two ladies, Camera Pinta (Painted Room) (fresco) by Italian School, (14th-15th century); Rocca Albornoz, Spoleto, Umbria

Portrait of an oriental woman
6200616 Portrait of an oriental woman by Caffi, Ippolito (1809-66); Private Collection; (add.info.: Ippolito Caffi: " Ritratto di donna orientale: Fatima di Smirne", olio su tela)

"Hebe as cupbearer of Jupiters Eagle", 1790 (oil on canvas)
6343073 " Hebe as cupbearer of Jupiters Eagle", 1790 (oil on canvas) by Landi, Gaspare (1756-1830); Pinacoteca Tosio Martinengo, Brescia, Italy; (add.info.: Ebe)

The three Graces, detail of legs and feet, 1812-17 (marble)
6342981 The three Graces, detail of legs and feet, 1812-17 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St

Plate decorated by a womans bust, 18th century (majolica)
6300048 Plate decorated by a womans bust, 18th century (majolica) by Italian School, (18th century); Museo Regionale della Ceramica, Deruta, Perugia, Umbria, Italy; (add.info.: School of Laterza)

Wooden and gilded pastiglia reliquary box (mixed media)
6166398 Wooden and gilded pastiglia reliquary box (mixed media) by French School, (13th century); Diocesan Museum, Duomo Monreale, Sicily

Sepulchre of Galielo Galilei, left aisle, 1734-37
6366110 Sepulchre of Galielo Galilei, left aisle, 1734-37 by Italian school, (17th-18th century); Santa Croce, Florence, Italy; (add.info.: Basilica of the Holy Cross)

Sepulchre of Michelangelo Buonarroti with three sculptures: personifications of Painting, Sculpture and Architecture
6366100 Sepulchre of Michelangelo Buonarroti with three sculptures: personifications of Painting, Sculpture and Architecture by Lorenzi, Battista (1527-94) & Cioli

The Sleep of Innocence, 1841 (oil on canvas)
6200617 The Sleep of Innocence, 1841 (oil on canvas) by Schiavoni, Natale (1777-1858); Private Collection; (add.info.: Natale Schiavoni: " Il sonno dell innocenza", olio su tela)

Portrait of Countess Luigia Negroni Prati Morosini, 1867 (oil on canvas)
6200608 Portrait of Countess Luigia Negroni Prati Morosini, 1867 (oil on canvas) by Hayez, Francesco (1791-1882); Private Collection; (add.info.: Francesco Hayez)

Portrait of Countess Teresa Zumali Marisili and her son Giuseppe, 1833 (oil on canvas)
6200606 Portrait of Countess Teresa Zumali Marisili and her son Giuseppe, 1833 (oil on canvas) by Hayez, Francesco (1791-1882); Museo Civico, Lodi

Faith in God, 1835 (marble)
6200524 Faith in God, 1835 (marble) by Bartolini, Lorenzo (1777-1850); Museo Poldi Pezzoli, Milan, Italy; (add.info.: Lorenzo Bartolini: " Fiducia in Dio", scultura in marmo)

Flora, detail, 1838-40 (marble)
6343005 Flora, detail, 1838-40 (marble) by Tenerani, Pietro (1789-1869); State Hermitage Museum, St. Petersburg, Russia; (add.info.: Flora, 1838-40, di Pietro Tenerani (1789 - 1869), marmo

Dancing Terpsichore (Dancer), detail of the rear part with the bare shoulders and the chignon, 1820 (marble)
6343001 Dancing Terpsichore (Dancer), detail of the rear part with the bare shoulders and the chignon, 1820 (marble) by Monti, Gaetano Matteo (1776-1847); Seminario Vescovile, Cremona

The Graces and Cupid, detail of the embrace and a hand, 1820-22 (Carrara marble)
6342991 The Graces and Cupid, detail of the embrace and a hand, 1820-22 (Carrara marble) by Thorvaldsen, Bertel (1770-1844); Thorvaldsens Museum, Copenhagen

The Graces and Cupid, 1820-22 (Carrara marble)
6342988 The Graces and Cupid, 1820-22 (Carrara marble) by Thorvaldsen, Bertel (1770-1844); Thorvaldsens Museum, Copenhagen, Denmark; (add.info.: Le Grazie con Cupido, 1820-2)

The three Graces, detail of the embrace, 1812-17 (marble)
6342976 The three Graces, detail of the embrace, 1812-17 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St

The three Graces, 1812-17, detail of the back and hand (marble)
6342975 The three Graces, 1812-17, detail of the back and hand (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St

The three Graces, detail of the faces and the embrace, 1812-17 (marble)
6342973 The three Graces, detail of the faces and the embrace, 1812-17 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St

Day, 1821 (marble)
5973923 Day, 1821 (marble) by Thorvaldsen, Bertel (1770-1844); Pinacoteca Tosio Martinengo, Brescia, Italy; (add.info.: Brescia, Pinacoteca Tosio Martinengo: " Il Giorno")

Awakening, 1939-40 (oil painting on cardboard)
6283714 Awakening, 1939-40 (oil painting on cardboard) by Martini, Arturo (1889-1947); Museo Novecento, Florence, Italy; (add.info.: " Risveglio", di Arturo Martini, 1939 - 1940)

S. Magdalene, 1501 (tempera on panel)
6262964 S. Magdalene, 1501 (tempera on panel) by Signorelli, Luca (c.1450-1523); Museo dell Opera del Duomo (MODO), Orvieto, Umbria

Portrait of Countess Teresa Zumali Marisili and her son Giuseppe, 1833 (oil on canvas)
6200605 Portrait of Countess Teresa Zumali Marisili and her son Giuseppe, 1833 (oil on canvas) by Hayez, Francesco (1791-1882); Museo Civico, Lodi

Veiled Dame, 1845 (marble)
6200538 Veiled Dame, 1845 (marble) by Monti, Raffaele (1818-81); Royal Castle of Racconigi, Turin, Italy; (add.info.: Raffaele Monti: " Donna velata", 1845, scultura in marmo)

Portrait of unknown woman, II century
2655109 Portrait of unknown woman, II century by Roman, (2nd century AD); Museo Archeologico, Fiesole, Tuscany, Italy; (add.info.: Fiesole, Archaeological Museum: portrait of unknown woman)

Sepulchre of Galielo Galilei, left aisle, 1734-37
6366109 Sepulchre of Galielo Galilei, left aisle, 1734-37 by Italian school, (17th-18th century); Santa Croce, Florence, Italy; (add.info.: Basilica of the Holy Cross)

6366108

Hebe, 1800-05 (marble)
6343030 Hebe, 1800-05 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St. Petersburg, Russia; (add.info.: Ebe, 1800-5, di Antonio Canova (1757 - 1822), marmo.); Ghigo Roli

Princess Leopoldina Esterhazy while painting, detail of the hand while painting, 1805-18 (marble)
6343014 Princess Leopoldina Esterhazy while painting, detail of the hand while painting, 1805-18 (marble) by Canova, Antonio (1757-1822); Private Collection; (add.info)

Princess Leopoldina Esterhazy while painting, detail, 1805-18 (marble)
6343013 Princess Leopoldina Esterhazy while painting, detail, 1805-18 (marble) by Canova, Antonio (1757-1822); Private Collection; (add.info)

Dancing Terpsichore (Dancer), detail of the hand, 1820 (marble)
6343000 Dancing Terpsichore (Dancer), detail of the hand, 1820 (marble) by Monti, Gaetano Matteo (1776-1847); Seminario Vescovile, Cremona, Italy; (add.info.: Tersicore danzante (Danzatrice), 1820

The Graces and Cupid, detail of the embrace, and faces and gazes, 1820-22 (Carrara marble)
6342990 The Graces and Cupid, detail of the embrace, and faces and gazes, 1820-22 (Carrara marble) by Thorvaldsen, Bertel (1770-1844); Thorvaldsens Museum, Copenhagen

The three Graces, detail of the faces and the embrace, 1812-17 (marble)
6342984 The three Graces, detail of the faces and the embrace, 1812-17 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St

The three Graces, detail of the rear part, 1812-17 (marble)
6342980 The three Graces, detail of the rear part, 1812-17 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St

Bust of Eleonora d Este, 1819 (marble)
5973926 Bust of Eleonora d Este, 1819 (marble) by Canova, Antonio (1757-1822); Pinacoteca Tosio Martinengo, Brescia, Italy; (add.info.: The princess, who was loved by Torquato Tasso)

Nobility, 1734 (monochrome fresco)
5949102 Nobility, 1734 (monochrome fresco) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); Villa Loschi Motterle, Vicenza, Veneto

Wooden and gilded pastiglia reliquary box (mixed media)
6166400 Wooden and gilded pastiglia reliquary box (mixed media) by French School, (13th century); Diocesan Museum, Duomo Monreale, Sicily

Portrait of a gentlewoman as Salome, c. 1537 (oil on panel)
5973961 Portrait of a gentlewoman as Salome, c.1537 (oil on panel) by Moretto, Alessandro Bonvicino (1498-1554); Pinacoteca Tosio Martinengo, Brescia, Italy; (add.info.: Brescia)

Portrait of Countess Orsay (drypoint)
5894119 Portrait of Countess Orsay (drypoint) by Boldini, Giovanni (1842-1931); Assicoop-Unipol Collection, Modena, Emilia Romagna, Italy; (add.info.: Collezione Assicoop - Unipol, inv)

All Professionally Made to Order for Quick Shipping

"Figura Femminile: A Journey Through Art and Femininity" Step into the enchanting world of Fontanellato, where the Labirinto della Masone awaits. Within its walls lies the Franco Maria Ricci Art Collection, a treasure trove of captivating artworks that celebrate the essence of femininity. One such masterpiece is "Isadora Duncan and two bears, " a mesmerizing ivory and bronze sculpture. The intricate details showcase Isadora's grace as she dances alongside her bear companions, embodying strength and beauty. As we explore further, we encounter "Harem Slave, " an oil painting from 1838 that transports us to a mysterious realm filled with exotic allure. The artist skillfully captures the delicate balance between vulnerability and resilience in this portrayal of female captivity. Moving on to the Sepulchre of Michelangelo Buonarroti, our attention is drawn to Sculpture personified. This stunning detail showcases Michelangelo's profound influence on art history while highlighting his deep connection with sculptural forms. In Medici Chapel's "Descent of Christ to Limbo, " painted in 1522, we witness a powerful depiction of faith intertwined with feminine tenderness. The artist masterfully portrays women mourning for their savior, evoking emotions that resonate across time. The II century portrait of an unknown woman captivates us with its timeless beauty. Her enigmatic gaze invites contemplation about her story and significance within history—a testament to the enduring power held by women throughout centuries. A tale unfolds before our eyes in "St. George and the Dragon. " Painted between 1460-65, this tempera artwork depicts bravery personified through St. George as he valiantly battles evil forces threatening innocence—an allegory for courage amidst adversity. Night descends upon us in marble form—1821's exquisite creation embodies darkness entwined with elegance. Its smooth curves evoke tranquility while reminding us of the allure and mystery that shrouds the feminine spirit.