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Fig Leaves Collection

"Unveiling the Fig Leaves: A Journey through Artistic Depictions of Adam and Eve" From ancient manuscripts to intricate engravings

Background imageFig Leaves Collection: The Royal Academy Prize Sculpture: 'Adam and Eve', by George Slater, 1862. Creator: Unknown

The Royal Academy Prize Sculpture: "Adam and Eve", by George Slater, 1862. Creator: Unknown
The Royal Academy Prize Sculpture: "Adam and Eve", by George Slater, 1862. From "Illustrated London News", 1862

Background imageFig Leaves Collection: Ms Hunter 229 f. 8r Expulsion from Eden, below, Adam delving, Eve spinning

Ms Hunter 229 f. 8r Expulsion from Eden, below, Adam delving, Eve spinning, from the Hunterian Psalter, c
GUL175492 Ms Hunter 229 f.8r Expulsion from Eden, below, Adam delving, Eve spinning, from the Hunterian Psalter, c.1170 (pen & ink and tempera on vellum) by English School

Background imageFig Leaves Collection: Fragment of a Floor Mosaic: Adam and Eve, late 400s-early 500s (marble & stone tesserae)

Fragment of a Floor Mosaic: Adam and Eve, late 400s-early 500s (marble & stone tesserae)
499746 Fragment of a Floor Mosaic: Adam and Eve, late 400s-early 500s (marble & stone tesserae) by Byzantine School; 142.9x107.3x5.72 (overall) 142.9x107.3x7 (mounted) cm; Cleveland Museum of Art

Background imageFig Leaves Collection: Adam and Eve, pub. 1504 (engraving)

Adam and Eve, pub. 1504 (engraving)
2962078 Adam and Eve, pub. 1504 (engraving) by DAorer or Duerer, Albrecht (1471-1528); Private Collection; The Stapleton Collection; German, out of copyright

Background imageFig Leaves Collection: Adam and Eve, 1504 (engraving)

Adam and Eve, 1504 (engraving)
740671 Adam and Eve, 1504 (engraving) by DAorer or Duerer, Albrecht (1471-1528); 25x19.2 cm; Minneapolis Institute of Arts, MN, USA; eMinneapolis Institute of Art; The Christina N. and Swan J

Background imageFig Leaves Collection: The Arms of the Dutch East India Company and of the Town of Batavia, 1651 (oil on panel)

The Arms of the Dutch East India Company and of the Town of Batavia, 1651 (oil on panel)
1121302 The Arms of the Dutch East India Company and of the Town of Batavia, 1651 (oil on panel) by Becx, Jeronimus (fl.1649-58); 63A--97 cm; Rijksmuseum, Amsterdam

Background imageFig Leaves Collection: Eve, 1587. Creator: Andrea Andreani

Eve, 1587. Creator: Andrea Andreani
Eve, 1587

Background imageFig Leaves Collection: The Expulsion from the Garden of Eden, 1460 / 1480. Creator

The Expulsion from the Garden of Eden, 1460 / 1480. Creator
The Expulsion from the Garden of Eden, 1460/1480

Background imageFig Leaves Collection: Adam and Eve, 1511. Creator: Hans Baldung

Adam and Eve, 1511. Creator: Hans Baldung
Adam and Eve, 1511

Background imageFig Leaves Collection: Adam and Eve, 1519. Creator: Hans Baldung

Adam and Eve, 1519. Creator: Hans Baldung
Adam and Eve, 1519

Background imageFig Leaves Collection: Expulsion from Paradise, 1514. Creator: Hans Baldung

Expulsion from Paradise, 1514. Creator: Hans Baldung
Expulsion from Paradise, 1514

Background imageFig Leaves Collection: Adam and Eve, 1504. Creator: Albrecht Durer

Adam and Eve, 1504. Creator: Albrecht Durer
Adam and Eve, 1504

Background imageFig Leaves Collection: Umbria Perugia Todi S. Fortunato Italy italian country

Umbria Perugia Todi S. Fortunato Italy italian country
Umbria Perugia Todi S. Fortunato, this is my Italy, the italian country of visual history, Exterior views of this church focus on the facade portals 1430-1436

Background imageFig Leaves Collection: Triptych of the Redemption, left panel: Adam and Eve chased out of Paradise, 1455-59

Triptych of the Redemption, left panel: Adam and Eve chased out of Paradise, 1455-59
XIR898182 Triptych of the Redemption, left panel: Adam and Eve chased out of Paradise, 1455-59 (oil on wood) by Weyden, Rogier van der (1399-1464); 195 x 326 cm; Prado, Madrid

Background imageFig Leaves Collection: Panther and wine symbols, Roman mosaic

Panther and wine symbols, Roman mosaic. Mosaics consist of small pieces of coloured glass or stone, used to form an image or pattern on a floor or wall

Background imageFig Leaves Collection: Detail of statue, Petrodvorets, St. Petersburg, Russia, Europe

Detail of statue, Petrodvorets, St. Petersburg, Russia, Europe



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"Unveiling the Fig Leaves: A Journey through Artistic Depictions of Adam and Eve" From ancient manuscripts to intricate engravings, they have played a significant role in representing the story of Adam and Eve. In a mesmerizing colour litho titled "Adam and Eve, " we witness their expulsion from Eden, with Ms Hunter 229 f. 8r showcasing Adam delving while Eve spins, as depicted in the Hunterian Psalter from c. 1170. Moving forward in time, a fragment of a floor mosaic dating back to the late 400s-early 500s captivates us with its marble and stone tesserae portrayal of Adam and Eve. The delicate engraving published in 1504 further immerses us into their tale. But what is it about these fig leaves that has captured artists' imagination throughout history? Perhaps it is their symbolic significance - an attempt to cover up shame or hide vulnerability. This notion is reinforced by another engraving from 1504 where we see both Adam and Eve adorned with fig leaves. The Dutch East India Company's coat of arms painted on oil panel in 1651 takes us beyond just biblical depictions; here, fig leaves become intertwined with commerce and colonialism. Yet even amidst this shift, they remain emblematic of humanity's fallibility. Eve herself becomes the focus in Andrea Andreani's stunning depiction from 1587. Her graceful figure adorned with strategically placed foliage evokes both sensuality and modesty simultaneously. Returning to traditional representations, we encounter "The Expulsion from the Garden of Eden" created between 1460-1480. Here, fig leaves serve as reminders of lost innocence while Hans Baldung's works from various years (1511/1519/1514) delve deeper into human emotions surrounding guilt, temptation, and banishment.