Femme Assise Collection

Seated Woman; Femme Assise, (blue wash and pencil on paper)
653496 Seated Woman; Femme Assise, (blue wash and pencil on paper) by Rodin, Auguste (1840-1917); 32x25 cm; Private Collection; (add.info.: Seated Woman; Femme Assise. Auguste Rodin (1840-1917)

Woman Sitting; Femme Assise, 1879 (pastel on paper)
825574 Woman Sitting; Femme Assise, 1879 (pastel on paper) by Renoir, Pierre Auguste (1841-1919); 65.2x49.2 cm; Private Collection; (add.info.: Woman Sitting; Femme Assise)

Pierre-Auguste Renoir Seated Woman Femme assise
Pierre-Auguste Renoir: Seated Woman (Femme assise), Pierre-Auguste Renoir, c. 1910, Oil on canvas, Overall: 12 11/16 x 16 15/16 in. (32.2 x 43 cm)

Drawings Prints, Print, Seated Woman, Femme assise, L Estampe originale, Album V
Drawings and Prints, Print, Seated Woman (Femme assise), L Estampe originale, Album V, Artist, Publisher, Antonio de la Gandara, Andre Marty, French, Paris 1861-1916 Paris, French, born 1857

Seated Woman Reading (colour woodblock print)
XIR227654 Seated Woman Reading (colour woodblock print) by Eishi, Hosoda (1756-1829); Musee Guimet, Paris, France; Japanese, out of copyright

1765757; out of copyright

Alphonse Legros, Woman Seated against a Wall, Child with His Head in Her Lap (Femme assise, muraille au fond, enfant la tete dans son giron, French, 1837-1911, etching and drypoint

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"Femme Assise: A Captivating Study of Women in Various Forms" From delicate blue wash and pencil strokes to vibrant pastels, the art world has been captivated by the allure of "Femme Assise" or Seated Woman. This collection showcases the diverse interpretations of this timeless subject. In c. 1716, an unknown artist captured a Seated Young Woman using black, red, and white chalk on paper. The intricate details highlight her grace and elegance. Fast forward to 1879 when another artist chose pastel on paper to depict a Woman Sitting. The soft hues create a sense of tranquility as she rests in contemplation. However, not all portrayals are serene. In one intriguing piece titled "Man lengthened on the ground and a woman sitting on him, " we witness an unconventional scene that challenges societal norms. Moving beyond traditional artwork, we delve into historical references such as "PRICE OF VIRTUE" from 1793. This thought-provoking piece explores themes of morality through a woman's seated position. The exploration continues with "The correct kind number 18 - 1805. " Here, the artist invites us to question what defines correctness while showcasing a woman confidently seated. In contrast, "The correct kind number 90 - The Baton player takes away the coin without touching the nose" from 1816 presents an enigmatic scenario where a seated woman becomes part of an illusionary game. Delving deeper into studies and sketches, we encounter pieces like "Study of a woman sitting. " These works offer glimpses into artists' creative processes while capturing intimate moments frozen in time. "The good kind number 89 - My little finger told me" transports us back to early nineteenth-century France with its playful title. Through this work's depiction of a seated woman, it reminds us that intuition can guide our understanding even in art appreciation. Beyond two-dimensional representations lies sculpture.