Feathered Helmet Collection

Louis XIV (1638-1715) crushing the so-called Protestant Reformed religion with his sword
CHT267169 Louis XIV (1638-1715) crushing the so-called Protestant Reformed religion with his sword, 1685 (engraving) (b/w photo) by French School, (17th century); Bibliotheque Nationale, Paris

Illustration for Nicomede by Pierre Corneille (1606-84
CHT233222 Illustration for Nicomede by Pierre Corneille (1606-84) engraved by Noel Le Mire (1724-1800) (engraving) (b/w photo) by Gravelot

Frontispiece for Amphitryon by Moliere (1622-73) engraved by Jean Sauve (fl
XIR217836 Frontispiece for Amphitryon by Moliere (1622-73) engraved by Jean Sauve (fl.1660-91) published in Paris in 1668 (engraving) (b/w photo) by Brissart

Napoleon I (1769-1821) between War and Peace, c. 1815 (coloured engraving)
CHT163824 Napoleon I (1769-1821) between War and Peace, c. 1815 (coloured engraving) by French School, (19th century); Private Collection; (add.info)

Treatise of Bonfires, illustration from Pratique de la Guerre
XIR217841 Treatise of Bonfires, illustration from Pratique de la Guerre by Francois Malthus, Paris, 1656 (engraving) (b/w photo) by French School, (17th century); Bibliotheque Nationale, Paris

Portrait of a Nobleman (oil on canvas)
RAF145726 Portrait of a Nobleman (oil on canvas) by Nason, Pieter (c.1612-90); Private Collection; Photo eRafael Valls Gallery, London, UK; Dutch, out of copyright

The Austrian Pavilion at the Universal Exhibition of 1900, Paris
XIR267152 The Austrian Pavilion at the Universal Exhibition of 1900, Paris, illustration from Le Petit Journal, 20th May 1900 (colour litho) by French School

Odysseus Calypso Mars Venus Calypso naked goddess puts
Odysseus and Calypso Mars and Venus, Odysseus at Calypso. The naked goddess puts an arm around Odysseus shoulders. An Amor places a feathered helmet on her head

William IV 1711-51 Prince Orange Portrait Knee piece
William IV (1711-51), Prince of Orange, Portrait of William IV, Prince of Orange. Knee piece, standing with the left hand on a table and commado staff in the right hand

Portrait William II 1626-1650 Prince Orange Standing halfway
Portrait of William II (1626-1650), Prince of Orange, Portrait of William II, Prince of Orange. Standing halfway in front of a balustrade with column

Fol. 1 Francois I (1494-1547) charging at the battle of Marignan, 14th September 1515
XIR224661 Fol.1 Francois I (1494-1547) charging at the battle of Marignan, 14th September 1515 (vellum) (b/w photo) by French School, (16th century); Bibliotheque Nationale, Paris, France; French

Christopher Columbus (1451-1506) on board his caravel, discovering America (engraving)
XIR215538 Christopher Columbus (1451-1506) on board his caravel, discovering America (engraving) (b/w photo) by Straet, Jan van der (Joannes Stradanus) (1523-1605) (after); Bibliotheque Nationale

Sir Thomas Winne, c. 1615 (oil on canvas)
XYC165950 Sir Thomas Winne, c.1615 (oil on canvas) by English School, (17th century); 212.75x129.5 cm; Yale Center for British Art, Paul Mellon Collection, USA; (add.info.: Inscribed in ochre colour)

Captain of the archers of Paris, Knight of watch, 1887 (litho) (b / w photo)
XIR224445 Captain of the archers of Paris, Knight of watch, 1887 (litho) (b/w photo) by French School, (19th century); Musee de la Prefecture de Police, Paris

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"Feathered Helmet: A Symbol of Power and Conquest throughout History" From the regal reign of Louis XIV to the epic voyages of Christopher Columbus, the feathered helmet has been a striking emblem of authority and triumph. This captivating headpiece, adorned with feathers that symbolize strength and courage, has graced the heads of notable figures in history, leaving an indelible mark on their legacies. In the 17th century, Louis XIV wielded his sword not only as a weapon but also as a tool to crush religious opposition. As depicted in Pierre Corneille's "Nicomede, " this monarch donned a magnificent feathered helmet while asserting his dominance over Protestant Reformed religion. The image captures both his commanding presence and unwavering determination. Similarly, Moliere's "Amphitryon" showcases another illustrious figure wearing this majestic headgear. Engraved by Jean Sauve, it portrays Napoleon I between War and Peace during tumultuous times around 1815. The feathered helmet becomes a visual representation of power balanced precariously between conflict and harmony. The allure of the feathered helmet extends beyond European history. In Francois I's portrait charging at the Battle of Marignan in 1515 or William IV's princely depiction with knee piece from 1711-51, these leaders proudly wear their helmets adorned with plumes as they lead their troops into battle – symbols not just for protection but also for inspiration. Even explorers like Christopher Columbus embraced this iconic headpiece during their daring expeditions across uncharted waters. On board his caravel discovering America, he wore a feathered helmet that embodied bravery and discovery – an enduring testament to human curiosity pushing boundaries. Beyond its association with conquests and military might, we find glimpses of sensuality intertwined with divinity through depictions such as Odysseus' encounter with Calypso or the captivating Venus.