Farthingale Collection
"Farthingale: A Fashionable Framework of the Past" Step back in time to the late 16th and early 17th centuries
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"Farthingale: A Fashionable Framework of the Past" Step back in time to the late 16th and early 17th centuries, where women's fashion was a spectacle of grandeur and opulence. The farthingale, also known as a vertugadin, played a pivotal role in shaping these extravagant ensembles. Ellen Maurice, an influential figure from the Elizabethan era, is depicted in Marcus Gheeraerts the Younger's portrait from 1597. She stands proudly wearing two robes layered atop each other, with her skirts held high by a colossal farthingale. This structural undergarment provided volume and shape to her ensemble. Claude de France, Duchess of Brittany during King Francis I's reign (1499-1517), showcased another variation of this trend. Her costume featured two robes as well but stood out due to its massive vertugadin or farthingale that supported her voluminous skirts. A woman from King Henry IV's court (1589-1610) exuded elegance with her hair tied up using ribbons and an upright lace collar framing her face. Her Spanish court dress boasted low-cut bosom detailing alongside slashed sleeves and corseted attire enhanced by a striking farthingale or vertugadin. Completing her ensemble was a striped petticoat adding flair to every step she took. Margaret of Valois (1552-1615), daughter of King Henry II and first wife of King Henry IV, embraced this fashion statement too. In a portrait dating back to 1572, she donned an exquisite Spanish court dress accentuated by high upright lace collars and adorned with pearls around her neck – all complemented by the presence of a corseted bodice and voluminous vertugadin or farthingale. Even masked balls during King Henry III's reign (1573-1575) saw ladies embracing this trend.