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Fainting Collection (page 8)

"Fainting: A Momentary Surrender to the Unseen" In Esther before Ahasuerus, Artemisia Gentileschi captures the delicate moment when Esther's strength wanes

Background imageFainting Collection: Figures Carrying Fainting Dead Woman 17th century

Figures Carrying Fainting Dead Woman 17th century
Artokoloro

Background imageFainting Collection: The Dead Christ Mourned ( The Three Maries ), c. 1604 (oil on canvas)

The Dead Christ Mourned ( The Three Maries ), c. 1604 (oil on canvas)
BAL99403 The Dead Christ Mourned ( The Three Maries ), c.1604 (oil on canvas) by Carracci, Annibale (1560-1609); 92.8x103.2 cm; National Gallery, London, UK; Italian, out of copyright

Background imageFainting Collection: Stigmatisation and Faint of St. Catherine of Siena (oil on panel)

Stigmatisation and Faint of St. Catherine of Siena (oil on panel)
BAL992699 Stigmatisation and Faint of St. Catherine of Siena (oil on panel) by Sodoma, G.A.Bazzi (1477-1549) (circle of); 46x30 cm; State Hermitage Museum, St

Background imageFainting Collection: Toms first exploit at football, illustration from Tom Browns School

Toms first exploit at football, illustration from Tom Browns School
XJF867816 Toms first exploit at football, illustration from Tom Browns School Days by Thomas Hughes (1822-96), edition of 1869 (etching) by Hughes, Arthur (1832-1915); Private Collection; English

Background imageFainting Collection: Esther before Ahasuerus, 1548

Esther before Ahasuerus, 1548
XJL86564 Esther before Ahasuerus, 1548 by Tintoretto, Jacopo Robusti (1518-94); 212x343 cm; Monasterio de El Escorial, Spain; Italian, out of copyright

Background imageFainting Collection: Scene from Verdis Opera La Triviata at Her Majestys Theatre

Scene from Verdis Opera La Triviata at Her Majestys Theatre
XJF862528 Scene from Verdis Opera " La Triviata" at Her Majestys Theatre, 1856 (engraving) by English School, (19th century); Private Collection; (add.info.: (Act II, Scene II)); English

Background imageFainting Collection: Crucifixion, c. 1518 (oil on limewood panel)

Crucifixion, c. 1518 (oil on limewood panel)
BAL53650 Crucifixion, c.1518 (oil on limewood panel) by Altdorfer, Albrecht (c.1480-1538); 75x57.5 cm; Museum of Fine Arts (Szepmuveszeti) Budapest

Background imageFainting Collection: The Ball

The Ball
BAL47661 The Ball by Pepyn or Pepin, Martin (1575-1642); Pushkin Museum, Moscow, Russia; Flemish, out of copyright

Background imageFainting Collection: Illustration from The History of the Adventures of Joseph Andrews and of his

Illustration from The History of the Adventures of Joseph Andrews and of his
XJF437936 Illustration from The History of the Adventures of Joseph Andrews and of his friend Mr Abraham Adams by Henry Fielding, Published 1742 (engraving) by English School

Background imageFainting Collection: Descent from the Cross, c. 1435 (oil on panel)

Descent from the Cross, c. 1435 (oil on panel)
XJL3756 Descent from the Cross, c.1435 (oil on panel) by Weyden, Rogier van der (1399-1464); 220x262 cm; Prado, Madrid, Spain; Netherlandish, out of copyright

Background imageFainting Collection: Descent from the Cross, c. 1435 (oil on panel) (detail of 3756)

Descent from the Cross, c. 1435 (oil on panel) (detail of 3756)
XJL362974 Descent from the Cross, c.1435 (oil on panel) (detail of 3756) by Weyden, Rogier van der (1399-1464); Prado, Madrid, Spain; Netherlandish, out of copyright

Background imageFainting Collection: The Lamentation over the Dead Christ (oil on panel)

The Lamentation over the Dead Christ (oil on panel)
XIR61832 The Lamentation over the Dead Christ (oil on panel) by Christus, Petrus (c.1410-1475/76); 101x192 cm; Musees Royaux des Beaux-Arts de Belgique, Brussels, Belgium; Netherlandish

Background imageFainting Collection: The Nightmare, 1781 (chalk on paper)

The Nightmare, 1781 (chalk on paper)
XJF425647 The Nightmare, 1781 (chalk on paper) by Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825); Private Collection; Swiss, out of copyright

Background imageFainting Collection: The Procession to Calvary, c. 1504-05 (oil on wood)

The Procession to Calvary, c. 1504-05 (oil on wood)
XCF285138 The Procession to Calvary, c.1504-05 (oil on wood) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); 24.4x85.5 cm; National Gallery, London, UK; Italian, out of copyright

Background imageFainting Collection: Mr. Peggottys dream comes true, illustration from David Copperfield

Mr. Peggottys dream comes true, illustration from David Copperfield
KW259232 Mr. Peggottys dream comes true, illustration from David Copperfield by Charles Dickens (1812-70) first published 1850 (litho) by Browne

Background imageFainting Collection: The eyes of Mrs. Chick are opened to Lucretia Tox, illustration from Dombey

The eyes of Mrs. Chick are opened to Lucretia Tox, illustration from Dombey
KW259251 The eyes of Mrs. Chick are opened to Lucretia Tox, illustration from Dombey and Son by Charles Dickens (1812-70) first published 1848 (litho) by Browne

Background imageFainting Collection: Nicholas congratulates Arthur Gride on his wedding morning, illustration from Nicholas

Nicholas congratulates Arthur Gride on his wedding morning, illustration from Nicholas
KW259153 Nicholas congratulates Arthur Gride on his wedding morning, illustration from Nicholas Nickleby by Charles Dickens (1812-70) published 1839 (litho) (see also 259152) by Browne

Background imageFainting Collection: The professional gentleman at Madame Mantalinis, illustration from Nicholas

The professional gentleman at Madame Mantalinis, illustration from Nicholas
KW259146 The professional gentleman at Madame Mantalini s, illustration from Nicholas Nickleby by Charles Dickens (1812-70) published 1839 (litho) by Browne

Background imageFainting Collection: Emotion of Mr. Kenwigs on hearing the family news from Nicholas, illustration

Emotion of Mr. Kenwigs on hearing the family news from Nicholas, illustration
KW259138 Emotion of Mr. Kenwigs on hearing the family news from Nicholas, illustration from Nicholas Nickleby by Charles Dickens (1812-70) published 1839 (litho) (see also 259139) by Browne

Background imageFainting Collection: The Fall or The Accident, 1787 (oil on canvas)

The Fall or The Accident, 1787 (oil on canvas)
XIR238643 The Fall or The Accident, 1787 (oil on canvas) by Goya y Lucientes, Francisco Jose de (1746-1828); 169x89 cm; Private Collection; Spanish, out of copyright

Background imageFainting Collection: The Doctor Overcame (pen & ink & w / c on paper)

The Doctor Overcame (pen & ink & w / c on paper)
XYC234963 The Doctor Overcame (pen & ink & w/c on paper) by Rowlandson, Thomas (1756-1827); 14.6x10.8 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright

Background imageFainting Collection: The Lady and the Trumpeter (oil on canvas)

The Lady and the Trumpeter (oil on canvas)
BAL234928 The Lady and the Trumpeter (oil on canvas) by Verkolje, Jan (1630-93); Private Collection; Courtesy of Thomas Brod and Patrick Pilkington; Dutch, out of copyright

Background imageFainting Collection: Dining in the Hayfields (surprised by Mr Thornhills chaplain) vol

Dining in the Hayfields (surprised by Mr Thornhills chaplain) vol
XYC225866 Dining in the Hayfields (surprised by Mr Thornhills chaplain) vol.1, chapter VIII from The Vicar of Wakefield by Oliver Goldsmith, 1786 (oil on canvas) by Ryley

Background imageFainting Collection: Calvary (oil on panel)

Calvary (oil on panel)
XIR228524 Calvary (oil on panel) by Cranach, Lucas, the Elder (1472-1553) (attr. to); 65.5x41.5 cm; Museo Lazaro Galdiano, Madrid, Spain; German, out of copyright

Background imageFainting Collection: The Descent from the Cross, c. 1560-65 (oil on canvas)

The Descent from the Cross, c. 1560-65 (oil on canvas)
XIR222727 The Descent from the Cross, c.1560-65 (oil on canvas) by Tintoretto, Jacopo Robusti (1518-94); 135x102 cm; Musee des Beaux-Arts, Caen, France; Italian, out of copyright

Background imageFainting Collection: The Virgin of Calvary, 1861 (oil on canvas)

The Virgin of Calvary, 1861 (oil on canvas)
XIR223284 The Virgin of Calvary, 1861 (oil on canvas) by Lenepveu, Jules Eugene (1819-98); 410x230 cm; Musee des Beaux-Arts, Nantes, France; French, out of copyright

Background imageFainting Collection: Claudio accusing Hero of faithlessness, Act IV Scene i from Much Ado About Nothing

Claudio accusing Hero of faithlessness, Act IV Scene i from Much Ado About Nothing
XIR213128 Claudio accusing Hero of faithlessness, Act IV Scene i from Much Ado About Nothing by William Shakespeare (1565-1616) engraved by Hubert Gravelot (1699-1773) (engraving) (b/w photo)

Background imageFainting Collection: Don Philippo and Eleonora, Pieter Nolpe, 1643

Don Philippo and Eleonora, Pieter Nolpe, 1643

Background imageFainting Collection: The Baron... saluted Candide with some notable kicks on the breech and drove

The Baron... saluted Candide with some notable kicks on the breech and drove
XIR172448 The Baron... saluted Candide with some notable kicks on the breech and drove him out of doors, illustration from chapter 1 of Candide by Francois Voltaire (1694-1778)

Background imageFainting Collection: Esther before Ahasuerus, before 1697 (oil on canvas)

Esther before Ahasuerus, before 1697 (oil on canvas)
XIR170957 Esther before Ahasuerus, before 1697 (oil on canvas) by Coypel, Antoine (1661-1722); 105x137 cm; Louvre, Paris, France; (add.info.: Assuerus (486-465 BC) king of Persia; ); French

Background imageFainting Collection: Christ on the Cross (oil on canvas)

Christ on the Cross (oil on canvas)
XIR170202 Christ on the Cross (oil on canvas) by Cranach, Lucas, the Elder (1472-1553); 52.5x30 cm; Alte Pinakothek, Munich, Germany; German, out of copyright

Background imageFainting Collection: A Charivari (oil on canvas)

A Charivari (oil on canvas)
XIR230379 A Charivari (oil on canvas) by Ryckaert, David II (1612-1661); 58x73 cm; Musee des Beaux-Arts, Lille, France; Flemish, out of copyright

Background imageFainting Collection: Almighty God - My Mother, from The Monk engraved by Victor Edouard L Epine

Almighty God - My Mother, from The Monk engraved by Victor Edouard L Epine
XJF137490 Almighty God - My Mother, from The Monk engraved by Victor Edouard L Epine (1835-92) (engraving) (b/w photo) by Lafitte, Louis (1770-1828) (after); Private Collection; French

Background imageFainting Collection: Argenis swoons, Jan Luyken, 1680

Argenis swoons, Jan Luyken, 1680

Background imageFainting Collection: Mahomed falls into raptures at the feet of his wife Kadiga, Caspar Luyken, Timotheus

Mahomed falls into raptures at the feet of his wife Kadiga, Caspar Luyken, Timotheus ten Hoorn, 1696

Background imageFainting Collection: Company at a banquet, Jacob Folkema, 1702 - 1767

Company at a banquet, Jacob Folkema, 1702 - 1767

Background imageFainting Collection: Crucifixion (oil on panel)

Crucifixion (oil on panel)
XIR197251 Crucifixion (oil on panel) by Brea, Ludovico (c.1450-1523); Church of Cimiez, Nice, France; French, out of copyright

Background imageFainting Collection: The Arrest of Louis XVI and his family at Varennes, 21 June, 1791 (gouache on paper)

The Arrest of Louis XVI and his family at Varennes, 21 June, 1791 (gouache on paper)
XIR101776 The Arrest of Louis XVI and his family at Varennes, 21 June, 1791 (gouache on paper) by Lesueur Brothers, (18th century); 36x53.5 cm; Musee de la Ville de Paris, Musee Carnavalet, Paris

Background imageFainting Collection: The Studio

The Studio
BAL11024 The Studio by Anderson, Sophie (1823-1903); Roy Miles Fine Paintings; French, out of copyright

Background imageFainting Collection: Wheres The Rent ?

Wheres The Rent ?
circa 1865: Ghostly figure of a woman appears to a couple at their dining table, the man looks horrified, his wife faints

Background imageFainting Collection: Stage on a day of free entertainment: the effect of melodrama, by Louis Leopold Boilly

Stage on a day of free entertainment: the effect of melodrama, by Louis Leopold Boilly, oil on canvas, 1830
Louis Leopold Boilly (1761-1845), Stage on a day of free entertainment: the effect of melodrama, 1830, oil on canvas, 32x41 cm

Background imageFainting Collection: France, Paris, illustration from Paris Illustre from opera Manon by Jules Massenet (1842-1912)

France, Paris, illustration from Paris Illustre from opera Manon by Jules Massenet (1842-1912), February 1, 1884
Jules Massenet (1842-1912), Manon, 1884. Illustration from " Paris IllustrA

Background imageFainting Collection: Georgian silver vinaigrette, circa 1820 C017 / 0709

Georgian silver vinaigrette, circa 1820 C017 / 0709
Georgian silver vinaigrette with hinged grille. Ornamental boxes such as this one were traditionally used for holding smelling salts

Background imageFainting Collection: THEATER: FALSE SHAME, 1872. Scene from the play, False Shame

THEATER: FALSE SHAME, 1872. Scene from the play, False Shame, performed at the Globe Theater in London, England. Wood engraving, English, 1872

Background imageFainting Collection: Boy on beach with Sea Mine

Boy on beach with Sea Mine
" Look what I ve found Mummie!" A small boy discovers a mine on the beach whilst making a sandcastle. His Mother is fainting in shock at this explosive discovery. Date: 1940s

Background imageFainting Collection: Hatford meteor fall, 1628

Hatford meteor fall, 1628
Hatford meteor fall. Historical artwork of the fall and discovery of meteorite fragments in 1628 near the village of Hatford, in Berkshire, England

Background imageFainting Collection: Silent Film Still: Fainting

Silent Film Still: Fainting



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"Fainting: A Momentary Surrender to the Unseen" In Esther before Ahasuerus, Artemisia Gentileschi captures the delicate moment when Esther's strength wanes, and she faints in the presence of royalty. Trams causing havoc on a Belfast street - chaos ensues as passengers stumble and fall, succumbing to dizziness and losing consciousness amidst the commotion. Legends come alive as an Irish sea serpent off Kilkee, Ireland leaves onlookers awe-struck, some even swooning at the sight of this mythical creature emerging from the depths. On an operating table in the 1930s, doctors battle against time while patients teeter between life and death. The strain is palpable as one surgeon braces himself for a potential fainting spell. Dancing Dervishes whirl with fervor in Bihzad's masterpiece from a Divan of Hafiz. Amidst their ecstatic trance-like state, some disciples find themselves overwhelmed by spiritual ecstasy and collapse into unconsciousness. The Wasp Sting - nature's tiny assailant strikes unexpectedly, leaving its victim weak-kneed and gasping for air. One sting can turn a bustling day into a sudden blackout of pain-induced unconsciousness. Jose Echegaray y Eizaguirre portrays Spanish engineer caught off guard by his own creation. Overwhelmed by emotions ranging from pride to disbelief, he collapses under sheer astonishment during his greatest achievement's unveiling ceremony. Illustration depicts Malbrough going to war; however, tragedy befalls him as he falls victim to exhaustion or injury on his journey. His comrades gather around him anxiously while others are left stunned witnessing this unexpected twist of fate. A woman faints amidst turmoil captured in The Bluidie Tryst painting. Emotions run high as tension escalates within this tumultuous scene where love turns sour – her body unable to bear witness any longer. Pieta.