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Faerie Queene Collection

"Faerie Queene: A Captivating Journey through Edmund Spenser's Enchanting World" Step into the magical realm of "Faerie Queene, " where chivalry, romance

Background imageFaerie Queene Collection: Chelsea figure known as Una and the Lion, c.1760 (porcelain)

Chelsea figure known as Una and the Lion, c.1760 (porcelain)
BON39227 Chelsea figure known as Una and the Lion, c.1760 (porcelain); Private Collection; Photo © Bonhams, London, UK

Background imageFaerie Queene Collection: Goodwood Races: The Chesterfield Cup, 1864. Creator: Unknown

Goodwood Races: The Chesterfield Cup, 1864. Creator: Unknown
Goodwood Races: The Chesterfield Cup, 1864. The Chesterfield Cup is a group in oxydised silver, representing a knight rescuing a lady from a dragon

Background imageFaerie Queene Collection: Chrysogone Conceives, in a Ray of Sunshine, Amoretta and Belphoebe (Edmund Spenser, '... 1800-1810)

Chrysogone Conceives, in a Ray of Sunshine, Amoretta and Belphoebe (Edmund Spenser, "... 1800-1810)
Chrysogone Conceives, in a Ray of Sunshine, Amoretta and Belphoebe (Edmund Spenser, "The Faerie Queene, III, vi), 1800-1810

Background imageFaerie Queene Collection: Britomart and Amoret, 1898 (oil on canvas)

Britomart and Amoret, 1898 (oil on canvas)
CW32530 Britomart and Amoret, 1898 (oil on canvas) by Raphael, Mary F. (d. 1902); Private Collection; (add.info.: Britomart is a female knight; ); © Christopher Wood Gallery, London, UK

Background imageFaerie Queene Collection: The Cave of Despair, c. 1769. Creator: Henry Fuseli

The Cave of Despair, c. 1769. Creator: Henry Fuseli
The Cave of Despair, c. 1769

Background imageFaerie Queene Collection: Una and the Lion (aquatint)

Una and the Lion (aquatint)
3100055 Una and the Lion (aquatint) by Doyle, Richard (1824-83); Private Collection; (add.info.: Una and the Lion. Illustration for Selections from the Rejected Cartoons)

Background imageFaerie Queene Collection: Kilcolman Castle, Where Spensers 'Faerie Queene'was Composed (engraving)

Kilcolman Castle, Where Spensers "Faerie Queene"was Composed (engraving)
6010874 Kilcolman Castle, Where Spensers " Faerie Queene" was Composed (engraving) by English School, (19th century); Private Collection; (add.info.: Kilcolman Castle)

Background imageFaerie Queene Collection: Edmund Spenser (colour litho)

Edmund Spenser (colour litho)
811315 Edmund Spenser (colour litho) by English School, (19th century); Private Collection; (add.info.: Edmund Spenser. Our Poets Corner. Masterpiece Library)

Background imageFaerie Queene Collection: The Fairy Queen Appears to Prince Arthur, 1785-88 (oil on canvas)

The Fairy Queen Appears to Prince Arthur, 1785-88 (oil on canvas)
3588566 The Fairy Queen Appears to Prince Arthur, 1785-88 (oil on canvas) by Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825); 100.5x106.9 cm; Kunstmuseum, Basel, Switzerland; Swiss

Background imageFaerie Queene Collection: Britomart (litho)

Britomart (litho)
1605367 Britomart (litho) by Crane, Walter (1845-1915); Private Collection; (add.info.: Britomart. Illustration for The Illustrated London News, 30 May 1896)

Background imageFaerie Queene Collection: The Queen and the Two Knights

The Queen and the Two Knights
LLM460852 The Queen and the Two Knights by Morgan, Walter Jenks (1847-1924); Private Collection; (add.info.: The Queen and the Two Knights)

Background imageFaerie Queene Collection: A Lady Bright and Fair, and of Angelic Race

A Lady Bright and Fair, and of Angelic Race
LLM460848 A Lady Bright and Fair, and of Angelic Race by Morgan, Walter Jenks (1847-1924); Private Collection; (add.info.: A Lady Bright and Fair, and of Angelic Race)

Background imageFaerie Queene Collection: Una and the Lion, the design taken from an engraving of 1783 by Thomas Burke (1749-1815

Una and the Lion, the design taken from an engraving of 1783 by Thomas Burke (1749-1815
PAR87644 Una and the Lion, the design taken from an engraving of 1783 by Thomas Burke (1749-1815) after Angelica Kauffman (1741-1807) one of three decorative medallions from a George III commode

Background imageFaerie Queene Collection: Cymoent and Marinell

Cymoent and Marinell
LLM460851 Cymoent and Marinell by Morgan, Walter Jenks (1847-1924); Private Collection; (add.info.: Cymoent and Marinell. Illustration for Spenser for Children by M H Towry (Chatto and Windus)

Background imageFaerie Queene Collection: This is the Port of Rest from Troublous Toyle

This is the Port of Rest from Troublous Toyle
LLM460849 This is the Port of Rest from Troublous Toyle by Morgan, Walter Jenks (1847-1924); Private Collection; (add.info.: This is the Port of Rest from Troublous Toyle)

Background imageFaerie Queene Collection: Spenser reading the first part of the Faery Queen to Raleigh

Spenser reading the first part of the Faery Queen to Raleigh
LLM455686 Spenser reading the first part of the Faery Queen to Raleigh by Skelton, Joseph Ratcliffe (fl.1888-1916); Private Collection; (add.info)

Background imageFaerie Queene Collection: The Masque

The Masque
LLM460853 The Masque by Morgan, Walter Jenks (1847-1924); Private Collection; (add.info.: The Masque. Illustration for Spenser for Children by M H Towry (Chatto and Windus)

Background imageFaerie Queene Collection: Una and the Red Cross Knight

Una and the Red Cross Knight
LLM460850 Una and the Red Cross Knight by Morgan, Walter Jenks (1847-1924); Private Collection; (add.info.: Una and the Red Cross Knight)

Background imageFaerie Queene Collection: From Spensers Faerie Queene (engraving)

From Spensers Faerie Queene (engraving)
5227203 From Spensers Faerie Queene (engraving) by Crane, Walter (1845-1915) (after); Private Collection; (add.info.: From Spensers Faerie Queene)

Background imageFaerie Queene Collection: From Spensers Fairy Queen, published 1811. Creator: JMW Turner

From Spensers Fairy Queen, published 1811. Creator: JMW Turner
From Spensers Fairy Queen, published 1811

Background imageFaerie Queene Collection: Gather the Rose of Love While Yet Tis Time, 1848. Creator: William Etty

Gather the Rose of Love While Yet Tis Time, 1848. Creator: William Etty
Gather the Rose of Love While Yet Tis Time, 1848. The title of the painting comes from the incomplete epic poem The Faerie Queen by Edmund Spenser

Background imageFaerie Queene Collection: Britomart, 1877-78. Creator: George Frederick Watts

Britomart, 1877-78. Creator: George Frederick Watts
Britomart, 1877-78. The subject is taken from Edmund Spensers epic poem, Faerie Queen

Background imageFaerie Queene Collection: Britomart, The Faerie Queen, 1892

Britomart, The Faerie Queen, 1892
Britomart. The Faerie Queen, 1892. Found in the collection of Musees royaux des Beaux-Arts de Belgique, Brussels

Background imageFaerie Queene Collection: Drawings Prints, Print, Chrysogone Conceives, Ray Sunshine, Amoretta Belphoebe, Edmund Spenser

Drawings Prints, Print, Chrysogone Conceives, Ray Sunshine, Amoretta Belphoebe, Edmund Spenser
Drawings and Prints, Print, Chrysogone Conceives, in a Ray of Sunshine, Amoretta and Belphoebe (Edmund Spenser, The Faerie Queene, III, vi), Artist, Henry Fuseli, Swiss, Zurich 1741-1825 London

Background imageFaerie Queene Collection: The Cave of Despair, from Spenser, engraved by Valentine Green (1739-1813) 1775

The Cave of Despair, from Spenser, engraved by Valentine Green (1739-1813) 1775
XYC225472 The Cave of Despair, from Spenser, engraved by Valentine Green (1739-1813) 1775 (mezzotint) by West, Benjamin (1738-1820) (after); 44.5x52.7 cm; Yale Center for British Art

Background imageFaerie Queene Collection: SPENSER: FAERIE QUEENE. Page from Edmund Spensers the Faerie Queene, published c1590

SPENSER: FAERIE QUEENE. Page from Edmund Spensers the Faerie Queene, published c1590

Background imageFaerie Queene Collection: SPENSER: FAERIE QUEENE. Title page to the first edition of Edmund Spensers The Faerie Queene

SPENSER: FAERIE QUEENE. Title page to the first edition of Edmund Spensers The Faerie Queene, London, England, 1590

Background imageFaerie Queene Collection: SPENSER: RED CROSS KNIGHT. Woodcut from the third edition of Edmund Spensers The Faerie Queene

SPENSER: RED CROSS KNIGHT. Woodcut from the third edition of Edmund Spensers The Faerie Queene, 1598

Background imageFaerie Queene Collection: SPENSER: FAERIE QUEENE. The Red Cross Knight by John Singleton Copley. Oil, c1789

SPENSER: FAERIE QUEENE. The Red Cross Knight by John Singleton Copley. Oil, c1789


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"Faerie Queene: A Captivating Journey through Edmund Spenser's Enchanting World" Step into the magical realm of "Faerie Queene, " where chivalry, romance, and fantastical creatures intertwine. In Henry Fuseli's masterpiece, "Chrysogone Conceives, in a Ray of Sunshine, " we witness the birth of an extraordinary tale illuminated by a celestial light. Amidst this ethereal landscape, Amoretta and Belphoebe captivate our hearts with their beauty and grace. Edmund Spenser's poetic genius breathes life into these enchanting characters as they embark on their captivating adventures. As we delve deeper into the narrative tapestry, Britomart and Amoret take center stage in a mesmerizing oil painting from 1898. Their courage and resilience shine through as they navigate treacherous paths towards love and self-discovery. Within the depths of despair lies another haunting creation by Henry Fuseli - "The Cave of Despair. " This evocative artwork transports us to the darkest corners of human emotions while reminding us that even amidst adversity, hope can still flicker like a fragile flame. Spenser's iconic character Una stands tall beside her loyal companion - the mighty lion. Through aquatint artistry, their bond is immortalized forever; symbolizing bravery in its purest form. Kilcolman Castle emerges from an engraving as if whispering secrets about Spenser himself - it was within these ancient walls that he penned his timeless epic poem. The castle becomes more than just bricks and mortar; it becomes a testament to creativity unleashed upon paper. Edmund Spenser himself comes to life in vibrant color lithography – his visage capturing both wisdom and imagination. His pen became a conduit for dreams woven intricately within each line of verse. In another breathtaking canvas titled "The Fairy Queen Appears to Prince Arthur, " we witness divine intervention guiding the hero towards his destiny.