Faceless Collection

Non-communication, conceptual image. Computer artwork of a persons head with a brick-wall as a face, representing someones refusal or inability to communicate

Faceless Marilyn Monroe Modern Art
Sarah Manovski

Faceless 01
Famous When Dead

Faceless 03
Famous When Dead

Faceless 02
Famous When Dead

Laura Palmer - Homecoming Queen
Famous When Dead

A Japanese Tattooed Man, c.1880 (hand coloured photograph)
1766822 A Japanese Tattooed Man, c.1880 (hand coloured photograph); Private Collection; (add.info.: A Japanese Tattooed Man. Anonymous)

Shapes of Water
Despird Zhang

The Chase
Kapuschinsky

Mind Blown
Ivan Stanimirov

Womanhood
Olga Mest

Faceless
Radin Badrnia

Little crocodile hunter
Monique

Spacecolor
Frank Moth

Timeout
Kapuschinsky

My rose garden l
miriana

Repairing the organ
Susanne Stoop

Tenebrous Vision
Radin Badrnia

Fertility
Jackson Carvalho

Homeward, 1898 (orotone)
1766834 Homeward, 1898 (orotone) by Curtis, Edward Sheriff (1868-1952) ; Private Collection; (add.info.: Homeward. Edward S. Curtis (1868-1952). Orotone, 1898.); Photo © Christie's Images

The Honeymoon (colour litho)
3641746 The Honeymoon (colour litho) by English School, (20th century); Private Collection; (add.info.: The Honeymoon. Postcard, early 20th century.); © Look and Learn

Three Female Figures, 1910-11 (oil on canvas)
XIR223866 Three Female Figures, 1910-11 (oil on canvas) by Exter, Alexandra Alexandrovna (1882-1949); 63x60 cm; Kiev Museum of Ukranian Art, Kiev, Ukraine

Repose
1764672 Repose by Alexander, John White (1856-1915); Private Collection; (add.info.: Repose. John White Alexander (1856-1915). Oil on canvas

The Woman with the Arrow (Venus and Cupid?), 1661 (etching, drypoint and burin)
1767115 The Woman with the Arrow (Venus and Cupid?), 1661 (etching, drypoint and burin) by Rembrandt Harmensz. van Rijn (1606-69); Private Collection; (add.info)

Lady in a Garden by Moonlight, 1892 (oil on board)
1766747 Lady in a Garden by Moonlight, 1892 (oil on board) by Grimshaw, John Atkinson (1836-93); Private Collection; (add.info.: Lady in a Garden by Moonlight. John Atkinson Grimshaw (1836-1893)

Nude Lying Down; Liegende Nackte, 1917 (gouache and charcoal on paper)
656719 Nude Lying Down; Liegende Nackte, 1917 (gouache and charcoal on paper) by Schiele, Egon (1890-1918); 44.5x28.6 cm; Private Collection; (add.info.: Nude Lying Down; Liegende Nackte)

Lenore, Les Morts Vont Vite, (oil on canvas)
651336 Lenore, Les Morts Vont Vite, (oil on canvas) by Scheffer, Ary (1795-1858); 55x70 cm; Private Collection; (add.info.: Lenore, Les Morts Vont Vite. Ary Scheffer (1795-1858). Oil on canvas

Woman Washing; Femme a sa Toilette, c. 1905-07 (pastel on paper)
655922 Woman Washing; Femme a sa Toilette, c.1905-07 (pastel on paper) by Degas, Edgar (1834-1917); 70x50 cm; Private Collection; (add.info.: Woman Washing; Femme a sa Toilette)

Standing Nude; Stehender Akt, 1913 (watercolour and pencil on paper)
652632 Standing Nude; Stehender Akt, 1913 (watercolour and pencil on paper) by Schiele, Egon (1890-1918); 44.2x30.8 cm; Private Collection; (add.info.: Standing Nude; Stehender Akt)

Drapery Study for a kneeling figure, (brush and brownish-grey distemper heightened with
827893 Drapery Study for a kneeling figure, (brush and brownish-grey distemper heightened with white on linen) by Vinci, Leonardo da (1452-1519); 28.8x18.1 cm; Private Collection; (add.info)

Young Girls in a Field, 1928-32 (oil on canvas)
SRM96266 Young Girls in a Field, 1928-32 (oil on canvas) by Malevich, Kazimir Severinovich (1878-1935); 106x125 cm; State Russian Museum, St

Torso, Transformation to a New Shape, 1928-32 (oil on canvas)
SRM96265 Torso, Transformation to a New Shape, 1928-32 (oil on canvas) by Malevich, Kazimir Severinovich (1878-1935); 46x37 cm; State Russian Museum, St

Three Female Figures, 1928-32 (oil on canvas)
SRM96262 Three Female Figures, 1928-32 (oil on canvas) by Malevich, Kazimir Severinovich (1878-1935); 47x63.5 cm; State Russian Museum, St

Portrait of Yvette Guilbert (painted ceramic plaque)
FFA147731 Portrait of Yvette Guilbert (painted ceramic plaque) by Toulouse-Lautrec, Henri de (1864-1901); 52x28 cm; Private Collection; French, out of copyright

Watching Ships, Gloucester, 1875 (watercolour and gouache on paper)
1764675 Watching Ships, Gloucester, 1875 (watercolour and gouache on paper) by Homer, Winslow (1836-1910); 21.6x35.6 cm; Private Collection; (add.info.: Watching Ships, Gloucester)

Book cover, showing a female nude strewing roses in a landscape
985915 Book cover, showing a female nude strewing roses in a landscape, 1904 (contemporary mottled calf with large repousse design) by French School

Harrowing, (oil on canvas)
657593 Harrowing, (oil on canvas) by Fidler, Harry (1856-1935); Private Collection; (add.info.: Harrowing. Harry Fidler (1856-1935). Oil on canvas

Dancer Standing, in Profile; Danseuse Debout, de Profil, c
825137 Dancer Standing, in Profile; Danseuse Debout, de Profil, c.1880 (pastel on tan paper laid down on board) by Degas, Edgar (1834-1917); 59.8x44.9 cm; Private Collection; (add.info)

Study of a Female Nude, (sanguine chalk on paper)
1195659 Study of a Female Nude, (sanguine chalk on paper) by Iacovleff, Alexandre (1887-1938); 45.2x27.4 (approx) cm; Private Collection; Photo eChristies Images; Russian, out of copyright

Viewing the Sailboat, c. 1907-1910 (oil on canvas)
822775 Viewing the Sailboat, c.1907-1910 (oil on canvas) by Prendergast, Maurice Brazil (1858/9-1924); 39.7x53.2 cm; Private Collection; (add.info.: Viewing the Sailboat)

Two Peasants (oil on canvas)
SRM69909 Two Peasants (oil on canvas) by Malevich, Kazimir Severinovich (1878-1935); 53x70 cm; State Russian Museum, St. Petersburg, Russia; eState Russian Museum; Russian, out of copyright

Half-figure in a Yellow Shirt, 1928-32 (oil on canvas)
SRM69906 Half-figure in a Yellow Shirt, 1928-32 (oil on canvas) by Malevich, Kazimir Severinovich (1878-1935); 98.5x78.5 cm; State Russian Museum, St

The Peasant, 1928-32 (oil on canvas)
SRM89325 The Peasant, 1928-32 (oil on canvas) by Malevich, Kazimir Severinovich (1878-1935); 129x98.5 cm; State Russian Museum, St. Petersburg, Russia; eState Russian Museum; Russian, out of copyright

Two Masculine Figures, 1928-32 (oil on canvas)
SRM96270 Two Masculine Figures, 1928-32 (oil on canvas) by Malevich, Kazimir Severinovich (1878-1935); 99x79.5 cm; State Russian Museum, St

Interior (Mrs. Mounter), 1917 (oil on canvas)
1766643 Interior (Mrs. Mounter), 1917 (oil on canvas) by Gilman, Harold (1876-1919); 38x33 cm; Private Collection; (add.info.: Interior (Mrs. Mounter). Harold Gilman (1876-1919). Oil on canvas

On the Cliffs; Sur la Falaise, 1880 (oil on canvas)
1766401 On the Cliffs; Sur la Falaise, 1880 (oil on canvas) by Renoir, Pierre Auguste (1841-1919); 26.5x46 cm; Private Collection; (add.info.: On the Cliffs; Sur la Falaise)

Peasant Woman, 1928-32 (oil on canvas)
SRM96263 Peasant Woman, 1928-32 (oil on canvas) by Malevich, Kazimir Severinovich (1878-1935); 98.5x80 cm; State Russian Museum, St

Suprematist Female Figure, 1928-32 (oil on canvas)
SRM96267 Suprematist Female Figure, 1928-32 (oil on canvas) by Malevich, Kazimir Severinovich (1878-1935); 126x106 cm; State Russian Museum, St

All Professionally Made to Order for Quick Shipping

"Exploring the Depths of Non-Communication: Unveiling the Faceless" In a world dominated by constant communication, there exists a realm where silence speaks volumes. The concept of "faceless" transcends beyond mere anonymity; it delves into the intricate layers of human connection and expression. Through captivating conceptual images, such as the enigmatic "Faceless Marilyn Monroe Modern Art, " we are invited to question our reliance on facial features for understanding. The series continues with "Faceless 01, " "Faceless 02, " and "Faceless 03, " each presenting an intriguing perspective on identity and individuality. These thought-provoking visuals challenge us to look beyond appearances, urging us to seek deeper connections that transcend physical attributes. One cannot help but be captivated by the mesmerizing artwork titled "Spacecolor. " Its abstract nature invites interpretation while highlighting the power of non-verbal communication in conveying emotions that words fail to express. Moving forward, we encounter Laura Palmer - Homecoming Queen, a piece that encapsulates both mystery and vulnerability. It serves as a reminder that even without faces, individuals can still evoke powerful emotions through their presence alone. "Fertility" takes us on a journey exploring femininity without relying on traditional representations. This symbolic image challenges societal norms while celebrating the strength and resilience found within facelessness. As we dive deeper into this exploration, we encounter masterpieces like "Shapes of Water. " Here, facelessness becomes synonymous with fluidity – an invitation to embrace change and adaptability in our ever-evolving lives. "Homeward, 1898 (orotone)" captures nostalgia through its vintage aesthetic while reminding us that memories hold significance regardless of whether or not faces are visible. Similarly, in "The Honeymoon (colour litho), " love is depicted without conventional visual cues – emphasizing how emotion can transcend physical appearance. Finally, Three Female Figures from 1910-11 showcases the power of unity and sisterhood.