F Gordon Roe Collection

St. Albans, 1809. Artist: George Sidney Shepherd
St. Albans, 1809. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe. [Bemrose and Sons Ltd

Men of War, c1720. Artist: Peter Monamy
Men of War, c1720. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe. [Bemrose and Sons Ltd

Durham Cathedral from the Prebends Bridge, c1832. Artist: George Fennell Robson
Durham Cathedral from the Prebends Bridge, c1832. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F

Crossing the Sands, Ulverston, c1834. Artist: David Cox the elder
Crossing the Sands, Ulverston, c1834. Painting held at the Birmingham Museums and Art Gallery, Birmingham. From A Catalogue of the Pictures

Tarr Point (Torpoint, Plymouth), c18th century. Artist: Thomas Rowlandson
Tarr Point (Torpoint, Plymouth), c18th century. From The Connoisseur Volume XCII, edited by F. Gordon Roe. [The Connoisseur Ltd, London, 1933]

A View of the Thames: Greenwich in the distance, 1820 Artist: Patrick Nasmyth
A View of the Thames: Greenwich in the distance, 1820. Painting held at The Tate, London. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III

Warlock Knowe, 1872. Artist: William Leighton Leitch
Warlock Knowe, 1872. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe. [Bemrose and Sons Ltd

Popes Villa, Twickenham: The Outing, c1819. Artist: Thomas Rowlandson
Popes Villa, Twickenham: The Outing, c1819. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

A Woodmans Cottage, 1820. Artist: Patrick Nasmyth
A Woodmans Cottage, 1820. Painting held at the National Galleries of Scotland, Scottish National Gallery, Edinburgh. From A Catalogue of the Pictures

Lord Howard of Effingham, c1600. Artist: Thomas Cockson
Lord Howard of Effingham, c1600. Charles Howard, 1st Earl of Nottingham (1536-1624), Earl of Nottingham. The Armada and the English fleet in Cadizin is in the background

St. Benets Abbey, on the Bure, c1854. Artist: Henry Bright
St. Benets Abbey, on the Bure, c1854. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F

Danae and the brazen Tower, 1872. Artist: Edward Burnes-Jones
Danae and the brazen Tower, 1872. Painting held at The Ashmolean Museum of Art and Archaeology, Oxford. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford

Treaty of marriage between Charles V and Princess Mary Tudor, c1508. Artist: Richard Pynson
Treaty of marriage between Charles V and Princess Mary Tudor, c1508. From The Connoisseur Volume XCI, edited by F. Gordon Roe. [The Connoisseur Ltd, London, 1933]. (Colorised black and white print)

A woodcut of a ship which is believed to be The Ark Royal, c1587. From The Connoisseur Volume XCI, edited by F. Gordon Roe. [The Connoisseur Ltd, London, 1933]. (Colorised black and white print)

Hollars plan of Oxford, c1643. Artist: Wenceslaus Hollar
Hollars plan of Oxford, c1643. From The Connoisseur Volume XCII, edited by F. Gordon Roe. [The Connoisseur Ltd, London, 1933]. (Colorised black and white print)

The Travelling Tinker, c1829, (1938). Artist: George Vincent
The Travelling Tinker, c1829, (1938). Painting held at the Victoria Art Gallery, Bath. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C

The Weir, c1875. Artist: William Stephen Coleman
The Weir, c1875. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

A Gipsy Encampment, c1788. Artist: William Shayer
A Gipsy Encampment, c1788. Painting held at the Nottingham City Museums and Galleries, Nottingham. From A Catalogue of the Pictures

Coast Scene, with Figures and Horses, c1841. Artist: William Shayer
Coast Scene, with Figures and Horses, c1841. Painting held at the Atkinson Art Gallery Collection, Southport. From A Catalogue of the Pictures

A Shady Corner, 1840. Artist: William Shayer
A Shady Corner, 1840. Painting held at the Southampton City Art Gallery, Southampton. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III

Dol-y-Garrog Mill near Llanrwst, Caernarvonshire, c1844. Artist: William James Muller
Dol-y-Garrog Mill near Llanrwst, Caernarvonshire, c1844. Painting held at the Williamson Art Gallery & Museum, Birkenhead

A Welsh Stream, 1843. Artist: William James Muller
A Welsh Stream, 1843. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

River Scene with Children (The Young Anglers), 1843. Artist: William James Muller
River Scene with Children (The Young Anglers), 1843. Painting held at the National Trust, Cragside House, Northumberland. From A Catalogue of the Pictures

Gillingham, 1842. Artist: William James Muller
Gillingham, 1842. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe. [Bemrose and Sons Ltd

Landscape with Old Cottages: Winter, 1833. Artist: William James Muller
Landscape with Old Cottages: Winter, 1833. Painting held at the National Museums Liverpool, Liverpool. From A Catalogue of the Pictures

Still Life Hare, c1895. Artist: William Cruikshank
Still Life Hare, c1895. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Still Life Game Birds, c1895. Artist: William Cruikshank
Still Life Game Birds, c1895. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

La Santa Salute, from San Giorgio, Venice, c1872. Artist: William Collingwood Smith
La Santa Salute, from San Giorgio, Venice, c1872. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F

Evreux, c1855. Artist: William Callow
Evreux, c1855. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Fishing Boats of the Headland, c1841. Artist: William Callow
Fishing Boats of the Headland, c1841. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F

Canterbury Meadows, c1879. Artist: Thomas Sidney Cooper
Canterbury Meadows, c1879. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

A Bull and three Cows in a Stable, c1856. Artist: Thomas Sidney Cooper
A Bull and three Cows in a Stable, c1856. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F

L hotel de Ville, St Omer, 1867. Artist: Thomas Shotter Boys
L hotel de Ville, St Omer, 1867. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Hampton Bridge, 1800. Artist: Thomas Rowlandson
Hampton Bridge, 1800. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

Looking towards Bellagio, c1845. Artist: Thomas Miles Richardson II
Looking towards Bellagio, c1845. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

View on Westminster Bridge, 1792. Artist: Thomas Malton II
View on Westminster Bridge, 1792. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

Craigmillar Castle, c1821. Artist: Thomas Miles Richardson I
Craigmillar Castle, c1821. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

The Marshes, c1879. Artist: Thomas Collier
The Marshes, c1879. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

In the Weald of Kent, c1861. Artist: Thomas Creswick
In the Weald of Kent, c1861. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Moel Siabod, c1886. Artist: Thomas Collier
Moel Siabod, c1886. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

The Windmill, c1890. Artist: Thomas Collier
The Windmill, c1890. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

The Downs near Lewes (Seaford Cliff in the distance), c1887. Artist: Thomas Collier
The Downs near Lewes (Seaford Cliff in the distance), c1887. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F

A Common in August, c1890. Artist: Thomas Collier
A Common in August, c1890. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Lock on the Kennet, 1889. Artist: Thomas Collier
Lock on the Kennet, 1889. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Blythburgh Common, 1888. Artist: Thomas Collier
Blythburgh Common, 1888. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

River Scene with Cottages, c1887. Artist: Thomas Collier
River Scene with Cottages, c1887. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

A Path over the Fields, 1881. Artist: Thomas Collier
A Path over the Fields, 1881. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Stacking Peat, Festiniog, North Wales, 1881. Artist: Thomas Collier
Stacking Peat, Festiniog, North Wales, 1881. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F

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"F Gordon Roe: A Journey Through Art and History" Step back in time to St. Albans, 1809, as captured by the talented artist George Sidney Shepherd. The quaint town comes alive with its charming streets and bustling market square. Travel further into the past to 1820, where Patrick Nasmyth's masterpiece "A Woodman's Cottage" transports us to a serene countryside scene. The rustic cottage nestled amidst lush greenery invites us to imagine a simpler way of life. The roaring seas beckon in Peter Monamy's "Men of War, " painted around 1720. Sailors brave treacherous waters aboard majestic ships, reminding us of the bravery and adventure that awaited them on their maritime journeys. David Cox the elder takes us on an enchanting stroll through Ulverston in his painting "Crossing the Sands. " We can almost feel the sand beneath our feet as we traverse this picturesque landscape. Thomas Rowlandson captures Torpoint's Tarr Point in Plymouth during the 18th century. His artwork allows us a glimpse into daily life at this historic location, showcasing its unique charm and character. Lord Howard of Effingham stands tall in Thomas Cockson's portrait from around 1600. This noble figure reminds us of England's rich history and influential individuals who shaped it. Patrick Nasmyth returns with his brushstrokes depicting Greenwich from afar in 1820. The Thames river flows gracefully under a stunning sky, creating a breathtaking view that has captivated many throughout centuries. William Leighton Leitch brings mystical allure to life with "Warlock Knowe" from 1872. This enchanting landscape transports viewers into a world filled with magic and wonderment. George Fennell Robson showcases Durham Cathedral from Prebends Bridge circa 1832, capturing its grandeur against an idyllic backdrop, and is impossible not to be awestruck by this architectural marvel. Henry Bright's "St.