Eyes Raised Collection

Series Actualites, Parisians waiting for the arrival of the famous comet
XIR154682 Series Actualites, Parisians waiting for the arrival of the famous comet, plate 370, illustration from Le Charivari, 25th February 1857 (litho) (b/w photo) by Daumier

Saint Catherine Half-figure oval mouth opened
Saint Catherine, Saint Catherine. Half-figure in oval, mouth opened and eyes raised. In the hands a piece of the wheel and a palm branch, the virgin martyr Catherine of Alexandria

The Circumcision of Jesus Christ (oil on canvas)
XIR899234 The Circumcision of Jesus Christ (oil on canvas) by Mignard, Pierre (1612-95); 90x52 cm; Musee de la Ville de Paris, Musee Carnavalet, Paris, France; (add.info.: La Circoncision ); French

Saint John the Evangelist (oil on wood)
XIR905949 Saint John the Evangelist (oil on wood) by Piombo, Sebastiano del (s. Luciani) (c.1485-1547) (attr. to); Musee Municipal, Dole, France; (add.info.: Saint Jean l Evangeliste ); Italian

Mary Magdalene in Penitence, c. 1567-8 (oil on canvas)
XIR899785 Mary Magdalene in Penitence, c.1567-8 (oil on canvas) by Titian (Tiziano Vecellio) (c.1488-1576); Museo e Gallerie Nazionali di Capodimonte, Naples

Saint Sebastian (oil on wood)
XIR899492 Saint Sebastian (oil on wood) by Messina, Antonello da (1430-79); Galleria dell Accademia Carrara, Bergamo, Italy; (add.info.: Saint Sebastien); Italian, out of copyright

Christ in the Garden of Olives (detail), 1562 (oil on canvas)
XIR898086 Christ in the Garden of Olives (detail), 1562 (oil on canvas) by Titian (Tiziano Vecellio) (c.1488-1576); 176x136 cm; Prado, Madrid

Head of a Philosopher, c. 1810 (oil on canvas)
XIR896211 Head of a Philosopher, c.1810 (oil on canvas) by Goya y Lucientes, Francisco Jose de (1746-1828); Private Collection; (add.info.: Tte de philosophe); Spanish, out of copyright

Triptych of the Resurrection, right panel: The Ascension, c. 1485-90 (oil on oak)
XIR895798 Triptych of the Resurrection, right panel: The Ascension, c.1485-90 (oil on oak) by Memling, Hans (c.1433-94); 61.8x18.5 cm; Louvre, Paris, France; (add.info.: Triptyque de la Resurrection)

The Tears of Saint Peter (oil on canvas)
XIR895553 The Tears of Saint Peter (oil on canvas) by Velazquez, Diego Rodriguez de Silva y (1599-1660) (attr. to); Private Collection; (add.info.: Les Larmes de saint Pierre); Spanish

Kneeling woman, c. 1685 (pierre noire & white chalk highlights on beige paper)
XIR414664 Kneeling woman, c.1685 (pierre noire & white chalk highlights on beige paper) by Le Brun, Charles (1619-90); 39.9x23.4 cm; Louvre (Cabinet de dessins), Paris

All Professionally Made to Order for Quick Shipping

"Eyes Raised: A Glimpse into the Soul through Art" In this captivating collection of artworks, we witness the power and depth conveyed through eyes raised. From the intense gaze of Nicolas de Cues in his portrait to the anticipation mirrored in Parisians waiting for a comet's arrival, these images invite us to explore the human experience. One cannot help but be moved by "The Circumcision of Jesus Christ, " where eyes filled with both pain and hope reflect a profound moment in history. Similarly, Saint Catherine's half-figure with an oval mouth opened leaves us wondering about her thoughts and revelations. As we delve further into this visual journey, Saint John the Evangelist captivates us with his penetrating stare that seems to hold ancient wisdom. Meanwhile, Mary Magdalene's eyes speak volumes as she seeks redemption and solace in penitence. A striking contrast emerges when observing Saint Sebastian's piercing gaze amidst his suffering – a testament to resilience even in times of great adversity. And within "Christ in the Garden of Olives, " we find solace as our own burdens are reflected back at us through tear-filled eyes. Moving beyond religious depictions, art reveals its versatility as it captures emotions across various subjects. The enigmatic Head of a Philosopher invites contemplation while urging us to question our own existence and purpose. Triptych of the Resurrection presents an awe-inspiring scene where uplifted gazes meet divine ascension—a reminder that there is always hope beyond despair. On another note, "The Tears of Saint Peter" depict remorseful eyes seeking forgiveness—an emotional portrayal that resonates deeply within each viewer. Finally, a kneeling woman draws our attention with her raised gaze—her vulnerability captured beautifully on beige paper—a silent plea or perhaps an expression of gratitude towards something greater than herself. Through these diverse artworks spanning centuries and styles, we are reminded that eyes truly are windows to one's soul. They convey emotions, tell stories, and connect us to the shared human experience.