Evening Dress Collection (page 10)

Portrait of Maria Amalia, standing three-quarter length, wearing an embroidered gown (oil on canvas)
990063 Portrait of Maria Amalia, standing three-quarter length, wearing an embroidered gown (oil on canvas) by Desmarees, Georg (1697-1776) (circle of); 109x81 cm; Private Collection; (add.info)

Before the Ball (oil on paper laid down on canvas)
989414 Before the Ball (oil on paper laid down on canvas) by Payen, G. (19th century); 97.1x92.4 cm; Private Collection; (add.info.: Before the Ball; Avant le Bal. G. Payen (19th century)

The Center of Attraction, (oil on canvas)
827062 The Center of Attraction, (oil on canvas) by Etcheverry, Denis (1867-1950); 220x125 cm; Private Collection; (add.info.: The Center of Attraction. Denis Etcheverry (1867-1950). Oil on canvas

The Death of the Bullfighter; La Muerte del Torero, (oil on canvas)
823533 The Death of the Bullfighter; La Muerte del Torero, (oil on canvas) by Villegas y Cordero, Jose (1844-1921); 303x505 cm; Private Collection; (add.info)

The Swing, (etching and aquatint, printed in colours)
1195032 The Swing, (etching and aquatint, printed in colours) by Icart, Louis (1888-1950); 66.8x49.5 cm; Private Collection; Photo © Christies Images

Two Girls Preparing to Enter a Carriage, (colour etching)
1194917 Two Girls Preparing to Enter a Carriage, (colour etching) by Icart, Louis (1888-1950); 63x90 cm; Private Collection; Photo © Christies Images

L Avarice, 1924 (pochoir print)
1123820 L Avarice, 1924 (pochoir print) by Barbier, Georges (1882-1932); Private Collection; The Stapleton Collection

Le Grand Decolletage, engraving by H. Reidel, 1921 (pochoir print)
1123815 Le Grand Decolletage, engraving by H. Reidel, 1921 (pochoir print) by Barbier, Georges (1882-1932); Private Collection; The Stapleton Collection

Mme Ida Rubinstein dans La Dame aux Camelias, Robe de Worth, from Gazette de Bon Ton, pub. 1925 (coloured engraving)
3239923 Mme Ida Rubinstein dans La Dame aux Camelias, Robe de Worth, from Gazette de Bon Ton, pub. 1925 (coloured engraving) by Barbier

Des Roses dans la Nuit, from a Collection of Fashion Plates, 1921 (pochoir print)
3443806 Des Roses dans la Nuit, from a Collection of Fashion Plates, 1921 (pochoir print) by Barbier, Georges (1882-1932); Private Collection; (add.info.: Robe du Soir)

Evening Dress, Plate 84, from Costumes Parisiens, pub. 1913 (pochoir print)
3239911 Evening Dress, Plate 84, from Costumes Parisiens, pub. 1913 (pochoir print) by Barbier, Georges (1882-1932); Private Collection; The Stapleton Collection

Romanesque - design by Chez Jenny, 1919-21 (pochoir print)
781150 Romanesque - design by Chez Jenny, 1919-21 (pochoir print) by Brunelleschi, Umberto (1879-1949); Private Collection; (add.info.: Illustration from La Guirlande)

Golden Veil, (etching and aquatint, printed in colours)
1195015 Golden Veil, (etching and aquatint, printed in colours) by Icart, Louis (1888-1950); 38x48 cm; Private Collection; Photo © Christies Images

Lady with Parrot, 1922 (etching and drypoint, heightened with blue, red, yellow and whit)
1195011 Lady with Parrot, 1922 (etching and drypoint, heightened with blue, red, yellow and whit) by Icart, Louis (1888-1950); 47x34.5 cm; Private Collection; Photo © Christies Images

After the Dance; Dopo il Ballo, (oil on canvas)
653537 After the Dance; Dopo il Ballo, (oil on canvas) by Caputo, Ulisse (1872-1948); 80.6x55.3 cm; Private Collection; (add.info.: After the Dance; Dopo il Ballo. Ulisse Caputo (1872-1948)

Dancers; The Tango, (gouache with oil on paper)
653229 Dancers; The Tango, (gouache with oil on paper) by Scheiber, Hugo (1873-1950); 42x67.5 cm; Private Collection; (add.info.: Dancers; The Tango. Hugo Scheiber (1873-1950)

Arrival, c. 1941 (etching and drypoint)
991016 Arrival, c.1941 (etching and drypoint) by Icart, Louis (1888-1950); 44x31 cm; Private Collection; (add.info.: Arrival. Louis Icart (1888-1950). Etching and drypoint. Etched circa 1941

A New Years Nocturne, New York, 1892 (watercolour on paper)
984997 A New Years Nocturne, New York, 1892 (watercolour on paper) by Hassam, Childe Frederick (1859-1935); 55.8x38.1 cm; Private Collection; (add.info.: A New Years Nocturne, New York)

Porphyria, (oil on canvas)
657026 Porphyria, (oil on canvas) by Rothenstein, William (1872-1945); Private Collection; (add.info.: Porphyria. Sir William Rothenstein (1872-1945). Oil on canvas

The Miramar at Cannes, fashion plate from Femina magazine, December 1928 (colour litho)
CHT178779 The Miramar at Cannes, fashion plate from Femina magazine, December 1928 (colour litho) by Benigni, Leon (1892-1948); Private Collection; (add.info.: a Cannes, comme a Biarritz)

"The Capital and the Capitalist"from The Russian Revolutionary Poster by V. Polonski, 1925
XND76075 " The Capital and the Capitalist" from The Russian Revolutionary Poster by V. Polonski, 1925 by Deni, Viktor Nikolaevich (1893-1946); Private Collection; Russian, out of copyright

The Madness of the Day, engraved by H. Reidel for the Friends of the Journal des Dames et des Modes, 1913 (litho)
STC82084 The Madness of the Day, engraved by H. Reidel for the Friends of the Journal des Dames et des Modes, 1913 (litho) by Barbier

The Beautiful Savages, engraved by Henri Reidel, 1920 (litho)
STC91314 The Beautiful Savages, engraved by Henri Reidel, 1920 (litho) by Barbier, Georges (1882-1932) (after); Private Collection; The Stapleton Collection

Grande robe du soir en brocart d argent. Perruque bleue, aigrettes, from Costumes Parisiens, pub. 1914 (pochoir print)
3526861 Grande robe du soir en brocart d argent. Perruque bleue, aigrettes, from Costumes Parisiens, pub.1914 (pochoir print) by Barbier, Georges (1882-1932); The Stapleton Collection

La Fontaine de Coquillages, pub. 1914 (pochoir print)
3444262 La Fontaine de Coquillages, pub. 1914 (pochoir print) by Barbier, Georges (1882-1932); Private Collection; (add.info.: Robe du Soir de Paquin; ); The Stapleton Collection

La Belle Dame Sans Merci, from a Collection of Fashion Plates, 1921 (pochoir print)
3442934 La Belle Dame Sans Merci, from a Collection of Fashion Plates, 1921 (pochoir print) by Barbier, Georges (1882-1932); Private Collection; (add.info.: Robe du Soir)

Elegant Lady with Plumed Hat and Fur Coat, (coloured chalk, watercolour on board)
991049 Elegant Lady with Plumed Hat and Fur Coat, (coloured chalk, watercolour on board) by Icart, Louis (1888-1950); 60x44.3 cm; Private Collection; (add.info)

The Pink Dress (oil on panel)
BIR108307 The Pink Dress (oil on panel) by Nicholson, William (1872-1949); 53.4x59 cm; Birmingham Museums and Art Gallery; © Birmingham Museums Trust; English, out of copyright

Joie de Vivre, postcard c. 1900 (colour litho)
CHT293693 Joie de Vivre, postcard c.1900 (colour litho) by Milliere, Maurice (1871-1946); Bibliotheque des Arts Decoratifs, Paris

Under the Eyes of New York Skyscrapers, fashion plate form Femina magazine, December 1928 (colour litho)
CHT178745 Under the Eyes of New York Skyscrapers, fashion plate form Femina magazine, December 1928 (colour litho) by Benigni, Leon (1892-1948); Private Collection; (add.info.: A New-York)

Arrival at the Opera, 1909 (oil)
7076470 Arrival at the Opera, 1909 (oil) by Sykes, Charles Robinson (1875-1950); Private Collection

The fashion for shawls from the series Falbalas and Fanfreluches, 1922 (pochoir print)
1765791 The fashion for shawls from the series Falbalas and Fanfreluches, 1922 (pochoir print) by Barbier, Georges (1882-1932); 24.4x15.9 cm; Rijksmuseum, Amsterdam, The Netherlands; (add.info.: )

Vesper, from a Collection of Fashion Plates, 1922 (pochoir print)
3443848 Vesper, from a Collection of Fashion Plates, 1922 (pochoir print) by Barbier, Georges (1882-1932); Private Collection; (add.info.: Robes du Soir, de Worth); The Stapleton Collection

Esperez, from a Collection of Fashion Plates, 1922 (pochoir print)
3437409 Esperez, from a Collection of Fashion Plates, 1922 (pochoir print) by Barbier, Georges (1882-1932); Private Collection; (add.info.: Robe du Soir, de Worth); The Stapleton Collection

Sweet Mystery, (etching and aquatint, printed in colours)
1195029 Sweet Mystery, (etching and aquatint, printed in colours) by Icart, Louis (1888-1950); 52x40.5 cm; Private Collection; Photo © Christies Images

Singing Lesson, (etching and aquatint, printed in colours)
1195028 Singing Lesson, (etching and aquatint, printed in colours) by Icart, Louis (1888-1950); 48.5x65 cm; Private Collection; Photo © Christies Images

Eventails, engraved by H. Reidel, 1924 (pochoir print)
1123807 Eventails, engraved by H. Reidel, 1924 (pochoir print) by Barbier, Georges (1882-1932); Private Collection; The Stapleton Collection

The Judgement of Paris, from Falbalas & Fanfreluches, Almanach des Modes Presentes, Passees et Futures
829066 The Judgement of Paris, from Falbalas & Fanfreluches, Almanach des Modes Presentes, Passees et Futures, 1924 (colour litho) by Barbier

At Your Service, 1906 (oil on canvas)
823240 At Your Service, 1906 (oil on canvas) by Leyendecker, Joseph Christian (1874-1951); 54.6x50.8 cm; Private Collection; (add.info.: At Your Service. Joseph Christian Leyendecker (1874-1951)

Lampshade, 1948 (colour etching and aquatint)
990946 Lampshade, 1948 (colour etching and aquatint) by Icart, Louis (1888-1950); 40x50 cm; Private Collection; (add.info.: Lampshade. Louis Icart (c.1888-1950). Colour etching and aquatint

Arthur Wardle by Himself (oil on panel)
CH402130 Arthur Wardle by Himself (oil on panel) by Wardle, Arthur (1864-1949); 23x20 cm; Private Collection; Photo © Christies Images

Claridges Hotel, London, c. 1900 (colour litho)
CHT249401 Claridges Hotel, London, c.1900 (colour litho) by Cowper, Max (1860-1911); Bibliotheque des Arts Decoratifs, Paris, France; © Archives Charmet

Under the mistletoe, Dombey and son (litho)
7186884 Under the mistletoe, Dombey and son (litho) by Wilson, Thomas Walter (1851-1912); Private Collection; (add.info.: Under the mistletoe, Dombey and son)

Qui Ne Vous Aimerait?, from a Collection of Fashion Plates, 1922 (pochoir print)
3443735 Qui Ne Vous Aimerait?, from a Collection of Fashion Plates, 1922 (pochoir print) by Barbier, Georges (1882-1932); Private Collection; (add.info.: Robe du Soir)

Rosalinde, from a Collection of Fashion Plates, 1922 (pochoir print)
3437003 Rosalinde, from a Collection of Fashion Plates, 1922 (pochoir print) by Barbier, Georges (1882-1932); Private Collection; (add.info.: Robe Soir, de Worth); The Stapleton Collection

La Voie Lactee, from a Collection of Fashion Plates, 1921 (pochoir print)
3436624 La Voie Lactee, from a Collection of Fashion Plates, 1921 (pochoir print) by Barbier, Georges (1882-1932); Private Collection; (add.info.: Robe et Manteau pour le Soir)

Robe du soir satin noir et tulle bordee de brillants, from Costumes Parisien, pub. 1913 (pochoir print)
3526866 Robe du soir satin noir et tulle bordee de brillants, from Costumes Parisien, pub.1913 (pochoir print) by Barbier, Georges (1882-1932); The Stapleton Collection

Yes!, from Falbalas & Fanfreluches, Almanach des Modes Presentes, Passees et Futures, 1922 (colour litho)
829054 Yes!, from Falbalas & Fanfreluches, Almanach des Modes Presentes, Passees et Futures, 1922 (colour litho) by Barbier, Georges (1882-1932); Private Collection; (add.info.: Oui)

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"An Evening of Elegance: From George and Mildred to Madame X, the Evolution of the Evening Dress" Step into a world of glamour and sophistication as we explore the captivating history of evening dresses. Inspired by iconic TV programmes like George and Mildred, where Brian Murph and Yootha Joyce showcased timeless style, these garments have always been synonymous with grace. Travel back in time to 1883-84 when John Singer Sargent immortalized Madame Pierre Gautreau in his mesmerizing oil painting "Madame X. " Her enchanting evening dress exudes confidence and allure, setting the stage for future fashion trends. In 1961, Peggy Lee graced London with her presence in a stunning gown designed by Brian Foskett. The epitome of elegance, she captivated audiences with her velvety voice and impeccable sense of style. Delve further into history as we encounter a young girl adorned in a magnificent ball gown from 1879. This exquisite piece showcases the opulence associated with formal events during that era. Fast forward to 1913 Parisian fashion through Costumes Parisiens' pouchoir prints. Jeanne Lanvin's creations take center stage on plate 46 and plate 49 - each design reflecting her innovative approach while maintaining an air of sophistication. Immerse yourself in late 19th-century France as you witness a young woman donning a posh dress that embodies the essence of luxury. This digital reproduction allows us to appreciate its intricate details even today. Strapless ballgowns made their mark in the early '50s, exemplified by Shirley Markham's creation worn by an unknown woman. The simplicity yet grandeur of this garment is truly breathtaking. Finally, let's not forget Hollywood's influence on evening wear. Richard Burton arrives at The premiere accompanied by his wife Susie Hunt wearing an ensemble that oozes class and refinement – proving that the allure of evening dresses transcends time and place.