Escutcheon Collection (page 8)

Spain. Segovia. The Alcazar. The Throne room. Two thrones
Spain. Segovia. The Alcazar. Castle and residence of monarchs of Kingdom of Castile. The Throne room. Two thrones bears the arms of the Catholic monarchs

Elias I, Count of Maine.. Handcolored copperplate drawn and engraved by Leopold Massard from French Costumes from King Clovis to Our Days, Massard, Mifliez, Paris, 1834

Spain. Guadalajara. Palace of El Infantado. 15th century. Isabelline Gothic style. Facade. Detail. Coat of arms

Spain. Castile-La Mancha. Hita. St. Marys Gate. 15th century. Gothic style

French cavalry charging with lance, 12th century.. Handcolored copperplate drawn and engraved by Leopold Massard from French Costumes from King Clovis to Our Days, Massard, Mifliez, Paris, 1834

Philip Hurepel, Count of Boulogne and Clermont, 1201-1235.. Handcolored copperplate drawn and engraved by Leopold Massard from French Costumes from King Clovis to Our Days, Massard, Mifliez, Paris

Amaury VI de Montfort, 1195-1241.. Handcolored copperplate drawn and engraved by Leopold Massard from French Costumes from King Clovis to Our Days, Massard, Mifliez, Paris, 1834

Pierre de Courtenay, Emperor of Constantinople, died 1219.. Handcolored copperplate drawn and engraved by Leopold Massard from French Costumes from King Clovis to Our Days, Massard, Mifliez, Paris

Peter I, Duke of Brittany, died 1250.. Handcolored copperplate drawn and engraved by Leopold Massard from French Costumes from King Clovis to Our Days, Massard, Mifliez, Paris, 1834

Louis IX, King of France, military costume, 1215-1270.. Handcolored copperplate drawn and engraved by Leopold Massard from French Costumes from King Clovis to Our Days, Massard, Mifliez, Paris, 1834

Mask Escutcheon Supported Two Genii 1544 Engraving
Artokoloro

Coat Arms Eagle Surrounded Foliage 1543 Engraving
Artokoloro

Design Coat Arms Putti holding Garlands 1550-84
Artokoloro

Cherubs with a coat of arms, Jurriaan Cootwijck, Jacob de Wit, 1724 - 1798

Portrait of Abraham Johannes Kuffeler. Johannes Willemsz. Munnickhuysen, David van der Plas, 1685 - 1721

Portrait of Daniel Souterius, Jacob Matham, 1621-1623

Portrait of Nicolas Foucquet, Pieter van Schuppen, P. de la Serre, 1655 - 1703

Portrait of Gerard Callenburgh, Pieter Tanje, Jan Vollevens, 1756

National American Woman Suffrage postcard
Postcard endorsed and approved by the National American Woman Suffrage Association: The ballot being denied to Wman is a Blot on the Escutcheon Because WOMAN has the right to vote is no reason why

Escutcheon, Gilt copper-alloy 600-700AD found at Gilton, Kent, England (Anglo-Saxon)

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"Exploring the Rich History and Symbolism of Escutcheons: From Coat of Arms to Bakelite Doorknobs" Step into a world where history meets artistry as we delve into the captivating realm of escutcheons. These ornamental plates, often adorned with intricate designs, have played significant roles throughout different cultures and time periods. One notable example is the Coat of Arms of Portugal from 1898, proudly displaying symbols that represent the nation's heritage and values. Similarly, the Coat of Arms of USA from the same year embodies American ideals through its iconic imagery. Traveling across borders, we encounter diverse heraldic traditions such as French, Spanish, English, and German heraldry. Each culture brings forth unique interpretations in their coat of arms - a visual language that tells stories about noble families or regions. In Liverpool, England in 1907, an engraving captures the essence of this vibrant city through its own distinctive coat of arms. Meanwhile, a roanoid bakelite doorknob and keyhole cover showcase how escutcheons transcended their traditional role to become stylish decorative elements within homes. Escutcheons also find themselves intertwined with historical figures like Edward Seymour or Queen Mary II. Their portraits immortalize them alongside their respective coats of arms - symbols that reflect power and lineage. Not limited to mere symbolism alone, escutcheons even make appearances on weaponry like militia or marine pattern flintlock muskets from 1759. These functional pieces bear not only practicality but also pride in one's affiliation. The journey concludes with William I Prince d'Orange (William the Silent), depicted in armor adorned with lace ruff while holding a flintlock pistol - his coat-of-arms above him representing his status as a prominent figure during his time. Lastly Matthew Parker's engraving reminds us that even religious figures were not exempt from utilizing these artistic creations for personal expression and identification.