Entablature Collection (page 6)

View of the upper gallery of the courtyard of the palace of the University of Padua, known as "il B" Padua Palazzo dell'Universit, courtyard Courtyard Renaissance

Loggia of the Council, or of the Grand Guardian of Padua Padua Piazza dell'Unita Italiana Loggia Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D

The faade of the Palazzo Marino on Piazza Scala in Milan. The work was projected by the architect Luca Beltrami. Milan Piazza della Scala Building - Facade Arts and handicrafts of XIX century

Facade and bell tower of the Cathedral of St. Peter in Mantua. The former was carried out from a design of Nicola Baschiera, while the latter dates to the Romanesque period. 1915 - 1920 ca

Nineteenth century reconstruction of the samll Etruscan-Italic temple in Alatri. Garden of Villa Giulia, Rome Rome Villa Giulia, garden Temple Arts and handicrafts of XIX century, Nineteenth century

Faade of the basilica of St. Mark in Rome, erected with travertine taken from the Colosseum and from the Theatre Marcello and made of a portico and three arcades on columns

The door on the side of the Palazzo della Signoria, also called the Salara door, Jesi; by Francesco di Giorgio Martini Jesi Door Renaissance, Renaissance-Baroque styles and periods, Europe

Particular of the facade of the Maggiore Church near the Certosa of Pavia Certosa di Pavia Portal High Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe

Bronze doors of a tabernacle; from the School of Donatello. Accademia Gallery, Venice Venice Accademia Gallery Low Relief, Basrelief, Tabernacle Early Renaissance, Renaissance

The Triclinio Lateranense in Rome Rome Piazza of San Giovanni in Laterano Tribune Late Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D

Door of the ancient sacristy of the church of the Carthusian monastery of Pavia, created by Giovanni Antonio Amadeo. The seven medallions which represent the dukes of Milan are of Benedetto Briosco

Inside of the Church of St. Maria in Trastevere in Rome Rome Santa Maria in Trastevere Church Nave Romanesque, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1890 ca

Inside of the St. Constance Mausoleum in Rome Rome St. Constance Mausoleum Mausoleum Early Christian Art, Europe, First and Second Millennium A.D.. Date of Photograph:1890 ca.. Date of Artwork:IV sec

View of the internal courtyard of the palace of the University of Padua known as "il B" Padua Palazzo dell'Universit, courtyard Courtyard Renaissance

The ancient Palio Door in Verona Verona City Gate High Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1900 ca

Peristyle of the House of the Silver Wedding in Pompeii Pompeii House of the Silver Wedding House Roman Art, Europe, Ancient Civilization. Date of Photograph:1920-1930 ca.. Date of Artwork:V sec

Main door with terrace to the first floor; detail of the facade of Palazzo Marino on Piazza della Scala in Milan. The work was carried out by the architect Luca Beltrami Milan Piazza della Scala

Side view of Basilica of Sant'Andrea at Vercelli Vercelli Church Romanesque, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1920-1930 ca.. Date of Artwork:1219-1227 ca

Door to the Sacristy of the Church of San Salvatore, in Pavia Pavia Church of San Salvatore Door Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D

Detail of the pediment and trabeation, and of the columns and the Doric capitals of the Parthenon on the Acropolis in Athens Greece Athens, Acropolis Temple - Facade, Architectural Element

Detail of the pediment and trabeation, and of the columns and the Ionic capitals of the Erechtheion on the Acropolis in Athens Greece Athens, Acropolis Architectural Element, Pediment Classical

Faade of the ancient cathedral of Athens, also called the Mikr Mitrpolis Greece Athens Church - Facade Byzantine Art, Europe, First and Second Millennium A.D.. Date of Photograph:1920-1930 ca

Faade from the Duomo of Nola Nola Piazza del Duomo Church Arts and handicrafts of XIX century, Nineteenth century, 19th century, Europe, First and Second Millennium A.D.. Date of Photograph:1960

View of the faade and southern side of Villa Favard in Florence Florence Villa Eclecticism, Nineteenth century, 19th century, Europe, First and Second Millennium A.D.. Date of Photograph:1930

House of Paquius Proculus in Pompeii Pompeii House of Paquius Proculus. Date of Photograph:1935

Detail of the trabeation and capitals of the left side of the Sergius Triumphal Arch in Pula, photographed during the period of Italy's reign in Istria Croatia Pula Trimphal Arch Augustan Period

Faade of Villa Favard in Florence Florence Villa Eclecticism, Nineteenth century, 19th century, Europe, First and Second Millennium A.D.. Date of Photograph:1920-30 ca.. Date of Artwork:1847

Roman Forum in Rome Rome Roman Forum Forum Roman Art, Europe, Ancient Civilization. Date of Photograph:1920-1930 ca.. Date of Artwork:VII sec. a.C.- III sec. d.C

Roman Forum and Arch of Tito seen from Via Nova in Rome Rome Via Nova Forum Roman Art, Europe, Ancient Civilization. Date of Photograph:1920-1930 ca.. Date of Artwork:VII sec. a.C.- III sec. d.C

View of the remains of the Basilica Emilia (Aemilia) and the Roman Forum in Rome; in the background the imposing structure of the Temple of Anthony and Faustina appears, and the Church of St

Altar of the Church of San Giovanni dei Fiorentini in Roma realized by Francesco Castelli, known as Borromini (1599-1667)

Erechtheion, Acropolis, Athens Greece Athens Temple Classical, Greek Art, Greece, Europe, Ancient Civilization. Date of Photograph:1920-1930 ca.. Date of Artwork:421 - 406 a.C.. Artist:Filokles

Columns on the entrance of the Agor in Athens Greece Athens, Agor Door Classical, Greek Art, Greece, Europe, Ancient Civilization. Date of Photograph:1920-1930 ca.. Date of Artwork:I a.C

Olympieion, Corinthian temple dedicated to Olympian Zeus, Athens. Greece Athens Temple Greek Art, Greece, Europe, Ancient Civilization. Date of Photograph:1920-1930 ca.. Date of Artwork:VI sec. a.C

Church of the Holy Apostles in Athens Greece Athens Church Byzantine Style, Byzantine Art, Europe, First and Second Millennium A.D.. Date of Photograph:1920-1930 ca.. Date of Artwork:XI sec

Interior of the church of San Vitale in Ravenna Ravenna Church of St. Vitale, interior Church Early Christian Art, Europe, First and Second Millennium A.D.. Date of Photograph:1915-1920 ca

The facade of Palazzo di Andrea Doria, in Vico San Matteo in Genoa Genoa Vico San Matteo Building - Facade Early Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe

The facade of Villa Favard from Via Montebello in Florence, by Giuseppe Poggi (1811-1901) Florence Villa Eclecticism, Nineteenth century, 19th century, Europe, First and Second Millennium A.D

Window of the church of Santa Maria dei Miracoli in Venice Venice Church of Santa Maria dei Miracoli Church - Facade Early Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe

The faade of the church of Santa Maria la Nova, Naples Naples Via Santa Maria la Nova Church Late Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe

View of a few rooms in the National Archaeological Museum of Naples Naples National Archaeological Museum, Grande Sala. Date of Photograph:1900 ca

Detail of the interior of the church of Santa Maria della Consolazione in Todi. By architects Cola di Matteuccio da Caprarola

Roman trabeation remains outside the Pantheon in Rome Rome Temple Hadrianic Period, Imperial Period, Roman Art, Europe, Ancient Civilization. Date of Photograph:1890 ca.. Date of Artwork:118-125

Portal of the church of Santa Maria delle Lacrime in Trevi, sculpted by Giovanni di Gian Pietro da Venezia Trevi Door High Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe

View of the dome, Arras Cathedral, Nord-Pas-de-Calais-Picardie, Pas, France (photo)
3469333 View of the dome, Arras Cathedral, Nord-Pas-de-Calais-Picardie, Pas, France (photo) by Ivry, Pierre Contant d (1698-1777); (add.info)

View of an apse, Arras Cathedral, Nord-Pas-de-Calais-Picardie, Pas, France (photo)
3469331 View of an apse, Arras Cathedral, Nord-Pas-de-Calais-Picardie, Pas, France (photo) by Ivry, Pierre Contant d (1698-1777); (add.info.: Built 1755-1834)

The ruins of the Temple of Jupiter or the Sun, in the archeological zone of Heliopolis or Baalbek, ancient Syrian city
3566756 The ruins of the Temple of Jupiter or the Sun, in the archeological zone of Heliopolis or Baalbek, ancient Syrian city, now Lebanon by Bonfils, Felix (1831-1885); (add.info.: Baalbek)

Doric entablature (colour litho)
6001522 Doric entablature (colour litho) by German School, (19th century); Private Collection; (add.info.: Doric entablature)

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The entablature, a defining feature of classical architecture, is beautifully showcased in various iconic structures around the world. From the grandeur of the Al Khazneh Temple in Petra, Jordan to the exquisite San Pietro in Montorio's Tempietto built by Donato Braman, these architectural marvels highlight the timeless elegance of this element. One cannot discuss entablatures without mentioning the Parthenon in Athens, Greece. This ancient masterpiece stands as a testament to Greek art and showcases an intricately designed entablature that has captivated visitors for centuries. The Athenian Treasury at Delphi also boasts a stunning example of this architectural feature dating back to 510-480 B. C. Moving beyond Greece, Arras Cathedral in Nord-Pas-de-Calais-Picardie, France offers breathtaking views of both its dome and apse. These vantage points allow visitors to appreciate how an they are enhance the overall aesthetic appeal of a structure. Further east lies Heliopolis or Baalbek, an ancient Syrian city now located in Lebanon. Here lie the ruins of the Temple of Jupiter or Sun which once featured an impressive entablature that served as a visual representation of power and grandeur. To truly understand and appreciate classical orders such as Doric entablatures, one can turn to Charles Lawrie's engraved illustrations found within Architecture I: Orders of Architecture. These detailed depictions provide valuable insights into their design principles and historical significance. Whether it be through exploring famous landmarks like Al Khazneh Temple or studying artistic renderings like Lawrie's engravings, we are reminded that they are not just mere structural elements but rather intricate works of art that continue to inspire awe across different cultures and time periods.