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Enea Vico Collection

Enea Vico, a renowned artist of the 16th century, left an indelible mark on the art world with his exquisite creations

Background imageEnea Vico Collection: Portrait of Giovanni de Medici, 1550. Creator: Enea Vico

Portrait of Giovanni de Medici, 1550. Creator: Enea Vico
Portrait of Giovanni de Medici, 1550

Background imageEnea Vico Collection: Battle of the Amazons, 1543. Creator: Enea Vico

Battle of the Amazons, 1543. Creator: Enea Vico
Battle of the Amazons, 1543

Background imageEnea Vico Collection: Flora, c1561. Creator: Enea Vico

Flora, c1561. Creator: Enea Vico
Flora, c1561

Background imageEnea Vico Collection: Mars and Venus (image 2 of 2), 16th century. Creator: Enea Vico

Mars and Venus (image 2 of 2), 16th century. Creator: Enea Vico
Mars and Venus (image 2 of 2), 16th century

Background imageEnea Vico Collection: Mars and Venus (image 1 of 2), 16th century. Creator: Enea Vico

Mars and Venus (image 1 of 2), 16th century. Creator: Enea Vico
Mars and Venus (image 1 of 2), 16th century

Background imageEnea Vico Collection: Triumph of Bacchus, 1543. Creator: Enea Vico

Triumph of Bacchus, 1543. Creator: Enea Vico
Triumph of Bacchus, 1543

Background imageEnea Vico Collection: Sheet of Animals, 1547. Creators: Antonio Lafreri, Enea Vico

Sheet of Animals, 1547. Creators: Antonio Lafreri, Enea Vico
Sheet of Animals, 1547. From Speculum Romanae Magnificentiae

Background imageEnea Vico Collection: St George Killing the Dragon, 1542. Creator: Enea Vico

St George Killing the Dragon, 1542. Creator: Enea Vico
St George Killing the Dragon, 1542

Background imageEnea Vico Collection: Venus and Mars Embracing as Vulcan Works at His Forge, 1543. Creator: Enea Vico

Venus and Mars Embracing as Vulcan Works at His Forge, 1543. Creator: Enea Vico
Venus and Mars Embracing as Vulcan Works at His Forge, 1543

Background imageEnea Vico Collection: Sheet of Animals, 1547. Creators: Enea Vico, Antonio Lafreri

Sheet of Animals, 1547. Creators: Enea Vico, Antonio Lafreri
Sheet of Animals, 1547. Series: Speculum Romanae Magnificentiae

Background imageEnea Vico Collection: Candlestick with Two Ignudi on Top of a Vase with Lion Heads, 1552. 1552. Creator: Anon

Candlestick with Two Ignudi on Top of a Vase with Lion Heads, 1552. 1552. Creator: Anon
Candlestick with Two Ignudi on Top of a Vase with Lion Heads, 1552

Background imageEnea Vico Collection: Entombment of Christ, whose chest is grasped by Joseph of Arimathea

Entombment of Christ, whose chest is grasped by Joseph of Arimathea, with two kneeling and two standing female mourners at left and crown of thorns at bottom right, 1543. After Raphael

Background imageEnea Vico Collection: Antique Lidded Vase with Two Handles emerging from the Heads of Hybrid Female Sph

Antique Lidded Vase with Two Handles emerging from the Heads of Hybrid Female Sphinxes, from Vases after the Antique, 1543 or after

Background imageEnea Vico Collection: Combat between Amazons and men in front of architectural arcades

Combat between Amazons and men in front of architectural arcades, an oval composition with weapons, headgear, and bodies strewn along the bottom margin, 1543. Possibly after Perino del Vaga

Background imageEnea Vico Collection: Antique Lidded Urn Decorated with a Motif of Diamond Rings and Lions, from Vases

Antique Lidded Urn Decorated with a Motif of Diamond Rings and Lions, from Vases aftetr the Antique, 1543 or after

Background imageEnea Vico Collection: Lancet-shaped panel of grotesque decoration, 1541. Creator: Enea Vico

Lancet-shaped panel of grotesque decoration, 1541. Creator: Enea Vico
Lancet-shaped panel of grotesque decoration, 1541

Background imageEnea Vico Collection: Portrait of Michelangelo in profile facing right set within a recess, 1545

Portrait of Michelangelo in profile facing right set within a recess, 1545

Background imageEnea Vico Collection: The Battle of Mühlberg with the army of Charles V crossing the Elbe River, 1551

The Battle of Mühlberg with the army of Charles V crossing the Elbe River, 1551
The Battle of Muhlberg with the army of Charles V crossing the Elbe River, 1551

Background imageEnea Vico Collection: Flora, ca. 1560-70. Creator: Unknown

Flora, ca. 1560-70. Creator: Unknown
Flora, ca. 1560-70. Formerly attributed to Enea Vico

Background imageEnea Vico Collection: Speculum Romanae Magnificentiae: Venus and Eros, 1561. Creator: Unknown

Speculum Romanae Magnificentiae: Venus and Eros, 1561. Creator: Unknown
Speculum Romanae Magnificentiae: Venus and Eros, 1561

Background imageEnea Vico Collection: Speculum Romanae Magnificentiae: Flora, mid-16th century. Creator: Unknown

Speculum Romanae Magnificentiae: Flora, mid-16th century. Creator: Unknown
Speculum Romanae Magnificentiae: Flora, mid-16th century. Formerly attributed to Enea Vico. Designed by Battista Franco

Background imageEnea Vico Collection: Two Figures, a Faun, and a Satyr approach a Recliniing Woman, published ca. 1599-1622

Two Figures, a Faun, and a Satyr approach a Recliniing Woman, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imageEnea Vico Collection: Man Playing Two Flutes and Woman on Lionskin, published ca. 1599-1622. Creator: Unknown

Man Playing Two Flutes and Woman on Lionskin, published ca. 1599-1622. Creator: Unknown
Man Playing Two Flutes and Woman on Lionskin, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imageEnea Vico Collection: Warrior Pulling a Rider from His Horse, from 'Ex Antiquis Camorum et Ge

Warrior Pulling a Rider from His Horse, from "Ex Antiquis Camorum et Ge
Warrior Pulling a Rider from His Horse, from " Ex Antiquis Camorum et Gemmae Delineata", published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imageEnea Vico Collection: Woman with Shield Seated on Seamonster, published ca. 1599-1622. Creator: Unknown

Woman with Shield Seated on Seamonster, published ca. 1599-1622. Creator: Unknown
Woman with Shield Seated on Seamonster, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imageEnea Vico Collection: Three Cupids and Two Dolphins, published ca. 1599-1622. Creator: Unknown

Three Cupids and Two Dolphins, published ca. 1599-1622. Creator: Unknown
Three Cupids and Two Dolphins, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imageEnea Vico Collection: Man with Wing; Man with Vase and Dog, published ca. 1599-1622. Creator: Unknown

Man with Wing; Man with Vase and Dog, published ca. 1599-1622. Creator: Unknown
Man with Wing; Man with Vase and Dog, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imageEnea Vico Collection: Woman and Man Seated on Lionskin, Man Pouring Wine, published ca. 1599-1622

Woman and Man Seated on Lionskin, Man Pouring Wine, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imageEnea Vico Collection: A Belted Pig and Two Cupids (or Geniuses) with a Butterfly (or Moth), published ca

A Belted Pig and Two Cupids (or Geniuses) with a Butterfly (or Moth), published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imageEnea Vico Collection: A Faun or Satyr Preparing a Pig for Sacrifice, published ca. 1599-1622. Creator: Unknown

A Faun or Satyr Preparing a Pig for Sacrifice, published ca. 1599-1622. Creator: Unknown
A Faun or Satyr Preparing a Pig for Sacrifice, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imageEnea Vico Collection: Two Women and Two Cupids, published ca. 1599-1622. Creator: Unknown

Two Women and Two Cupids, published ca. 1599-1622. Creator: Unknown
Two Women and Two Cupids, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imageEnea Vico Collection: Hercules playing a lyre, a lionskin draped over his shoulder, published ca. 1599-1622

Hercules playing a lyre, a lionskin draped over his shoulder, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imageEnea Vico Collection: A Woman Collecting Blood from a Sheep, published ca. 1599-1622. Creator: Unknown

A Woman Collecting Blood from a Sheep, published ca. 1599-1622. Creator: Unknown
A Woman Collecting Blood from a Sheep, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imageEnea Vico Collection: Female Nude with Two Seahorses, published ca. 1599-1622. Creator: Unknown

Female Nude with Two Seahorses, published ca. 1599-1622. Creator: Unknown
Female Nude with Two Seahorses, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imageEnea Vico Collection: Man with Torch at Temple Door, published ca. 1599-1622. Creator: Unknown

Man with Torch at Temple Door, published ca. 1599-1622. Creator: Unknown
Man with Torch at Temple Door, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imageEnea Vico Collection: Sacrifice of a Swan, published ca. 1599-1622. Creator: Unknown

Sacrifice of a Swan, published ca. 1599-1622. Creator: Unknown
Sacrifice of a Swan, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imageEnea Vico Collection: Man with Torch between Flaming Altar and Statuette, published ca. 1599-1622

Man with Torch between Flaming Altar and Statuette, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imageEnea Vico Collection: Two Lovers with Pan, published ca. 1599-1622. Creator: Unknown

Two Lovers with Pan, published ca. 1599-1622. Creator: Unknown
Two Lovers with Pan, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imageEnea Vico Collection: Man and Woman Sacrificing a Goat, published ca. 1599-1622. Creator: Unknown

Man and Woman Sacrificing a Goat, published ca. 1599-1622. Creator: Unknown
Man and Woman Sacrificing a Goat, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imageEnea Vico Collection: Scene of Sacrifice with Warrior Killing Ram and Four Other Figures, published ca

Scene of Sacrifice with Warrior Killing Ram and Four Other Figures, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imageEnea Vico Collection: Reclining Female Figure on a Chariot drawn by Two Centaurs, published ca. 1599-1622

Reclining Female Figure on a Chariot drawn by Two Centaurs, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imageEnea Vico Collection: Figure with Pig and Serpent, published ca. 1599-1622. Creator: Unknown

Figure with Pig and Serpent, published ca. 1599-1622. Creator: Unknown
Figure with Pig and Serpent, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imageEnea Vico Collection: Man Attended by Three Women, published ca. 1599-1622. Creator: Unknown

Man Attended by Three Women, published ca. 1599-1622. Creator: Unknown
Man Attended by Three Women, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imageEnea Vico Collection: Woman on Rearing Horse, published ca. 1599-1622. Creator: Unknown

Woman on Rearing Horse, published ca. 1599-1622. Creator: Unknown
Woman on Rearing Horse, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imageEnea Vico Collection: Ram, published ca. 1599-1622. Creator: Unknown

Ram, published ca. 1599-1622. Creator: Unknown
Ram, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imageEnea Vico Collection: Figure on Seagoat; Man Carving Wing, published ca. 1599-1622. Creator: Unknown

Figure on Seagoat; Man Carving Wing, published ca. 1599-1622. Creator: Unknown
Figure on Seagoat; Man Carving Wing, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imageEnea Vico Collection: Satyr Leading Goat on which a Infant Rides, published ca. 1599-1622. Creator: Unknown

Satyr Leading Goat on which a Infant Rides, published ca. 1599-1622. Creator: Unknown
Satyr Leading Goat on which a Infant Rides, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imageEnea Vico Collection: Venus at her Toilette, and Vulcan Working at His Forge, ca. 1546. Creator: Enea Vico

Venus at her Toilette, and Vulcan Working at His Forge, ca. 1546. Creator: Enea Vico
Venus at her Toilette, and Vulcan Working at His Forge, ca. 1546



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Enea Vico, a renowned artist of the 16th century, left an indelible mark on the art world with his exquisite creations. In "St George Killing the Dragon, " painted in 1542, Vico captures the heroic moment as St George valiantly defeats the menacing dragon, symbolizing triumph over evil. Another masterpiece by Vico is "Venus and Mars Embracing as Vulcan Works at His Forge" from 1543. This enchanting painting portrays the passionate embrace between Venus and Mars while Vulcan toils away in his forge. The intricate details bring this mythological scene to life. Intriguingly, an anonymous artist created "Candlestick with Two Ignudi on Top of a Vase with Lion Heads" in 1552. This captivating artwork showcases two angelic figures atop a vase adorned with lion heads - a true testament to artistic craftsmanship. The emotional depth displayed in Vico's work is evident in "Entombment of Christ. " Joseph of Arimathea tenderly grasps Christ's chest as he lays him to rest, evoking feelings of sorrow and reverence for this pivotal biblical event. Vico also delved into portraying powerful women like Lucretia in her vulnerable state. In "Lucretia naked and seated before a window, " she holds a dagger firmly in her right hand, contemplating her tragic fate - an exploration of female strength amidst adversity. Hybridity takes center stage in the mesmerizing "Antique Lidded Vase with Two Handles emerging from the Heads of Hybrid Female Sphinxes. " This unique piece exemplifies Vico's ability to blend different elements seamlessly. A battle unfolds before our eyes as Amazons clash against men within architectural arcades. The dynamic composition captured by Vico highlights both strength and vulnerability during combat scenes such as these. Diamond rings and lions adorn an antique lidded urn depicted by Enea Vico.