Egg Tempera Collection

The Battle of San Romano, c1438, (1909). Artist: Paolo Uccello
The Battle of San Romano, c1438, (1909). Painting held at The National Gallery, London. From The National Gallery, Vol. One [T. C. & E. C. Jack, London and Edinburgh, 1909]

Apostle Peter, 14th century. Creator: Unknown
Apostle Peter, 14th century

The Virgin and Child with Saints, 1435, (1909). Artist: Pisanello
The Virgin and Child with Saints, 1435, (1909). Painting held at The National Gallery, London. From The National Gallery, Vol. One [T. C. & E. C. Jack, London and Edinburgh, 1909]

Portrait of Gerolamo Barbarigo, 1510, (1909). Artist: Titian
Portrait of Gerolamo Barbarigo or A Man with Quilted Sleeves, 1510, (1909). Painting held at The National Gallery, London. From The National Gallery, Vol. One [T. C. & E. C

The Coronation of the Virgin, 1374. Artist: Barnaba da Modena
The Coronation of the Virgin, 1374. Painting held at The National Gallery, London. From The Connoisseur Volume 101. [The Connoisseur Ltd. London, 1938]

Portrait of a Man, c1475, (1909). Artist: Antonello da Messina
Portrait of a Man, c1475, (1909). Painting held at The National Gallery, London. From The National Gallery, Vol. One [T. C. & E. C. Jack, London and Edinburgh, 1909]

Virgin of Tenderness with the Saints (The Virgin Eleusa), Byzantine icon, 14th century. Found in the collection of the State Hermitage, St Petersburg

Panel from the Maesta Altarpiece: The Annunciation, 1311. Artist: Duccio di Buoninsegna
Panel from the Maesta Altarpiece: The Annunciation, 1311. Found in the collection of the National Gallery, London

The Transfiguration, 1311. Artist: Duccio di Buoninsegna
The Transfiguration, 1311. Found in the collection of the National Gallery, London

Alfred Henry Maurer Landscape House c. 1909a'1912
Alfred Henry Maurer: Landscape with House, Alfred Henry Maurer, c. 1909-1912, Oil and egg tempera on paperboard, Overall: 21 1/2 x 18 in. (54.6 x 45.7 cm)

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Egg tempera, a medium that has been used for centuries by artists, is a technique that involves mixing powdered pigments with egg yolk to create vibrant and long-lasting paintings. This ancient method of painting has stood the test of time and continues to captivate art enthusiasts. One notable masterpiece created using egg tempera is "The Battle of San Romano" by Paolo Uccello. Painted in 1438, this artwork depicts a fierce battle scene with intricate details and vivid colors. The use allowed Uccello to achieve precise brushwork and luminous hues, bringing the composition to life. Another remarkable example is "Mary Magdalene, " which showcases the delicate beauty of this biblical figure. The artist's skillful application brings out the subtle nuances in her expression and drapery, adding depth and realism to the portrait. In "Saint Francis and the Wolf of Gubbio, " we see how egg tempera enhances the texture of fur on both Saint Francis' robe and the wolf itself. This technique allows for meticulous detailing, making every strand stand out against a richly colored background. "The Virgin and Child with Saints" by Pisanello demonstrates how they are be used to create ethereal figures surrounded by an otherworldly glow. The luminosity achieved through this medium adds a sense of divinity to religious subjects like these. Titian's "Portrait of Gerolamo Barbarigo" showcases his mastery over egg tempera as he captures every wrinkle on Gerolamo's face with precision. The richness in color achieved through this technique gives depth to his subject's features, revealing their character. Barnaba da Modena's "The Coronation of the Virgin" exemplifies how well-suited egg tempera is for creating intricate patterns found in Byzantine iconography. Each stroke reveals fine details within elaborate garments worn by saints surrounding Mary, adding to the overall grandeur of the scene.