Edward Francis Burney Collection

Fanny Burney, c1784-1785, (1943). Creator: Unknown
Fanny Burney, c1784-1785, (1943). Portrait of Frances Burney (1752-1840), English satirical novelist, diarist and playwright, and daughter of the musicologist Dr Charles Burney

Ladies Cutting Out Silhouettes: and Ladies Conversing in an Interior
824122 Ladies Cutting Out Silhouettes: and Ladies Conversing in an Interior, (pen and grey ink and watercolour) by Burney

Certificate of Membership of the Society of Copper-Plate Printers, 19th century

Title Page, The Microcosm of London, 1808. 1808. Creators: Robert Ashby
Title Page, The Microcosm of London, 1808

Theatre Royal English Opera House, Westminster, London, 1817. Artist: James Stow
Theatre Royal English Opera House, Westminster, London, 1817. Two interior views of the opera house, also known as the Lyceum Theatre

View of the Pandean Minstrels in performance at Vauxhall, London, c1800. Artist: John Lee
View of the Pandean Minstrels in performance at Vauxhall, London, c1800. Primo, Secondo, Basso, Pandean pipes and Tenore (Contra-Basso)

Satan and Beelzebub in Hell, c1799. Artist: Edward Francis Burney
Satan and Beelzebub in Hell, c1799. Scene showing Satan and Beelzebub on the Lake of Liquid Fire. They both have wings and one of them carries a shield and spear

A Bas-Relief to Ovid, c1780-1848. Artist: Edward Francis
A Bas-Relief to Ovid, c1780-1848. Study for a medallion with the profile head of the Roman poet set in a central cartouche

Youth Crowned with Roses, c1780-1848. Artist: Edward Francis Burney
Youth Crowned with Roses, c1780-1848

Two Youths contemplating Statues of Demosthenes, Cicero and Pitt, c1780-1848

Genius Bearing the Soul Aloft, c1780-1848. Artist: Edward Francis Burney
Genius Bearing the Soul Aloft, c1780-1848

Norwegians, 1788. Artist: J Thornthwaite
Norwegians, 1788. After Edward Francis Burney (1760-1848). [Dr. J. Truster, London, 1788]

View of the iron bridge over the river Severn, Coalbrookdale, Shropshire, 19th century. Artist: W & J Walker
View of the iron bridge over the river Severn, Coalbrook Dale, Shropshire, 19th century. The development of coke smelting in Coalbrookdale by Abraham Darby I

Phyllis inconsolable loss Demophoon attempts
Artokoloro

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Edward Francis Burney was a talented artist who lived during the late 18th and early 19th centuries. He was born in c1784-1785, and not much is known about his early life or background. However, he had a close connection to Fanny Burney, also known as Frances d'Arblay, who may have been a relative or friend. One of Edward's notable works is an oil painting from around c1784-85 depicting Fanny Burney. This portrait showcases his skill in capturing the essence and beauty of his subject. Edward also excelled in creating intricate copper-plate prints. Two his work are "Ladies Cutting Out Silhouettes: and Ladies Conversing in an Interior" and the "Certificate of Membership of the Society of Copper-Plate Printers, " both dating back to the 19th century. These pieces demonstrate his attention to detail and mastery of this medium. In addition to printmaking, Edward contributed illustrations for various publications. One such example is the title page for "The Microcosm of London" published in 1808 by Robert Ashby. His artistic talent brought life to this publication, showcasing scenes from everyday life in London during that time period. Edward's versatility as an artist extended beyond illustrations; he also designed sets for theatrical productions like the Theatre Royal English Opera House in Westminster, London (1817) by James Stow. His ability to create immersive environments added depth and visual appeal to these performances. Another interesting aspect of Edward's work is seen through his depiction of musical performances such as "View of the Pandean Minstrels at Vauxhall" (c1800) by John Lee. This piece captures the energy and excitement surrounding live music events during that era. However, one cannot overlook Edward's darker side as evidenced by his artwork titled "Satan and Beelzebub in Hell" (c1799).