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Ecclesiatical Collection

"Ecclesiastical Marvels: A Journey through Time and Faith" Step into the enchanting village of Ouro Preto, Brazil

Background imageEcclesiatical Collection: The Church of Igresa de Nossa Senhora do Pilar. Ouro Preto village, Minas Gerais, Brazil

The Church of Igresa de Nossa Senhora do Pilar. Ouro Preto village, Minas Gerais, Brazil

Background imageEcclesiatical Collection: Russian Orthodox pope and archimandrite

Russian Orthodox pope and archimandrite
Russian Orthodox church pope and archimandrite, with nuns, in ecclesiatical robes. Handcoloured copperplate engraving by Giarre and Stanghi from Giulio Ferrarios Costumes Ancient

Background imageEcclesiatical Collection: The Last Consistory In Rome, Leo XIII Proclaims The New Cardinals (colour litho)

The Last Consistory In Rome, Leo XIII Proclaims The New Cardinals (colour litho)
2798189 The Last Consistory In Rome, Leo XIII Proclaims The New Cardinals (colour litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info.: The Last Consistory In Rome)

Background imageEcclesiatical Collection: The Synod of Whitby AD664, 1920s (litho)

The Synod of Whitby AD664, 1920s (litho)
833125 The Synod of Whitby AD664, 1920s (litho) by Webb, Archibald (fl.1825-66); Private Collection; (add.info.: Illustration from Hutchinsons Story of the British Nation)

Background imageEcclesiatical Collection: A Bishop Saint, c. 1425 (tempera on wood)

A Bishop Saint, c. 1425 (tempera on wood)
3928814 A Bishop Saint, c.1425 (tempera on wood) by Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455); 15.9 x 15.6 cm; Metropolitan Museum of Art, New York

Background imageEcclesiatical Collection: Ranuccio Farnese, 1542 (oil on canvas)

Ranuccio Farnese, 1542 (oil on canvas)
3700883 Ranuccio Farnese, 1542 (oil on canvas) by Titian (Tiziano Vecellio) (c.1488-1576); 89.7x73.6 cm; National Gallery of Art, Washington DC

Background imageEcclesiatical Collection: George Anthony Denison 1

George Anthony Denison 1
GEORGE ANTHONY DENISON English churchman, archdeacon of Taunton, whose high-church views led him into controversy on ecclesiatical issues which seemed important at the time. Date: 1805 - 1896

Background imageEcclesiatical Collection: George Anthony Denison 2

George Anthony Denison 2
GEORGE ANTHONY DENISON English churchman, archdeacon of Taunton, whose high-church views led him into controversy on ecclesiatical issues which seemed important at the time. Date: 1805 - 1896

Background imageEcclesiatical Collection: Richard Hurd

Richard Hurd
RICHARD HURD Bishop of Worcester, writer on ecclesiatical subjects Date: 1720 - 1808

Background imageEcclesiatical Collection: Elegant Figures in a Gothic Church (oil on panel)

Elegant Figures in a Gothic Church (oil on panel)
BAL31870 Elegant Figures in a Gothic Church (oil on panel) by Deelen, Dirck van (1605-71); Johnny van Haeften Gallery, London, UK; Netherlandish, out of copyright

Background imageEcclesiatical Collection: Edmund Grindal

Edmund Grindal
EDMUND GRINDAL Archbishop of Canterbury. Undertook to reform ecclesiatical courts


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"Ecclesiastical Marvels: A Journey through Time and Faith" Step into the enchanting village of Ouro Preto, Brazil, where the stunning Church of Igresa de Nossa Senhora do Pilar stands tall as a testament to ecclesiastical grandeur. Its intricate architecture and rich history transport visitors to a bygone era. Intriguingly, our exploration takes us further east to Russia, where we encounter the esteemed Russian Orthodox pope and archimandrite. Their presence exudes wisdom and devotion, reminding us of the profound influence that religious leaders have on their communities. Traveling back in time, we find ourselves amidst the historic Last Consistory in Rome. The vibrant lithograph captures Pope Leo XIII proclaiming new cardinals with great pomp and ceremony. This momentous occasion symbolizes continuity within the ecclesiastical hierarchy. Delving deeper into history, we stumble upon an intriguing event known as The Synod of Whitby AD664. This 1920s lithograph transports us to a pivotal moment when different Christian traditions converged and shaped England's religious landscape forever. Art becomes our guide as we marvel at a captivating tempera painting depicting a Bishop Saint from c. 1425. The artist's skillful brushstrokes bring forth an aura of sanctity while honoring this revered figure's contributions to faith. Continuing our artistic journey, Ranuccio Farnese captivates us with his oil-on-canvas masterpiece from 1542. Through his work, he immortalizes not only himself but also highlights how art has long been intertwined with ecclesiastical power dynamics. Shifting focus towards influential figures within the church community, George Anthony Denison emerges before us twice – each portrait capturing his unwavering dedication to his calling. Richard Hurd also graces our narrative; his legacy serves as inspiration for future generations seeking spiritual guidance.