Ecce Homo Collection (page 2)

Ecce Homo, n.d. Creator: Unknown
Ecce Homo, n.d

Christ Presented to the People, page 73 from the Treasury (Schatzbehalter), 1491. Creator: Michael Wolgemut
Christ Presented to the People, page 73 from the Treasury (Schatzbehalter), 1491

The Flagellation of Christ, 1538. Artist: Cranach, Lucas, the Elder (1472-1553)
The Flagellation of Christ, 1538. Found in the collection of the Art History Museum, Vienne

Jesus Christ crowned with thorns - Bible, New Testament, 19th century (print)
3784288 Jesus Christ crowned with thorns - Bible, New Testament, 19th century (print); (add.info.: Jesus Christ crowned with thorns. Caption reads: Ecce Homo / Behold The Man)

Ecce Homo, painting by Murillo. Pinacoteca, Vatican, Rome Painting Baroque, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2002

Ecce Homo and Crucifige. Two chiaroscuro drawings by an artist of the School of Rogier Van Der Weyden, preserved in the Bandini Museum of Fiesole. Fiesole Bandini Museum

Ecce Homo, work by Matteo Civitali, Bargello National Museum Florence Bargello National Museum Sculpture Early Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe

Ecce Homo, one of the six bas-reliefs depicting the mysteries of the Passion, by Giambologna, in the Cappella della Madonna del Soccorso, Basilica of the Santissima Annunziata

Christ showed to the people, tapestry, Gasparre Panini, designed by Alessandro Allori (1535-1607), the Uffizi Gallery, Florence Florence the Uffizi Gallery Tapestry High Renaissance, Renaissance

The Flagellation of Christ, 1617. Creator: Rubens, Pieter Paul (1577-1640)
The Flagellation of Christ, 1617. Found in the Collection of Sint-Pauluskerk, Antwerpen

Christ Crowned with Thorns, 1772. Artist: Tiepolo, Giandomenico (1727-1804)
Christ Crowned with Thorns, 1772. Found in the collection of the Museo del Prado, Madrid

Hamburger Kunsthalle, Hamburg, Germany
Ecce Homo, c.1435 (tempera & oil on panel) (Photo by Art Images via Getty Images)

Ecce Homo. 1st half 16th century (oil on wood)
CUL4934205 Ecce Homo. 1st half 16th century (oil on wood) by Mostaert, Jan (c.1475-c.1555); (add.info.: By MOSTAERT, Jan (1470-1556) Dutch school Burgos. Provincial Archaeological Museum); AIC

Ecce Homo, first half of the 16th century (oil on panel)
471233 Ecce Homo, first half of the 16th century (oil on panel) by Netherlandish School (16th century); 40x33 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders

Ecce Homo, 1519 (fresco)
2562739 Ecce Homo, 1519 (fresco) by Romanino, Girolamo (c.1485-c.1566); Duomo (Cattedrale Santa Maria dell Assunta), Cremona, Lombardy, Italy; (add.info.: Cremona, Duomo (the Cathedral of S)

Ecce Homo, 1519 (fresco)
2562740 Ecce Homo, 1519 (fresco) by Romanino, Girolamo (c.1485-c.1566); Duomo (Cattedrale Santa Maria dell Assunta), Cremona, Lombardy, Italy; (add.info.: Cremona, Duomo (the Cathedral of S)

Interior of Red Clouds House, 1891 (b / w photo)
829835 Interior of Red Clouds House, 1891 (b/w photo) by Morledge, Clarence Grant (1865-1948); Denver Public Library, Western History Collection; (add.info)

Ecce homo
" Christ presented to the People (Ecce Homo)from a painting of Antonio Corregio ( 1494-1534) Engraved and published in the Pictorial Sunday Book in 1845.Digital restoration by Pictore.In the New

The Temptation of Saint Anthony. Triptych, reverse: The Capture of Christ, 1500-1501. Found in the Collection of the Museu Nacional de Arte Antiga, Lisbon

Christ Presented to the People, 1475 / 85. Creator: Unknown
Christ Presented to the People, 1475/85

Ecce Homo with three angels, 1634-86. Creator: Gilles Rousselet
Ecce Homo with three angels, 1634-86. [Man of Sorrows. Angeli pacis amare flebunt - the angels of peace shall weep bitterly]

Ecce Homo, 1720-62. Creator: Francois Joullain
Ecce Homo, 1720-62

Ecce Homo, with Pontius Pilate behind him at left, the Virgin fainting at lower left, and a soldier at right, 1850

Heads after the Ecce Homo, 1720-78. Creator: Francois Joullain
Heads after the Ecce Homo, 1720-78. Principales tetes du Tableau de l oratoire. (Principle heads of the Oratory Painting)

Ecce Homo, (oil on panel)
990333 Ecce Homo, (oil on panel) by Coxie or Coxcie, Michiel I (1499-1592); 68x87.6 cm; Private Collection; (add.info.: Ecce Homo. Attributed to Michiel Coxie I (1499-1592). Oil on panel

Ecce Homo
3433476 Ecce Homo by Ferrari, Orazio de (1606-57); 109A--137.5 cm; Palazzo Corsini, Gallerie Nazionali Barberini Corsini, Rome, Italy; (add.info.: De Ferrari " Ecce Homo" - Roma)

Jerusalem, Chapel of the Ecce Homo (b / w photo)
5214336 Jerusalem, Chapel of the Ecce Homo (b/w photo) by European Photographer, (19th century); Private Collection; (add.info.: Jerusalem, Chapel of the Ecce Homo)

Christ before Pilate, in the historiated initial L, c. 1403-05 (vellum and gold)
MMT386260 Christ before Pilate, in the historiated initial L, c.1403-05 (vellum and gold) by Torelli, Filippo di Matteo (1409-68) (attributed to); 10x7.5 cm; Musee Marmottan Monet, Paris

Ecce Homo, late 16th-early 17th century (boxwood)
869738 Ecce Homo, late 16th-early 17th century (boxwood) by Flemish School; 25.2x6.7x6 cm; Allen Memorial Art Museum, Oberlin College, Ohio, USA; eAllen Memorial Art Museum; Mrs. F.F

Ecce Homo
LLM455707 Ecce Homo by Reni, Guido (1575-1642) (after); Private Collection; (add.info.: Ecce Homo. Studies from the Great Masters (Hamilton, Adams & Co, c 1860)

Ecce Homo Arch, Jerusalem, c. 1880 s
Ecce Homo Arch, Jerusalem, c.1880 s

Bible
LLM339608 Bible by English School, (20th century); Private Collection; (add.info.: Bible (McFarlane & Erskine, c 1870). Illustrations by Kronheim

Maesta: eleven scenes from the Passion, 1308-11 (tempera on panel) (reverse of 55438)
ALI235966 Maesta: eleven scenes from the Passion, 1308-11 (tempera on panel) (reverse of 55438) by Duccio di Buoninsegna, (c.1278-1318); total:212x425 cm; Museo dell Opera del Duomo, Siena

Ecce Homo
3433531 Ecce Homo by Reni, Guido (1575-1642); Palazzo Corsini, Gallerie Nazionali Barberini Corsini, Rome, Italy; (add.info.: Reni Guido 1575-1642 " Ecce Homo" - Roma)

Ecce Homo
3496861 Ecce Homo by Baschenis, Pietro (c.1590-1630); Complesso Monastico di Santa Maria Incoronata, Martinengo, Bergamo, Lombardy

Ecce Homo (engraving)
2771421 Ecce Homo (engraving) by English School, (19th century); Private Collection; (add.info.: Ecce Homo. Illustration for The Illustrated Times)

Ecce Homo (engraving)
1217314 Ecce Homo (engraving) by Schongauer, Martin (1440-91); 16.7x11.7 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; German, out of copyright

Ecce Homo
3567408 Ecce Homo by Bartolomeo, Fra (Baccio della Porta) (1472-1517); Palatine Gallery, Pitti Palace, Florence; (add.info.: ARTIST: Bartolomeo, Fra, Baccio della Porta)

Choir gate, 1518 (gilt metal)
3704209 Choir gate, 1518 (gilt metal) by Bartolomede Jaen (fl.1518); Granada Cathedral, Granada, Spain; Photo eRaffaello Bencini; Spanish, out of copyright

Crown of Thorns (oil on canvas)
XKH152615 Crown of Thorns (oil on canvas) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); 79.5x88.5 cm; Hamburger Kunsthalle, Hamburg, Germany; Italian, out of copyright

Ecce Homo, 1512 (Burin engraving on copper)
5890596 Ecce Homo, 1512 (Burin engraving on copper) by DAorer or Duerer, Albrecht (1471-1528); 11.8x7.5 cm; Private Collection; Luisa Ricciarini; German, out of copyright

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"Ecce Homo: A Glimpse into the Divine and Human Suffering" Step into the world of religious art as we explore the captivating theme of "Ecce Homo, " a Latin phrase meaning "Behold the Man. " This powerful depiction of Christ's suffering has been portrayed by various artists throughout history, each offering their unique interpretation. In 1538, Lucas Cranach, the Elder, created "The Flagellation of Christ, " showcasing his mastery in capturing emotion through brushstrokes. The torment inflicted upon Jesus is palpable, evoking empathy from viewers. Fast forward to 1617 when Pieter Paul Rubens painted another rendition titled "The Flagellation of Christ. " His vibrant colors and dynamic composition breathe life into this biblical scene, leaving an indelible mark on art enthusiasts. One cannot discuss Ecce Homo without mentioning Hamburg's Hamburger Kunsthalle. In their collection lies an exquisite piece from the first half of the 16th century—a haunting portrayal rendered with oil on wood. Its unknown artist skillfully conveys both vulnerability and strength in Christ's face. Moving further back in time to 1519, two frescoes bearing the same title were created. These works capture not only physical suffering but also spiritual anguish—reminding us that Jesus' sacrifice transcends mere human comprehension. Even photography pays homage to Ecce Homo; a black-and-white photo taken in 1891 showcases its enduring influence within Red Clouds House's interior—an eternal reminder of humanity's connection to divinity. Beyond depicting Christ alone, some artworks incorporate additional elements. For instance, a triptych by an anonymous artist portrays "The Temptation of Saint Anthony" alongside "The Capture of Christ, " emphasizing how temptation intertwines with suffering throughout our lives. Another notable representation features three angels surrounding Ecce Homo—a testament to Gilles Rousselet's artistic prowess in merging heavenly beings with earthly struggles during the 17th century.