Early Sixteenth Century Collection (page 2)

Mihrab Hears of Rudabehs Folly, c. 1500-1540s (w / c & gilt on paper)
1196766 Mihrab Hears of Rudabehs Folly, c.1500-1540s (w/c & gilt on paper) by Persian School, (16th century); 47x31.7 cm; Private Collection; Photo eChristies Images; Persian, out of copyright

The Virgin Praying, c. 1500 (paint and ink on vellum)
986372 The Virgin Praying, c.1500 (paint and ink on vellum) by French School, (16th century); 16.7x11.4 cm; Private Collection; (add.info.: The Virgin Praying)

A draughtsman drawing a portrait, using a drawing frame, 1525 (woodcut)
986187 A draughtsman drawing a portrait, using a drawing frame, 1525 (woodcut) by DAorer or Duerer, Albrecht (1471-1528); Private Collection; (add.info.: A draughtsman drawing a portrait)

Saint Christopher, 1517 (oil on panel)
991428 Saint Christopher, 1517 (oil on panel) by Duerer, Hans (1490-c.1538) & workshop; 102x40 cm; Private Collection; (add.info.: Saint Christopher. Hans Duerer and workshop (1490-1535/8)

The Holy Family with the Infant Saint John the Baptist, (oil on panel)
990270 The Holy Family with the Infant Saint John the Baptist, (oil on panel) by Beccafumi, Domenico (1486-1551); 89.5 cm; Private Collection; (add.info)

The Mater Dolorosa, c. 1509-1511 (oil on panel)
990257 The Mater Dolorosa, c.1509-1511 (oil on panel) by Coter, Colijn de (c.1455-c.1540); 64x43.5 cm; Private Collection; (add.info.: The Mater Dolorosa. Colijin de Coter (c.1480-1525)

Portrait of a Lady, half-length, wearing a white dress with gold sleeves (oil on panel)
990224 Portrait of a Lady, half-length, wearing a white dress with gold sleeves (oil on panel) by Master of the Leonardesque Female Portraits (fl.1500-50; 59.6x44.4 cm; Private Collection; (add.info)

The Mystic Marriage of Saint Catherine (oil on panel)
990219 The Mystic Marriage of Saint Catherine (oil on panel) by Francia, Giacomo (c.1486-1557); 64.7x53.3 cm; Private Collection; (add.info.: The Mystic Marriage of Saint Catherine)

Portrait of Giovanna of Aragon, seated three-quarter length, in her chamber
990212 Portrait of Giovanna of Aragon, seated three-quarter length, in her chamber, (oil on canvas) by Raphael (Raffaello Sanzio of Urbino) (1483-1520) (after)

The Madonna and Child, (oil on panel)
659276 The Madonna and Child, (oil on panel) by Botticelli, Sandro (1444/5-1510) (studio of); 99.1x57.2 cm; Private Collection; (add.info.: The Madonna and Child)

Portrait Head of an Old Woman (chalk & wash on paper)
659255 Portrait Head of an Old Woman (chalk & wash on paper) by Lagneau or Lanneau, Nicolas (fl.c.1590-c.1610); 28.7x20.9 cm; Private Collection; Photo eChristies Images; French, out of copyright

Portrait of a Man, Bust Length, Wearing a Black Hat (black, white & red chalk
659204 Portrait of a Man, Bust Length, Wearing a Black Hat (black, white & red chalk, on brown prepared paper) by Ostendorfer, Michael (1490-1559) (attr)

Pilate Washing His Hands, from The Engraved Passion, 1512 (engraving)
1767111 Pilate Washing His Hands, from The Engraved Passion, 1512 (engraving) by DAorer or Duerer, Albrecht (1471-1528); Private Collection; (add.info.: Pilate Washing His Hands)

Portrait of a Man, bust-length, wearing a Hat, (red chalk)
1197626 Portrait of a Man, bust-length, wearing a Hat, (red chalk) by Schaufelein, Hans Leonard (c.1480-c.1539); 19.5x17.7 cm; Private Collection; Photo eChristies Images; German, out of copyright

Sindukht Comes to Sam Bearing Gifts, c. 1500-1540s (w / c & gilt on paper)
1196765 Sindukht Comes to Sam Bearing Gifts, c.1500-1540s (w/c & gilt on paper) by Persian School, (16th century); 47x31.7 cm; Private Collection; Photo eChristies Images; Persian, out of copyright

Christ, bust-length, c. 1528-30 (oil on panel)
990137 Christ, bust-length, c.1528-30 (oil on panel) by Massys or Metsys, Quentin (c.1466-1530); 43.2x31.2 cm; Private Collection; (add.info.: Christ, bust-length)

Portrait of a Lady, three-quarter-length, in a burgundy dress with slashed sleeves
827669 Portrait of a Lady, three-quarter-length, in a burgundy dress with slashed sleeves, holding gloves, (oil on canvas) by Licinio

Portrait of a Lady, seated three-quarter-length, Holding a Glove, (oil on panel)
827668 Portrait of a Lady, seated three-quarter-length, Holding a Glove, (oil on panel) by Bacchiacca, Francesco Ubertini

The Virgin and Child seated by a Tree
827630 The Virgin and Child seated by a Tree () by Master of the Mansi Magdalen (fl.1510-25); Private Collection; (add.info.: The Virgin and Child seated by a Tree)

The Battle of the Horatii, (black chalk, pen and brown ink
827549 The Battle of the Horatii, (black chalk, pen and brown ink, brown wash heightened with white) by Romano, Giulio (1492-1546); 27.1x47.6 cm; Private Collection; (add.info)

The Madonna and Child with the Infant Saint John the Baptist, (oil on panel)
827934 The Madonna and Child with the Infant Saint John the Baptist, (oil on panel) by Innocenzo da Imola (Francucci), (c.1490/4-1547/50); 95.9x75 cm; Private Collection; (add.info)

The Temptation, (oil on panel)
827894 The Temptation, (oil on panel) by Coecke van Aelst, Pieter (1502-50); 112.5x87.5 cm; Private Collection; (add.info.: The Temptation. Attributed Pieter Coecke van Aelst (1502-1550)

The Judgement of Paris, c. 1507 (oil on canvas)
827838 The Judgement of Paris, c.1507 (oil on canvas) by Cranach, Lucas (1472-1553) (studio of); 63.7x49 cm; Private Collection; (add.info.: The Judgement of Paris)

Sexta Asiae Tabula, 1511 (woodcut printed in red and black)
986161 Sexta Asiae Tabula, 1511 (woodcut printed in red and black) by Ptolemy (Claudius Ptolemaeus of Alexandria)(c.90-168)(after); 33.5x52 cm; Private Collection; (add.info.: Sexta Asiae Tabula)

Title-page showing the Parliament of Toulouse, 1515 (red and black inks within a woodcut)
985807 Title-page showing the Parliament of Toulouse, 1515 (red and black inks within a woodcut) by French School, (16th century); 27.1x19.6 cm; Private Collection; (add.info)

Saint Sebastian, (oil on canvas)
659393 Saint Sebastian, (oil on canvas) by Titian (Tiziano Vecellio) (c.1488-1576); 190x96.5 cm; Private Collection; (add.info.: Saint Sebastian. Tiziano Vecelli, called Titian (c.1488-1576)

Saint Christopher, c. 1490-1500 (bodycolour heightened with gold, on vellum)
659242 Saint Christopher, c. 1490-1500 (bodycolour heightened with gold, on vellum) by Bourdichon, Jean (1457-1521); 13x8.9 cm; Private Collection; (add.info.: Saint Christopher. Jean Bourdichon (ca)

Portrait of a Lady, Half Length, in Profile, in a Black Dress Decorated with Lace
659315 Portrait of a Lady, Half Length, in Profile, in a Black Dress Decorated with Lace, with Pendant Tassels and Slashed Shoulders and an Orange and Grey Snood, (oil on panel) by Conti

An unrecorded Annamese blue and white ewer formed as a kneeling attendant (ceramic)
1764847 An unrecorded Annamese blue and white ewer formed as a kneeling attendant (ceramic) by Vietnamese School; 31.2 high cm; Private Collection; (add.info)

The Bagpiper, 1514 (copper engraving)
1767121 The Bagpiper, 1514 (copper engraving) by DAorer or Duerer, Albrecht (1471-1528); 11.7x7.5 cm; Private Collection; (add.info.: The Bagpiper. Albrecht Durer (1471-1528). Copper engraving, 1514

Saint Christopher Facing Right, 1521 (engraving)
1767114 Saint Christopher Facing Right, 1521 (engraving) by DAorer or Duerer, Albrecht (1471-1528); Private Collection; (add.info.: Saint Christopher Facing Right. Albrecht Durer (1471-1528)

The Large Horse, 1509 (engraving)
1767113 The Large Horse, 1509 (engraving) by DAorer or Duerer, Albrecht (1471-1528); Private Collection; (add.info.: The Large Horse. Albrecht Durer (1471-1528)

The Betrothal of the Virgin, From The Life of the Virgin, c. 1504 (woodcut print)
1767106 The Betrothal of the Virgin, From The Life of the Virgin, c.1504 (woodcut print) by DAorer or Duerer, Albrecht (1471-1528); Private Collection; (add.info.: The Betrothal of the Virgin)

The Crucifixion, from The Small Passion, c. 1509-11 (woodcut print)
1767105 The Crucifixion, from The Small Passion, c.1509-11 (woodcut print) by DAorer or Duerer, Albrecht (1471-1528); Private Collection; (add.info.: The Crucifixion, from The Small Passion)

The Harrowing of Hell or Christ in Limbo, from The Large Passion, 1510 (woodcut print)
1767104 The Harrowing of Hell or Christ in Limbo, from The Large Passion, 1510 (woodcut print) by DAorer or Duerer, Albrecht (1471-1528); Private Collection; (add.info)

Study of one of the Quirinal Marble Horses, c. 1515-17 (red chalk)
1766781 Study of one of the Quirinal Marble Horses, c.1515-17 (red chalk) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); 21.8x27.2 cm; Private Collection; (add.info)

A Nude Seen from Behind, Looking to the Left, and Other Studies of his Left Shoulder
990021 A Nude Seen from Behind, Looking to the Left, and Other Studies of his Left Shoulder and Right Leg, (red chalk, pen and brown ink) by Vaga

The Man of Sorrows, (oil on panel)
990246 The Man of Sorrows, (oil on panel) by Bouts, Albrecht (1451/55-1549); 37.5x26.7 cm; Private Collection; (add.info.: The Man of Sorrows. Albrecht Bouts (c.1460-1549). Oil on panel

A large decorated initial E, c. 1500 (very fine pen and wash on vellum)
986375 A large decorated initial E, c.1500 (very fine pen and wash on vellum) by Swiss School, (16th century); 52x37 cm; Private Collection; (add.info.: A large decorated initial E)

Saint George, 1517 (oil on panel)
991429 Saint George, 1517 (oil on panel) by Duerer, Hans (1490-c.1538) & workshop; 102x40 cm; Private Collection; (add.info.: Saint George. Hans Duerer and workshop (1490-1535/8). Oil on panel

The Marriage of the Virgin (oil on panel)
991267 The Marriage of the Virgin (oil on panel) by Piaggio, Teramo (c1480/90-1572); 36.8x83.2 cm; Private Collection; (add.info.: The Marriage of the Virgin)

Annunciation, 1520s (illuminated manuscript on vellum)
985750 Annunciation, 1520s (illuminated manuscript on vellum) by Bening, Simon (c.1483-1561); 11.3-11.8x7.7-7.9 cm; Private Collection; (add.info.: Annunciation)

The Immaculate Conception, (oil on panel, painted shaped top)
827785 The Immaculate Conception, (oil on panel, painted shaped top) by Benson, Ambrosius (1495-1550); 85x60.5 cm; Private Collection; (add.info.: The Immaculate Conception)

Hell, (oil on panel)
827765 Hell, (oil on panel) by Bosch, Hieronymus (c.1450-1516) (follower of); 99x137.8 cm; Private Collection; (add.info.: Hell. Follower of Hieronymous Bosch (C.1450-1516). Oil on panel

The Mystic Marraige of Saint Catherine with the Archangel Raphael and Tobias
827750 The Mystic Marraige of Saint Catherine with the Archangel Raphael and Tobias, (oil on panel) by Palmezzano, Marco (1458-1539); 258.4x182.2 cm; Private Collection; (add.info)

A Man about to be awakened from his Sleep by Saint Michael, (oil on panel)
827681 A Man about to be awakened from his Sleep by Saint Michael, (oil on panel) by Orley, Bernard van (c.1488-1541); 147.6x59.7 cm; Private Collection; (add.info)

The Deposition (oil on panel)
827902 The Deposition (oil on panel) by Italian School, (16th century); 197.8x189.3 cm; Private Collection; (add.info.: The Deposition. School of the Abruzzo, early 16th Century. Oil on panel)

The Spinola Holy Family, (oil on panel)
827825 The Spinola Holy Family, (oil on panel) by Romano, Giulio (1492-1546); 76x63.5 cm; Private Collection; (add.info.: The Spinola Holy Family. Romano, Giulio (1492-1546). Oil on panel

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The early sixteenth century was a time of great artistic diversity and innovation, as seen in the various artworks from this period. From religious scenes to battle depictions, these pieces capture the essence of the era. "The Death of Saint Peter Martyr" portrays a tragic event with meticulous detail, using red chalk to create a hauntingly realistic image. In contrast, "Judith with the Head of Holofernes" showcases the power and strength of women through its oil on panel medium. A battle scene between archers and cavalry takes us back in time to witness warfare strategies during this period. The use of gouache and gold paint on vellum adds vibrancy and richness to this captivating artwork. "Hercules Turned to the Left, Leaning on his Club, Holding Drapery" captures both strength and vulnerability in its pen and brown ink composition. This piece transports us to ancient ruins while showcasing Hercules' iconic presence. "The Battle of Cosa" immerses us in an intense conflict through its black chalk, pen, and brown ink technique. The intricate details convey a sense of chaos amidst historical significance. In "Rustams Seventh Course: He Kills the White Div, " we are transported into Persian mythology through watercolor and gilt on paper. This masterpiece combines storytelling with exquisite craftsmanship. Another depiction of "Judith with the Head of Holofernes, " but this time portrayed on canvas rather than panel, emphasizes her bravery against all odds. The oil medium brings out vibrant colors that enhance her triumphant stance. "Martyrdom of a Saint" uses metalcut illustration on vellum leaf to depict a poignant moment filled with sacrifice for one's beliefs. The delicate lines add depth to this powerful portrayal. In "Christ Carrying the Cross, " we witness Jesus' burden conveyed through oil on panel technique. This artwork invites reflection upon faith and human suffering during that era. A portrait titled "Portrait of a Lady" showcases the fashion and elegance of the time.